Belated 2014 Star Trek convention report

I had a good time at this past summer’s Creation Star Trek Convention in Boston, even though the actors I was most interested in meeting — Deep Space Nine‘s Avery Brooks, Quantum Leap and Enterprise‘s Scott Bakula, and Into Darkness and Being Human‘s Karl Urban — all canceled at the last minute.

Other cancellations included Voyager‘s Kate Mulgrew and Into Darkness‘ Bruce Greenwood. Still, the show was entertaining enough for any longtime Star Trek fan, and I wasn’t expecting this year’s event to live up to last year’s reunion of most of the Next Generation cast with moderator William Shatner (whom Janice and I just saw at the Rhode Island Comic Con).

Most of the guest stars this time around were from the casts of Star Trek: Voyager and Enterprise. Last year, I went with fellow blogger Ken G., who this year attended on Saturday, June 21, but I was busy with Free RPG Day. As usual, there were many excellent cosplayers.

Star Trek cosplay
Capt. Tzu Tien Lung and Adm. Montgomery Scott

Fortunately, I had gotten a discount ticket for this year’s event, and I still got to meet Deep Space Nine‘s Nana Visitor (Maj. Kira Nerys) and Terry Farrell (Lt.Cmdr. Jadzia Dax). Much of the cast of Voyager was also present, and Max Grodenchik and Aron Eisnberg did a hilarious standup routine as Ferengis Rom and Nog, respectively.

Star Trek 2014 photo op
Nana, Gene, and Terry

As with most genre entertainment conventions lately, there was a big crowd and numerous cosplayers. In fact, last year’s Super MegaFest got so crowded that it was often a challenge to move around the Sheraton in Framingham, Mass. Fellow blogger Ken G. and I did get to meet Manu Bennet from Spartacus and Arrow, Barbara Eden from I Dream of Jeannie, among others.

Even though Waltham’s annual steampunk festival was canceled this spring because of finances and construction downtown, we haven’t lacked for other shows, such as the funny Monty Python reunion concert that was simulcast in U.S. theaters. Creation will be taking a year off and returning with a major Star Trek confab in Las Vegas to celebrate the franchise’s 50th anniversary in 2016.

This year’s Star Trek convention was inspirational, since I’ve been running occasional “episodes” of my “Star Trek: Restoration” space opera scenario.

We’ll see what genre entertainment events I get to next year, and I’ve found it easier lately to follow the news online from huge events such as the San Diego Comic Con rather than deal with traveling to them.

Big Hero 6 review

After the Boston Christmas Craft Festival this past Saturday, 8 November 2014, Janice and I went to the Showcase Cinema de Lux in Dedham, Mass., for lunch at B. Good Burgers and Big Hero 6. We liked the animated superhero movie, which is one of the best since Incredibles.

Big Hero 6
Disney’s latest animated success

Plot

Loosely based on a title published by Marvel Comics, Big Hero 6 follows Hiro Hamada, a teenage underachiever who spends his time in underground robot fights in the city of San Fransokyo. A visit to his older brother Tadashi’s university impresses Hiro, who applies his genius to designing “microbots” to gain admission.

Tadashi has been designing Baymax, a cuddly android intended to help with medical emergencies. Hiro gets help from his brother and new friends at the university, but his successful demonstration is marred by the rivalry between Prof. Robert Callaghan and entrepreneur Alistair Krei and a devastating fire….

As you may have seen from the previews, Hiro and friends soon work with Baymax to defend San Fransokyo from a supervillain….

Cast

The voice cast includes a few celebrities, but they weren’t readily identifiable or distracting, and the characters are well-developed in both voice and visual design. Ryan Potter is a typical adolescent as Hiro, with moments of stubbornness and sentiment. Scott Adsit is cheerful and surprisingly insightful as Baymax.

Other actors include Jamie Chung as daredevil student GoGo Tomago, Daon Wayans Jr. as big control freak Wasabi, and Maya Rudolph as Hiro and Tadashi’s loving but distracted Aunt Cass. Star Trek: First Contact‘s James Cromwell lends gravitas as Prof. Callaghan, and Firefly/Serenity‘s Alan Tudyk is Alistair Krei.

Direction

Directors Don Hall and Chris Williams wisely decided to set Big Hero 6‘s San Fransokyo in a pocket universe rather than the live-action Marvel cinematic universe. While there are many nods to conventional comic books and anime, Big Hero 6 stands on its own.

Like Pixar’s Incredibles, Big Hero 6 presents superhero and science fiction tropes in an energetic way, with tragedy outweighed by the responsibility and fun of doing good. I was also pleased to see young scientists portrayed in a positive way. The story feels fresh, even if it the final act is predictable.

Cinematography

The character faces will be familiar to anyone who has seen recent Disney/Pixar films such as Ratatouille or Brave, but that’s no different than the house styles used by Aardman, DreamWorks, or Sony.

As each animated movie tries to top its predecessors for “eye candy,” Big Hero 6 stands out in the design of Baymax, who exhibits a surprisingly wide range of emotions despite looking like the Stay Puft Marshmallow Man, not unlike Wall-E.

The other area in which Big Hero 6 is noteworthy is its design of San Fransokyo and the nascent superhero team. Animators have been wisely avoiding the “uncanny valley” with cartoonish characters, but the hyper-realistic settings and frenetic action surpass most recent live-action movies. Big Hero 6 resembles a video game, but in this case, I don’t necessarily mean that as a putdown.

Soundtrack

Composer Henry Jackman combines traditional movie music with pop styles, aided by the track Immortals by Fall Out Boy. The score also keeps up with the action and raises the emotional stakes when needed. Even though Big Hero 6 isn’t exactly a Disney/Marvel flick, there is a cameo after the final credits.

Rating

I’d give Big Hero 6, which is rated PG for action, 7.5 out of 10, three and a half out of five stars, or a B+. While The Lego Movie, The Boxtrolls, and The Book of Life were arguably more original, I found that this Disney movie did a better job of capturing the fun of superhero comics than, say, Man of Steel or X-Men: Days of Future Past.

Big Hero 6 beat Christopher Nolan’s Interstellar at the box office, but I hope to see the latter film with Thomas K.Y. and friends next weekend. Speaking of the uncanny valley, I’ll probably skip Paddington and Penguins of Madagascar, but Minions does look amusing.

Rhode Island Comic Con report, Part 1 — Trekking in the rain

This past weekend, Janice and I drove down to Providence for the Rhode Island Comic Con (RICC). Despite the ever-growing crowds, we enjoyed the latest genre entertainment convention.

In addition to seasonal arts and crafts festivals, I usually try to get to some of the local events featuring TV and movies, comic books, and games each year. Because of family-related travel, I ended up skipping this year’s Boston Comic Con, the huge New York Comic Con, and the upcoming Super MegaFest, as well as various Renaissance festivals.

Popularity brings problems

I’ll write more about other recent cons soon, but back to Providence. Janice and I tried to get to the convention center early, and we had to wait outside for two hours in various lines before we finally got on the right one for our wristbands and admission. As with last year’s Boston Comic Con, it might have been easier to get in without advance tickets.

At least it was raining only lightly rather than snowing as in Massachusetts, and the cold I’ve been fighting was manageable. I felt particularly bad for the underdressed cosplayers shivering farther back in line. Extra layers or overcoats never hurt, at least until we get inside (Janice and I ran ours back to my car once we got in).

All of the events I’ve attended in the past few years have struggled with growing attendance. While I’m glad to see a new, more diverse generation of fans sharing some of my interests, organizers and venues have yet to catch up. Vendors can’t sell things if people can’t get to their tables or booths, and fans excited to meet artists or actors come away with negative feelings about communal experiences.

According to people I talked with, the Rhode Island Convention Center can hold up to about 10,000 people at a time, and the RICC had to turn people away by Saturday afternoon after 20,000 showed up. If a total of 17,000 people attended last year, it was a mistake to plan for 50,000 over the course of this weekend. Understandably, many people were very unhappy, but I hope that everyone can learn better logistics for the sake of safety and fun.

What should organizers do? I recommend planning for more frequent events, finding larger venues if possible, and making the events more specific — just pop-culture celebrities or graphic artists, for example. If nearly every state in the U.S. has a Renaissance festival or two, some of the pressure could be relieved with more numerous, local shows.

On the show floor

Once we got into the RICC, it was crowded but worthwhile. There were many celebrity guests, including the original Star Trek‘s William Shatner, George Takei, Nichelle Nichols, and Walter Koenig. I had seen these actors before, but it was Janice’s first time to see them in person.

We also got to chat with John Rhys-Davies and Karen Allen from the Indiana Jones movies, former Doctor Who Colin Baker, and The Flash‘s John Wesley Shipp. All were very gracious and took the time to speak with each autograph seeker.

At last year’s RICC, I got to hang out with both Buck Rogers and Flash Gordon — Gil Gerard and Sam Jones! This year, Farscape‘s Gigi Edgley complimented Janice’s and my “positive energy,” and “Whedonverse” (and Agents of SHIELD) alumnus J. August Richards was much more pleasant than his tortured characters. I’m friends with Jacqui B., who runs his and others’ Web sites.

We browsed the vendor area and walked through Artist’s Alley, which included luminaries such as Neal Adams, Jim Steranko, and Bob Eggleton. I bought sketchbooks from Michael Dooney and Chrissie Zullo. As collectible card games and video games have displaced tabletop role-playing games, anime seems to be more popular among many younger consumers and cosplayers than traditional superhero comics.

After a quick lunch at Charley’s Grilled Subs, Janice and I attended Vic Mignogna’s panel on “Star Trek Continues,” fan-made movies set right after the original TV series with professional-grade production values and actors. Janice and I then watched his latest episode, “Fairest of Them All,” which returned to the popular alternate universe of “Mirror, Mirror.”

The acting was solid, with Mignogna as Capt. James T. Kirk, Mythbusters‘ Grant Imahara as Lt. Hikaru Sulu, and Chris Doohan a dead ringer for his late father James as chief engineer Scotty. Asia De Marcos is also a strong reflection (sorry, couldn’t help it) of BarBara Luna as Marlena Moreau, the “captain’s woman.” Michael Dorn provided the computer voice for the alternate universe’s Enterprise.

For any fan of classic Trek, this is more true to Gene Roddenberry’s idealistic space opera than many of its subsequent spin-offs and certainly more so than J.J. Abrams’ reboot. We missed Shatner’s panel, but we did catch a brief one with Nichols and Koenig in which they reminisced as the franchise approaches its 50th anniversary.

Janice and I sat through part of the costume contest — my favorites included characters from Invader Zim and Marvel’s Modok — but we eventually left to eat. Not surprisingly, most of the restaurants in the adjacent Providence Place Mall were full, so we ended up grabbing dinner at Panera before checking into the comfortable Hampton Inn & Suites Downtown. We had better luck than actress Eliza Dushku, who was robbed, but all’s well that ends well….

I’ll post soon about our second day at the con!

The Book of Life review

On Saturday, 18 October 2014, Janice and I went to the AMC Burlington Cinema 10 for an early matinee of The Book of Life. We enjoyed the movie, which is the latest in a strong year for animation.

The Book of Life
Fondly remember the dead

Plot: The Book of Life begins in a modern-day museum as a clever guide gives a bunch of bored schoolchildren are some insight into Mexican lore. The story then shifts to puppet-like characters in a tale full of swashbuckling romance and otherworldly adventures.

Manolo, Maria, and Joaquin are three young friends in the village of San Angel, but they are driven apart by their parents’ expectations and two meddling immortals, La Muerte, ruler of the Land of the Remembered, and Xibalba, ruler of the Land of the Forgotten.

Reunited as adults, matador Manolo would rather be a musician, and Joaquin is a decorated soldier, as was his late father. Maria returns from Spain and is wooed by both Manolo and Joaquin, but Xibalba’s schemes and vicious bandit leader Chakal send Manolo on a quest through the lands of the Remembered and Forgotten….

Cast: The summary above doesn’t do justice to The Book of Life‘s twists, colorful visuals, and strong acting. Diego Luna is properly soulful as Manolo (reminding me of Antonio Banderas), and Channing Tatum plays on his image as good-natured hunk Joaquin (not unlike Kevin Kline). Zoe Saldana is spunky as Maria, who refuses to be the passive object of the two guys’ affections and rallies San Angel against Chakal’s horde.

They are supported by experienced voice actors Kate del Castillo as seductive La Muerte, Ron Perlman as fearsome Xibalba, and Hector Elizondo as Manolo’s bullfighter father Carlos Sanchez.

In addition, Christina Applegate plays the museum docent Mary Beth, Ice Cube is the benevolent Candle Maker, and other characters are voiced by Danny Trejo, Cheech Marin, and even opera singer Placido Domingo. There is some slapstick, but nothing really offensive.

Direction: Jorge Gutierrez does a decent job of pacing, from the initial prologue through Manolo’s eye-popping arrival in the Land of the Remembered through his more conventional final confrontations with Joaquin and Chakal.

Since Guillermo del Toro was a producer, it’s no surprise that the expansive scale, Mexican mythology, and emotional heart of The Book of Life are so well-handled. I was interested to see mentions of feminist and animal-rights ideas balanced against elements harking back to ancient Mesoamerica and even Greece and Rome.

Death is shown as not something to be feared, but as part of life. True heroism requires sacrifice, and respect for family and true love still conquer all. None of these messages come as any surprise, but they are delivered in a piñata of action.

Cinematography: Make no mistake, though, the fast pacing and clever visual effects are mainly for a younger audience. As I noted above, this year has been a particularly strong one for animated movies, including The Lego Movie, Frozen, The Boxtrolls, and now The Book of Life. (I’d put Mr. Peabody & Sherman and How to Train Your Dragon 2 only slightly behind them.)

The inventive character designs and divergent settings (San Angel and the lands of the Remembered and the Forgotten) are still impressive in an era when we’ve gotten used to hyper-realism or highly stylized computer and stop-motion animation.

Soundtrack: The music of The Book of Life is a great blend of Latin, classical, and pop tunes. Normally, I wouldn’t like the inclusion of the latter, but all three styles manage to help both the humor and romance of this movie.

Rating: The Book of Life is rated PG for rude humor and scary images. I’d give it an 8.5 to 9 out of 10, four out of five stars, or an A-. I liked it slightly more than The Boxtrolls and close to The Lego Movie. I’d strongly recommend The Book of Life to anyone who’s young at heart.

After the movie, Janice and I went to the Tex-Mex Border Café for lunch. (We also had Besito and Chipotle as options nearby.) I hope to eventually catch The Tale of the Princess Kaguya, which is in limited release, and Big Hero 6.

The Boxtrolls review

On Saturday, 27 September 2014, Janice and I met newlyweds Thomas K.Y. and Kai-Yin H. at the refurbished AMC Burlington 10 multiplex for The Boxtrolls. We enjoyed the stop-motion fantasy film.

the Boxtrolls
Charming animated film

Plot: The Boxtrolls opens with what looks like a child being abducted by monsters in the teetering town of Cheesebridge. However, viewers soon learn that the Boxtrolls, so named because they wear discarded cardboard boxes, are not malicious, merely subterranean scavengers and grotesque goblins.

The child becomes a boy named Egg (for the box he threatens to outgrow), even as Archibald Snatcher uses the supposed abduction to whip up hysteria to further his own nefarious ambitions. Unfortunately, the villain is allergic to cheese even as he years to join the town’s “white hats,” or cheese-tasting ruling council (reminding me of the inventor in Aardman’s Wallace and Gromit series).

As more and more Boxtrolls are captured by Snatcher’s dimwitted henchmen, Eggs encounters a girl, Winnie, the daughter of mayor Lord Portley-Rind. She helps him understand the human world, fight Snatcher, and learn about the true circumstances of his kidnapping.

Cast: The colorful characters, whose names could be from a Dickensian or Harry Potter novel, are voiced by a strong mostly British cast. Isaac Hempstead-Wright plays courageous Egg, and Elle Fanning is the plucky Winnie.

Ben Kingsley is the loathsome Archibald Snatcher, who sometimes disguises himself as a woman in an attempt to infiltrate Cheesebridge’s high society. His henchmen, the large Mr. Trout, the self-doubting Mr. Pickles, and the pugnacious Mr. Gristle, are played by Nick Frost (The World’s End), Richard Ayoade (The IT Crowd), and Tracy Morgan (30 Rock), respectively.

Jared Harris (Sherlock Holmes: A Game of Shadows, Fringe) isLord Portly-Rind. None of the actors was particularly recognizable in their roles, but all gave expressive performances matched by their cartoonish avatars.

Direction: The Boxtrolls, which is based on Here Be Monsters! By Alan Snow, was directed by Graham Annable and Anthony Stacchi. They do a good job of juggling action, physical and verbal comedy, and pathos with an absurdist tone with some social commentary — some critics have noticed the strong resemblance between Cheesebridge and Terry Gilliam’s dystopian fantasies.

Cinematography: As one might expect from Laika, the animation studio that produced Coraline and ParaNorman, the stop-motion is excellent, with 3-D printed faces and light computer-enhanced imagery making this one of the smoothest and most baroque-looking films of its type so far.

I liked the environment and character designs, which are reminiscent of Tim Burton’s Nightmare Before Christmas or The Pirates! Band of Misfits without being derivative. The closing credits give some insight into the laborious process. The Boxtrolls‘ Rube Goldberg inventions, including Snatcher’s steampunk menace, are fun to watch.

Soundtrack: The music helps keep the action suspenseful, and the title and closing credits help set the tone for a fun, if bizarre adventure. Fittingly, Monty Python’s Eric Idle wrote the title song. (Janice and I recently enjoyed the final simulcast of that comedy troupe’s farewell concert.)

Rating: The Boxtrolls is rated PG for some gross humor and scenes of peril. While I agree that the story for The Boxtrolls isn’t as tight or as clever as that of Coraline or ParaNorman, I’d still compare it favorably with most of the genre. I’d put it slightly below The Lego Movie as my favorite animated movie of the year so far, at a 7.5 or 8 out of 10, a B+/A-, or four out of five stars. I’d definitely recommend The Boxtrolls to fans of British humor and animation.

One of the films I’d like to catch next in the theater is The Book of Life, which is computer-animated rather than stop-motion, but it still looks bright and fun.

After the movie, we went to Besito, a new Mexican restaurant in the Burlington Mall that we all liked. Also this past weekend, Janice and I walked the Minuteman Trail in Lexington, Mass. I know I’m behind on reporting on conventions, seasonal festivals, and more, but I’ll try to catch up, even as the new genre television season begins!