I’ve fallen behind in blogging again because of travel over the past month, the holidays, and being ill. Fortunately, I have no shortage of topics to write about!
Last week, David I.S. & Sandra K. drove from Rochester, N.Y., to visit Janice and me in Waltham, Mass. Dave was the very first friend I made at college, and our New Year’s celebrations have become something of a tradition.
On Tuesday, 30 December 2014, Thomas K.Y. & Kai-Yin H. and Thomas’ brother Tony joined us for a potluck dinner and fun conversation. On New Year’s Eve, we took it easy because Dave & Sandra were suffering from bad colds (that Janice and I later caught).
On New Year’s Day, Janice, Dave, and I went to the AMC Burlington Cinema 10 for a 3-D matinee of The Hobbit [Part 3 of 3]: The Battle of the Five Armies. We mostly enjoyed the finale of Peter Jackson’s adaptations of J.R.R. Tolkien’s seminal fantasy novels.
As with the previous installments, An Unexpected Journey and The Desolation of Smaug, it’s assumed that viewers are at least passingly familiar with Tolkien’s Middle Earth and Jackson’s films for The Lord of the Rings trilogy. In addition, the audience should have seen the first two Hobbit movies (even more than read the relatively brief children’s book) before watching Battle of the Five Armies.
The story draws from Scandinavian and Germanic mythology, fairy tales, and the extensive world-building and linguistics research of Prof. Tolkien. The Battle of the Five Armies sticks with the major threads from the book. (Note that some of the enclosed links lead to “spoilers.”)
The Wizard Gandalf has sent Hobbit Bilbo Baggins across the dangerous wilderness with a band of 13 Dwarves to help them reclaim their treasure and lost homeland from the fierce dragon Smaug. On the way to Erebor, the Lonely Mountain, they encountered vile Goblins, haughty Elves, various monsters, and the scruffy humans of Lake Town.
Once Smaug is awakened from his slumber by Bilbo and company, the angry dragon incinerates Lake Town. Only the human Bard the Bowman is brave enough to face down the huge beast, even as Orcs and Elves rouse troops to wrest control of its hoard at Erebor.
Here are the five armies of the title battle, in order of appearance on the scene:
- Dwarves — Thorin Oakenshield‘s band of former exiles (and Bilbo), plus eventual reinforcements from his kinsman Dain Ironfoot
- Men — refugees from Lake Town and the lost city of Dale, led by Bard
- Silvan Elves — from Mirkwood, led by King Thranduil and including his son Legolas and scout Tauriel (a character created for the movies)
- Goblins/Orcs and Wargs (giant wolf-like steeds) — from Gundabad, plus Trolls/Giants and unnatural bats
- Great Eagles — plus the shapeshifter Beorn (and Wizard Radagast the Brown, present only in the movie)
Meanwhile, to the south of Mirkwood in the ruined fortress of Dol Goldur, the White Council finds the Necromancer, who is revealed to be the evil Sauron. Gandalf, Elven nobles Elrond and Galadriel, and the Wizard Saruman the White fight the incorporeal Sauron and his nine Nazgul, the spirits of corrupted human kings.
Can Bilbo find a way to keep Thorin’s lust for treasure from getting their company killed? Can Gandalf and the White Council defeat Sauron? Can Dwarves, humans, and Elves put aside their differences long enough to deal with the Orc hordes, and what casualties will result from the battle? If you’ve read the book or noticed any of the foreshadowing in the previous Hobbit movies, you’ll know.
There are no major additions in this movie, but there were a few good moments for Sherlock‘s Martin Freeman as good-hearted burglar Bilbo, Robin Hood‘s Richard Armitage as proud Thorin, and Pushing Daisies‘ Lee Pace as isolationist Thranduil. As before, Bilbo’s scenes are closest to those in the book, and I even began to feel sympathy for elk-riding Thranduil.
I would have liked Thorin’s “gold sickness” be more of an opportunity for the other Dwarves to react than an explicit echo of Smaug’s words. With three long movies’ worth of screen time, there should have been more character development for all 13 Dwarves.
While I approve the addition of Lost‘s Evangeline Lilly as Tauriel in a male-heavy cast, I would have preferred less of a forced love triangle with her, Orlando Bloom’s ageless Legolas, and Being Human‘s Aidan Turner’s young Dwarf Fili.
I understand that the slapstick scenes with Stephen Fry as the Master of Laketown and Ryan Gage as his slimy assistant Alfrid were meant to contrast with the virtue and courage of Luke Evans’ Bard, but they were a bit too broad for my taste. Of course, they wouldn’t be out of place during most fantasy tabletop games.
Spartacus and Arrow‘s Manu Bennett (whom I’ve met) and John Tui remained menacing as Orc chieftains Azog and Bolg — mostly through motion capture, I assume. Busy Benedict Cumberbatch had less voice time as the Necromancer and Smaug this time around.
It was nice to again see Ian McKellen as Gandalf, Christopher Lee as Sauruman, Cate Blanchett as Galadriel, and Hugo Weaving as Elrond. The narrative framing device bringing back Ian Holm as old Bilbo was an even better tie-in to Fellowship of the Ring.
Because of the focus on the big set-piece battles, the pacing of Battle of the Five Armies seemed a bit smoother than in its predecessors. Smaug’s raid is rather short, and the evacuation of Lake Town and Dale by humans ahead of marauding Orcs is overly similar to Helm’s Deep in The Two Towers.
A combat between Thorin and Azog (rather than Bolg, as in the book) takes place on a frozen waterfall. As much as I liked 2004’s King Arthur and Battle of the Five Armies, I wish filmmakers would stop copying Alexander Nevsky‘s ice battle, which is based on real history.
Like his distinguished peers George Lucas, James Cameron, and Ridley Scott, director Peter Jackson has let technology overwhelm his sense of storytelling in this second trilogy. A good editor should be able to tell even established filmmakers when certain scenes go too long. Just because one can now realize a grand vision, if it doesn’t help the characters, setting, or plot, it doesn’t need to be included.
Perhaps some of the focus will be restored in the inevitable director’s cuts on DVD and Blu-ray. I also wonder how Guillermo del Toro might have handled the same material in less time, without franchise pressure from Warner Bros.
As noted above, the dragon, Orcs, and landscapes were all brought to spectacular life by WETA Studios. I noticed the computer-generated imagery less this time around, and 3-D worked fine for us (we didn’t find an IMAX showtime we liked). I do wonder what Battle of the Five Armies might look like at high frame rate.
Thranduil’s Wood Elves were too much like the shining hosts of the Second Age or the Sindarin of Lothlorien. Legolas’ gratuitous acrobatics, which have become a cliché since the Lord of the Rings movies, reminded me of why some role-players hated the smug, omnipotent Elves of the AD&D2 era.
Also, I would have liked to see more than telekinesis or blasts of wind during the White Council’s battle against Sauron. On the other hand, most magic in Tolkien’s books is more subtle than the pyrotechnics jaded audiences have come to expect.
Once the Goblins and Dwarves met in battle, it was hard to tell them apart, despite their difference in size (and we saw it in 3-D). I would have given each army more different armor or colorful surcoats. The overhead shots still felt too much like a video game.
The music served the story, but the themes that we noticed most were those that harked back to The Lord of the Rings. The fine art by Alan Lee and John How during the closing credits was well accompanied by “The Last Goodbye,” sung by Billy Boyd (Pippin in the first film trilogy, which takes place after The Hobbit).
Overall, I’d give The Hobbit: The Battle of the Five Armies, which is rated PG-13 for violence, a B, 7.5 out of 10, or three and a half out of five stars. Despite some problems, the movie does tie up the prequel trilogy and shows the climactic battle for northern Middle Earth.
That said, I hope that filmmakers leave Tolkien’s work alone for a while before taking a fresh look at The Hobbit or parts of the Silmarillion. Jackson’s Lord of the Rings adaptation is the stronger work, and unlikely to be equaled anytime soon.
The previews we saw were decent, but nothing among the sequels and remakes jumped out as a “must-see” flick for 2015. I am curious about spy actioner The Kingsmen and Mad Max: Fury Road, but I expect to see fewer than the 19 movies I saw in theaters this past year:
- 47 Ronin (martial arts/fantasy) **
- The Lego Movie (animated comedy) ****
- Mr. Peabody & Sherman (animated comedy) ***
- 300: Rise of an Empire (sword and sandals) **
- Veronica Mars (neo-noir) ****
- Muppets Most Wanted (comedy) ***
- Captain America: the Winter Soldier (superhero sequel) ***
- Amazing Spider-Man 2 (superhero sequel) **
- Godzilla (kaiju reboot) ***
- X-Men: Days of Future Past (superhero sequel) ***
- How to Train Your Dragon 2 (animated fantasy) ***
- Hercules (sword and sandals with the Rock) ***
- Lucy (SF action) **
- Guardians of the Galaxy (space opera superheroes) ****
- The Boxtrolls (animated fantasy) ****
- The Book of Life (animated fantasy) ****
- Big Hero 6 (animated superhero) ***
- Interstellar (science fiction) ***
- The Hobbit: Battle of the Five Armies (fantasy) ***
Back at home, Dave, Sandra, Janice, and I also enjoyed The Edge of Tomorrow, a decent Tom Cruise vehicle that was indeed a mashup of military science fiction Starship Troopers and time-travel Groundhog Day. We also later returned to Burlington for dinner at the busy Border Café, one of our favorite local Tex-Mex eateries.
Janice and I didn’t come down with our colds until after Dave and Sandra left (taking more of my comic book collection with them for storage), but we had a nice time around the holidays. Now, just to shake it while getting back to work!