In addition to seasonal arts and crafts festivals, I usually try to get to some of the local events featuring TV and movies, comic books, and games each year. Because of family-related travel, I ended up skipping this year’s Boston Comic Con, the huge New York Comic Con, and the upcoming Super MegaFest, as well as various Renaissance festivals.
Popularity brings problems
I’ll write more about other recent cons soon, but back to Providence. Janice and I tried to get to the convention center early, and we had to wait outside for two hours in various lines before we finally got on the right one for our wristbands and admission. As with last year’s Boston Comic Con, it might have been easier to get in without advance tickets.
At least it was raining only lightly rather than snowing as in Massachusetts, and the cold I’ve been fighting was manageable. I felt particularly bad for the underdressed cosplayers shivering farther back in line. Extra layers or overcoats never hurt, at least until we get inside (Janice and I ran ours back to my car once we got in).
All of the events I’ve attended in the past few years have struggled with growing attendance. While I’m glad to see a new, more diverse generation of fans sharing some of my interests, organizers and venues have yet to catch up. Vendors can’t sell things if people can’t get to their tables or booths, and fans excited to meet artists or actors come away with negative feelings about communal experiences.
According to people I talked with, the Rhode Island Convention Center can hold up to about 10,000 people at a time, and the RICC had to turn people away by Saturday afternoon after 20,000 showed up. If a total of 17,000 people attended last year, it was a mistake to plan for 50,000 over the course of this weekend. Understandably, many people were very unhappy, but I hope that everyone can learn better logistics for the sake of safety and fun.
What should organizers do? I recommend planning for more frequent events, finding larger venues if possible, and making the events more specific — just pop-culture celebrities or graphic artists, for example. If nearly every state in the U.S. has a Renaissance festival or two, some of the pressure could be relieved with more numerous, local shows.
On the show floor
Once we got into the RICC, it was crowded but worthwhile. There were many celebrity guests, including the original Star Trek‘s William Shatner, George Takei, Nichelle Nichols, and Walter Koenig. I had seen these actors before, but it was Janice’s first time to see them in person.
We also got to chat with John Rhys-Davies and Karen Allen from the Indiana Jones movies, former Doctor Who Colin Baker, and The Flash‘s John Wesley Shipp. All were very gracious and took the time to speak with each autograph seeker.
At last year’s RICC, I got to hang out with both Buck Rogers and Flash Gordon — Gil Gerard and Sam Jones! This year, Farscape‘s Gigi Edgley complimented Janice’s and my “positive energy,” and “Whedonverse” (and Agents of SHIELD) alumnus J. August Richards was much more pleasant than his tortured characters. I’m friends with Jacqui B., who runs his and others’ Web sites.
We browsed the vendor area and walked through Artist’s Alley, which included luminaries such as Neal Adams, Jim Steranko, and Bob Eggleton. I bought sketchbooks from Michael Dooney and Chrissie Zullo. As collectible card games and video games have displaced tabletop role-playing games, anime seems to be more popular among many younger consumers and cosplayers than traditional superhero comics.
After a quick lunch at Charley’s Grilled Subs, Janice and I attended Vic Mignogna’s panel on “Star Trek Continues,” fan-made movies set right after the original TV series with professional-grade production values and actors. Janice and I then watched his latest episode, “Fairest of Them All,” which returned to the popular alternate universe of “Mirror, Mirror.”
The acting was solid, with Mignogna as Capt. James T. Kirk, Mythbusters‘ Grant Imahara as Lt. Hikaru Sulu, and Chris Doohan a dead ringer for his late father James as chief engineer Scotty. Asia De Marcos is also a strong reflection (sorry, couldn’t help it) of BarBara Luna as Marlena Moreau, the “captain’s woman.” Michael Dorn provided the computer voice for the alternate universe’s Enterprise.
For any fan of classic Trek, this is more true to Gene Roddenberry’s idealistic space opera than many of its subsequent spin-offs and certainly more so than J.J. Abrams’ reboot. We missed Shatner’s panel, but we did catch a brief one with Nichols and Koenig in which they reminisced as the franchise approaches its 50th anniversary.
Janice and I sat through part of the costume contest — my favorites included characters from Invader Zim and Marvel’s Modok — but we eventually left to eat. Not surprisingly, most of the restaurants in the adjacent Providence Place Mall were full, so we ended up grabbing dinner at Panera before checking into the comfortable Hampton Inn & Suites Downtown. We had better luck than actress Eliza Dushku, who was robbed, but all’s well that ends well….
I’ll post soon about our second day at the con!