Animation nation, fall 2014 edition

While a number of news outlets have observed the demise of Saturday morning cartoons, a television tradition for generations of Americans, there is still a range of animation available in primetime, on cable, and online. Still, it will be hard for a younger generation accustomed to a wealth of streaming video to have a common pop cultural language.

Nicklelodeon, which has aired the surprisingly well-written Kung-Fu Panda: Legends of Awesomeness and How to Train Your Dragon: the Series, among other shows, recently moved Avatar: the Legend of Korra to online-only broadcast of its fourth and final season.

While Legend of Korra may not have the consistency or popularity of its parent, Avatar: the Last Airbender, the Asian-flavored fantasy series has still featured excellent characterization and world-building. Its story arcs and setting have inspired much of my current “Vanished Lands: A New Dawncampaign.

I think Legend of Korra has bounced back from the rushed storytelling of its third season, which looked like it might be the end of that franchise (and the less said about the 2010 live-action movie misfire, the better). The new video game probably won’t be enough to keep the franchise going.

Legend of Korra
The Avatar gang

Similarly, the Cartoon Network, which had ended Star Wars: Clone Wars after the Disney-Lucasfilm merger, continued its track record of canceling good shows such as Young Justice and Green Lantern: the Animated Series. At least Clone Wars managed to end well, filling in the gaps between the prequel movies and the classic trilogy.

Cartoon Network threw the final episodes of Clone Wars online and burned off episodes of Beware the Batman in one weekend. The sitcom Looney Tunes Show has also dropped of the schedule, but I’m sure Bugs Bunny and company won’t be gone for long.

To be fair, DisneyXD had also canceled Spectacular Spider-Man in favor of shows for a younger audience. At least it has begun showing Star Wars: Rebels, which is a bit more kid-friendly than Clone Wars had become and features the familiar setting of George Lucas’ galaxy shortly before the events of Star Wars [Episode IV]: A New Hope.

I’m enjoying Rebels so far, and its crew of adventurers is very similar to the characters in Jason E.R.’s recent “Star Wars: Dark Times” space opera scenario. With Disney/Lucasfilm working on more live-action movies, I expect Rebels to get a decent amount of promotion.

In addition to Avatar: Legend of Korra and Star Wars: Rebels, I’ve been enjoying the latest incarnation of Teenage Mutant Ninja Turtles, although I don’t know how long Nickelodeon will carry it. TMNT has all the wackiness of its predecessors and is still faithful to the core characters that Eastman and Laird created (again, don’t get me started on the latest live-action flick).

There are many cartoons for younger children, such as Ultimate Spider-Man, as well as some long-lived ones aimed at young adults, such as The Simpsons, Robot Chicken, and Archer. Unfortunately, there are few all-ages shows that aren’t formulaic comedies.

We’ve fared better lately with movies, but serious fans will continue to look at anime or other animation from around the world and wonder why cartoons on U.S. TV aren’t more diverse.

Advertisements

Seasonal SFTV shifts

I’m still catching up on reviews of recent genre entertainment, but last weekend marked a definite changing of the guard on television. No, I’m not talking about the Emmys, which I ignored, just as the academy has ignored Tatiana Maslany’s excellent Orphan Black performances (with Person of Interest, among the best shows of this past year, IMHO).

First was the third season finale of Avatar: the Legend of Korra, which I watched online because Nickelodeon has dropped the animated fantasy. It was bittersweet, because this season has been that show’s strongest yet in terms of character development and plotting.

Last Airbender/Korra wallpaper
The heroes of Avatar

 Sure, Legend of Korra has continued the spectacular world-building and action of its progenitor, Avatar: the Last Airbender, but its first two seasons lurched from one set-piece battle to the next, its leads took a while to mature, and its villains’ motivations weren’t well explained.

It’s also a shame that Legend of Korra hit its stride just as Nickelodeon abandoned it. The finale was rushed, with the duel between the eponymous heroine and dangerous anarchists quickly wrapping things up, with no mention of the crossover between the physical and spirit realms that had marked the season opener.

I look forward to a fourth season, which is reportedly in the works, but it’s too bad that the Avatar universe hasn’t gotten the recognition (or the live-action adaptation) it deserves.

On a related note, I’ve almost finished watching the final episodes of the computer-animated Star Wars: Clone Wars, which has managed to maintain a high level of quality even after Cartoon Network dumped it online. If this is part of a trend, that’s bad news for genre fans; even as a few shows such as Game of Thrones are mainstream hits, other worthy ones will again struggle to find audiences and sponsors.

Star Wars: Clone Wars Season 6
Another online-only wrapup

I’ve argued for a while now that, as with The Young Indiana Jones Chronicles, George Lucas, Genndy Tartakovsky, and Dave Filoni’s creation has patched any problems from the franchise’s most recent films. There are more hours of well-crafted entertainment from Clone Wars than in any of the less-popular Star Wars prequels.

Even though Disney/Lucasfilm/Marvel has decided to ignore most of the so-called Expanded Universe, Clone Wars has put that space opera on solid storytelling ground, and I look forward to Disney XD’s Star Wars: Rebels.

Last but not least was the latest season premiere of Doctor Who, with the first full episode featuring Peter Capaldi as the Time Lord. I like an older Doctor, who reminds me of the courtly Jon Pertwee with a bit of Christopher Eccleston’s edge.

Peter Capaldi joins an elite fraternity
Doctors Who

On the other hand, the frenetic pacing and reuse of the “Paternoster Gang” and clockwork villains seemed to be an attempt by producer Steven Moffat to convince the BBC and some fans that elements from David Tennant and Matt Smith’s popular runs will continue.

It’s no surprise that Jenna Coleman will be leaving after this year’s celebration and transition, even as her character, the plucky Clara Oswald, has had to come to grips that the good Gallifreyan no longer appears as a young swain. I hope that the stories are more tightly written in the coming series/season.

What genre TV shows were your favorites this past year, and what are you looking forward to this fall?