Although Janice’s and my Verizon FIOS wasn’t restored until Thursday, 3 November 2011, I hardly missed land-line telephone, cable television, or Internet service after the early winter storm last week. A decent number of trick-or-treaters came to our door on Halloween, and I’ve caught up a bit on reading, free of fund-raiser calls.
Friends, I hope you had a good Labor Day weekend. On Friday, 2 September 2011, Janice and I drove to Upstate New York for the wedding of niece Rebecca A.W. to Tristan M.Z. We met Janice’s immediate family at her middle sister Shelly’s house for a barbecue (sloppy Joe) lunch before checking into the Best Western Gateway Adirondack Inn in Utica.
On Saturday, Sept. 3, we had breakfast at Denny’s, and Melinda’s husband Gary T.L. joined us. The diner chain was a mainstay in my undergraduate years at SUNY at Binghamton. We then went to a public park to help prepare for the wedding and reception, the same park where Shelly and Melvin were married. While the weather was hot and humid, we were lucky to avoid thundershowers.
After changing to more casual clothes and helping to clear up, we were glad to return to the air-conditioned hotel. The next morning, Janice’s family and the bride and groom met for breakfast at Denny’s before Becky & Tristan began their long drive back to Oklahoma, where they’re both still in school.
Although I’ve had difficulty posting to this blog regularly lately, being busy with work and travel is nothing in comparison with what some friends have been dealing with lately: David I.S. getting mugged in Rochester, N.Y.; Corbin A.Y. and Ron J.K.‘s ailing family members; and riots in the Middle East and London, as well as economic and political struggles worldwide.
As with G.I. Joe: Renegades, Transformers: Prime, and the upcoming Teenage Mutant Ninja Turtles, intellectual properties from the 1980s are being revived, with more modern production values and writing. Although I’m a bit too old to have childhood nostalgia for the originals of these series, I applaud this trend, mainly because of the rare improvement in quality.
The one-hour premiere of Thundercats was faithful enough to the Hanna-Barbera cartoon, but it has a lot in common with recent animation as well. Our favorite felines inhabit a more populated Third Earth than their predecessors, and their (over-)reliance on agrarian civilization and royal magic in contrast to the technology of their foes is reminiscent of J.R.R. Tolkien and Peter Jackson’s Lord of the Rings.
I wish I could say that the other cartoons were as promising as the fantasy Thundercats, Legend of Korra, or Kung-Fu Panda. It was nice to hear Heroes‘ Adrian Pasdar and Milo Ventimiglia as a smarmy Tony Stark/Iron Man and a youthful Logan/Wolverine in Marvel’s first anime-style series on G4.
As I told Steve M.R., I thought both characters were a good fit for Japanese adventures, with Iron Man‘s technocratic interests and the classic storyline in which Wolverine follows lost love Mariko to Japan. However, I found myself already missing the energy of the computer-animated Iron Man: Armored Adventures and the cleaner lines of X-Men: Evolution, not to mention MTV’s Spider-Man and the fun Spectacular Spider-Man.
I’ll keep watching for a little while in the hope that the latest Iron Man and Wolverine cartoons approach the level of Avengers: Earth’s Mightiest Heroes (not to be confused with the kid-oriented Super Hero Squad). Marvel also has Blade, X-Men, Ultimate Spider-Man (whose print equivalent has replaced Peter Parker in the tights), and Hulk and the Agents of SMASH shows in the works. The direct-to-video Thor: Tales of Asgard was apparently successful enough for a sequel: Thor & Loki: Blood Brothers.
On the DC side of Comic-Con and genre TV news, I’m still looking forward to the return of Young Justice, the premiere of Bruce Timm’s Green Lantern: the Animated Series, and the next inevitable Batman series. I’ve already mentioned the Batman: YearOne and Dark Knight Returns releases, and more adaptations are planned, including Justice League: Doom, Superman vs. the Elite, and Batman: the Killing Joke.
On Sunday, 24 July 2011, Janice and I returned to the Showcase Cinemas at Legacy Place in Dedham, Massachusetts, for Captain America: the First Avenger. I’m pleased to report that the latest movie adaptation from Marvel Comics is one of the best genre movies so far this year and could be one of my favorite superhero flicks ever!
Director Joe Johnston is no stranger to World War II and action films, with experience in the Star Wars, Indiana Jones, and Rocketeer franchises. Despite some anachronistic costumes and dialogue (not counting the deliberately science fiction premise and villains), Johnston keeps a steady hand on the proceedings.
For those not familiar with one of the older and more popular comic book heroes, Steve Rogers is a runty kid from Brooklyn who seeks to serve his country and is given a chance to do so by scientist Dr. Abraham Erskine. Turned into the super soldier Captain America, Rogers fights Nazis before being trapped in ice and finding himself in our era, decades later, surrounded by modern superheroes.
The First Avenger is faithful to the comics of Joe Simon, Jack Kirby, Ed Brubaker, and Steve Epting. In fact, the work of the latter two brought me back to reading some Marvel titles. Actor Chris Evans, who played the cocky Johnny Storm/Human Torch in the Fantastic Fourflicks, is properly virtuous and a blank slate for his physical transformation from a skinny street kid into the buff war-bonds salesman and eventual combat leader. It wouldn’t be Cap if he didn’t get to sling his trademark shield.
Evans is initially overshadowed by the performances of veterans Tommy Lee Jones as the gruff Col. Chester Phillips and Stanley Tucci as the humane Dr. Erskine. He later is supported by Sebastian Stan as sniper sidekick Bucky Barnes, Dominic Cooper as inventor Howard Stark (father of Iron Man‘s Tony Stark), and Star Trek: First Contact‘s Neal McDonough as Dum Dum Dugan of the Howling Commandos. Hayley Atwell (from The Prisoner remake) as comely Peggy Carter and Natalie Dormer (from The Tudors) as minx Priv. Lorraine are among the few women who get to interact with Rogers.
The visual effects are good, especially in the beginning of the movie, where Evans’ face is transposed on a slight-framed body in Depression-era New York. I did notice some blue- or green-screen lighting in later scenes, but the requisite explosions, slow-motion combat, and airborne stunts were all decentlyrendered. A motorcycle chase scene, attempted train heist, and flying wing all pay homage to the other franchises that Johnston has worked on. The instrumental soundtrack evokes the jazz age but isn’t especially memorable.
Captain America‘s story moves easily from stateside to overseas. Richard Armitage (Guy of Guisborne in the BBC’s recent Robin Hood and Thorin Oakenshield in the upcoming Hobbit) is a Nazi assassin. He is soon surpassed in villainy by Toby Jones (from Doctor Who) as meek scientist Arnim Zola and Hugo Weaving (The Matrix, The Lord of the Rings, and V for Vendetta) as Johann Schmidt, a.k.a. the Red Skull and mad leader of Nazi splinter group Hydra. Their ambiguous fates, however, were refreshing for what could have been a uberpatriotic plot.
As with Thor and other recent Marvel origin stories, Captain America is somewhat predictable and obviously leads into next year’s Avengers (stay after the closing credits for a preview). The alternate-history war movie, which reminded me of Inglorious Basterds, leaves enough room for Capt. America to have flashbacks in future films.
Overall, Disney/Marvel has continued its winning streak, staying ahead of rival DC Comics in live-action adaptations. I’d give Captain America, which israted PG-13 for violence, an “A-,” four out of five stars, or an 8.5 out of 10. I liked it a bit more than Green Lantern or Thor, if not as much as the 1978 and 1980 Superman films.
Even as Marvel’s Super Hero Squad and DC’s Young Justicehave yet to return, I’m looking forward to this week’s premieres of the anime-style Iron Man and Wolverine on G4, to eventually be joined by Blade and yet another incarnation of the X-Men. I expect Season 2 of The Avengers to be the strongest of these cartoons.
DC is holding onto its lead in direct-to-video cartoons, however, with Batman: Year One and The Dark Knight Returns, among other projects announced at this year’s San Diego Comic-Con. So many superheroes, so little time! And I haven’t even touched actual comic books or RPGs based on them yet!
Gene's Worlds 