The Avengers movie review

This past weekend was a good one for superhero fans. Janice and I visited four comic book shops on Free Comic Book Day, including the Comic Stop in Watertown, Massachusetts. I hadn’t visited that store before.

It’s smaller than my usual haunts of the Outer Limits in Waltham and New England Comics and Newbury Comics in Needham, but it was well-organized, and the proprietors were hospitable. I was glad to see that lots of families visited all of the shops for the event. I picked up several free issues for myself, nephews and nieces, and David I.S.

On Sunday, 6 March 2012, I met Thomas K.Y. & Kai-Yin H., Josh C. & Sara F., and their friends Rob & Ginger and their young son for lunch at Italian restaurant Piattini in Boston’s Back Bay. We then met Beruk A. at the AMC Loews 19 on the Boston Common to screen The Avengers, which we all enjoyed.

Marvel's mightiest heroes
Avengers assemble!

Is The Avengers the best superhero movie of all time? I still prefer the 1978 and 1980 Superman films, Pixar’s The Incredibles, and last year’s Captain America, but The Avengers is definitely one of the best live-action adaptations of a team-based comic book so far. I’d put it on par with Watchmen or X-Men 2 in terms of being both faithful to the spirit of the source material and still entertaining.

Disney/Marvel has been building its shared cinematic universe toward The Avengers since at least 2008’s Iron Man. I’m not sure the movie would be particularly accessible to viewers who are unfamiliar with its predecessors or with Marvel’s characters, but for those of us who are fans, The Avengers is a long-awaited reward for our faithfulness.

The Avengers manages to compress several decades of fictional continuity, adhere to comic book tropes such as superheroes fighting when they first meet, and provide enough explosions to launch the summer 2012 movie season. I’ll try not to give away any “spoilers” here, but note that a few of the links in this review may have some.

The basic premise of The Avengers, in both print and film, is that the world’s greatest and most powerful heroes band together to fight a common threat. Of course, getting there is half the fun, at least for the audience, if not the battered costumed characters.

A major strength of recent superhero movies has been in casting good actors and treating the material seriously, without the campy excesses of the 1960s through 1980s. (Since then, we’ve suffered through angsty melodrama with the X-Men, Batman, and others.) It’s no surprise that Robert Downey Jr. is witty and charismatic as “genius, billionaire, playboy, philanthropist” Tony Stark/Iron Man.

Chris Evans holds his own as supersoldier Steve Rogers/Captain America, the team’s moral and tactical leader. Chris Hemsworth is mighty as Thor, Norse god (OK, extradimensional entity) of thunder, and Tom Hiddleston is delightfully smarmy as mischievous nemesis Loki. Scarlett Johansson returns as superspy Natasha Romanov, the only woman in this version of the group (founder Wasp is absent, and Gwyneth Paltrow’s Pepper Potts has a brief supporting cameo).

Mark Ruffalo joins the merry band as Bruce Banner/the Hulk, the third actor in as many movies to tackle the dual role of compassionate scientist and rage monster. Even though I liked Ed Norton’s paean to Bill Bixby’s TV version, I think Ruffalo did fine with the computer-assisted role, and the Hulk gets some of the funniest scenes in the movie.

Samuel L. Jackson and Clark Gregg are joined by Colby Smulders as SHIELD agents Col. Nick Fury, Agent Phil Coulson, and Agent Maria Hill, respectively. The Strategic Homeland Intervention, Enforcement and Logistics Division is the shadowy organization that initially gathers the high-profile metahumans. Jeremy Renner is no-nonsense as expert marksman Clint Barton/Hawkeye — he’s not quite as flamboyant as his comic book counterparts — a former circus performer or DC’s Green Arrow.

The Avengers sticks pretty close to the original comic book storyline about how Loki’s machinations inadvertently unite a diverse group of heroes. The movie also takes some cues from more recent storylines such as The Ultimates, showing the collateral damage from superpowered beings engaging in fisticuffs in Manhattan.

I did like that the colorful vigilantes eventually found a way to work together to protect humanity from the invading Chitauri. The “Earth’s mightiest heroes” may not see eye to eye –leading to some drama and humor, as seen in previews and trailers — but both their squabbles and eventual teamwork are impressive to watch.

Director Joss Whedon is popular with genre fans for Buffy: the Vampire Slayer/Angel, Firefly/Serenity, and more, and he juggles the many moving parts of The Avengers fairly well. Whedon’s trademark snarky dialogue, strong female characters, and an appreciation for print comics are all present. As the set-piece battles increase in scale and stakes, the movie’s pace quickens somewhat.

As expected, the visual special effects are especially spectacular, with SHIELD’s helicarrier, the Hulk’s rampaging physique, and numerous powers all rendered more realistically than many artists or kids in Halloween costumes could have ever dreamed. The costumes were redesigned to be harmonious, and I’ve long maintained that spandex or tights, if handled properly, can be just as good as the black leather of the X-Men movies. I picked up the HeroClix miniatures, and I look forward to seeing more action figures and Lego sets based on The Avengers.

The soundtrack is evocative, but individual character themes aren’t as memorable as the AC/DC clips that accompany Iron Man. The Avengers has gotten mostly good reviews and has done very well at the box office so far. I doubt that The Amazing Spider-Man reboot or even the dour Batman Rises finale will be as crowd-pleasing as The Avengers.

As with any “juvenile” entertainment, a few critics in the mainstream media gave The Avengers negative reviews. Some of their points are valid — mostly around pacing, some frenetic scenes that are hard to follow, and more characters than time to develop them equally well — but they assume falsely that popcorn entertainment and high art must be mutually exclusive.

As with the other recent Disney/Marvel movies, it’s worth staying after the credits roll for two epilogues (spoiler alert) that tease inevitable sequels. If the quality of the writing, acting, direction, and effects can be maintained while also allowing the characters to develop in their individual movies, I’ll definitely be interested.

I’d give The Avengers, which is rated PG-13 for violence, an 8.5 out of 10, three to four stars, or a B+/A-. It deserves to be on many of the “best comic book movie” lists that can be found online.

We also sat through 20 minutes of previews. I was already interested in Disney/Pixar’s Brave, and I’m now a bit more curious about The Amazing Spider-Man and Alien prequel Prometheus. I am not interested in shoot-’em-up Battleship, Tim Burton’s quirky Dark Shadows, or 1980s flashback Expendables 2. As Stan “the Man” Lee says, Excelsior, true believers!

Boston Comic Con 2012 belated report

I’m sorry that this update has gotten delayed, but as Free Comic Book Day and The Avengers approach, I should take a quick look back at the most recent superhero-related event that I attended. On Sunday, 22 April 2012, Janice and I went to the Hynes Convention Center for the Boston Comic Con. On the way, we had a cheap brunch at a nearby pub.

We enjoyed the show, which featured numerous artists, vendors, and fans in costume. I got autographed sketchbooks from Joe Quinones (who illustrated an evocative Green Lantern in DC’s Wednesday Comics), Stephane Roux (stylish artist of Zatanna) and Jill Thompson (the creator of the whimsical Scary Godmother, among other things). I also bought a formidable Wonder Woman print from Renae DeLiz, and I appreciated finding creators from around the world.

As with last year’s convention, I enjoyed seeing and talking with many talented artists. I had met some of them previously, including Scott Ethan Ambruson, Steve Epting, Ed McGuinness, Craig Rousseau, and Bill Sienkiewicz. There were even more comics legends and independent publishers present, some of whom I’ve found or followed through DeviantArt.com.

It was cool to see several others for the first time, such as Cliff Chiang, Erica Henderson, Phil Noto, Marcio Takara, and Mouse Guard‘s David Petersen. They were all friendly, and I would have liked to buy more artwork, but I have only so much money in my wallet and room in my files and walls. I’m especially conscious of this as I continue getting organized after Janice’s and my recent move.

In addition, I chatted with the guys from Bedrock Comics, Newbury Comics, and New England Comics. My regular subscription is now at the Outer Limits, but I’ll be visiting some of these shops for Free Comic Book Day.

While I didn’t find any of the back issues I was looking for, partly because the show floor area was crowded, there were lots of good deals on graphic novels and trade paperbacks. According to some of the exhibitors, the convention was even more crowded earlier, and attendance threatens to outgrow the venue.

In fact, by the time I found the room for the DC Comics panel, it was full. Fortunately, I could catch up on DC’s new “52” continuity from various reports online, which is a must for big media and fan events such as this or especially the annual San Diego Comic Con.

Fans at the Boston Comic Con 2012
Cosplay at the 2012 Boston Comic Con

Janice and I did manage to get good seats for the costume contest. Thanks in part to anime, cosplay is increasingly popular, and I was pleased to see more female fans (and DC characters) represented. Not all of my pictures came out, partly because of a weak camera flash and large, crowded area, but several other photographers more than made up for that. One of my favorites was a man with an excellent homemade Spider-Man outfit and his toddler as Wonder Woman.

Of course, I look forward to reading the intellectual property that all of these conventions, animated TV shows, and live-action movies are built upon! I also look forward to next Monday’s beginning of Jason E.R.‘s “Glassworks” superhero miniseries, using the Cortex-based Marvel Heroic Roleplaying game.

Finally for now, here’s what I’m currently reading:

DC Comics:

Marvel Comics:

Other publishers:

  • Age of Bronze
  • Avatar: the Last Airbender/Legend of Korra
  • Buck Rogers, Flash Gordon
  • Girl Genius
  • Godzilla: Legends
  • Indiana Jones Adventures
  • Jim Butcher’s Dresden Files
  • Rocketeer Adventures
  • The Shadow
  • Sherlock Holmes
  • Sinbad: Rogue of Mars
  • Star Wars: Adventures, Agent of the Empire, Clone Wars, Knight Errant, Old Republic
  • Steampunk Fairy Tales
  • Steed and Mrs. Peel
  • Teenage Mutant Ninja Turtles
  • Warehouse 13
  • Wizard of Oz
  • Zorro Rides Again

Shared by or with David I.S. and my nephews and nieces: 

Spring 2012 genre TV listings

I’ve participated in conversations on EnWorld.org and elsewhere about what television shows we’re currently watching. Before I discuss this season’s best programs, here’s an overview of the schedule.

Note that in some cases, shows that are in the same time slot may not be on during the same months because of cable station counterprogramming. Still, my DVR keeps busy!

One of TV's latest animated superhero shows
Young Justice

Sunday

-11:00 a.m., Disney XD: Ultimate Spider-Man (animated superhero; new) ***

-11:30 a.m., Disney XD: The Avengers: Earth’s Mightiest Heroes (animated superheroes; canceled?) ***

-8:00 to 11:00 p.m.: Pathfinder/Skype: “the Vanished Lands” (heroic fantasy teleconferencing game

And Josh C.’s Spelljammer: “the Show Must Go On” (space fantasy miniseries, using Skype/Google+, an online dice roller, and FATE 3e Legends of Anglerre

-9:00 p.m., PBS: Masterpiece: Mystery/Sherlock (Holmes) ***

Dropped: Once Upon a Time (supernatural drama, **), The Borgias (historical melodrama, **)

Coming soon: Tron Uprising (computer-animated cyberpunk)

Monday

-6:00 to 10:30 p.m.: FATE 3e “Vortex” (space opera campaign

-And Jason E.R.‘s “Glassworks” (superhero miniseries, using Cortex: Marvel Heroic Roleplaying

-9:00 p.m., SyFy: Warehouse 13 (supernatural conspiracy) **

-10:00 p.m., SyFy: Alphas (metahuman procedural) **

-10:00 p.m.: ABC: Castle (comedic mystery) ***

Canceled/dropped: Heroes, The Cape, Lost Girl (metahuman melodramas, **), Terra Nova (time travel, **)

Tuesday

-8:00 p.m., Cartoon: The Looney Tunes Show (animated comedy) ***

-9:00 p.m., USA: White Collar (sleuth/caper) ***

-10:00 p.m., History: Top Shot (marksmanship) **

Canceled/dropped: No Ordinary Family (metahuman melodrama, **), V (alien conspiracy reboot, **), Memphis Beat (sleuth, ***), Homeland (thriller, ***), Kung-Fu Panda: the Series (animated martial arts comedy, ***)

Wednesday

-7:30 to 8:30 p.m. (not including travel): historical weapons classes at Guard Up! 

-9:00 p.m., TNT: Leverage (do-gooder capers) ***

-10:00 p.m., USA: Psych (comedic sleuths) ***

-10:00 p.m., Science Channel: Ridley Scott’s Prophets of Science Fiction (genre biographies) ***

-10:00 p.m., Food: Man vs. Food Nation **, Cooking: Bitchin’ Kitchen ***

Canceled/dropped: Reaper (supernatural slacker comedy, **), Eastwick (supernatural soap, **), Flash Forward (conspiracy drama, **), Undercovers (espionage/action; **), Human Target (action; ****), American Horror Story (horror, **), Transformers: Prime/G.I. Joe: Renegades (animated action, **)

Thursday

-9:00 p.m., CBS: Person of Interest (technothriller) ***

-10:00 p.m., NBC: Awake (parapsychology drama; new) ***

Dropped/canceled: Nikita, Charlie’s Angels (espionage/action) **

Friday

-8:00 p.m., Cartoon: Star Wars: Clone Wars (computer-animated space opera) ****

-9:00 p.m., Fox: Fringe (speculative conspiracy) ****

-9:00 p.m., NBC: Grimm (supernatural procedural) ***

-10:00 p.m., SyFy: Sanctuary (cryptozoology drama) **

-10:00 p.m., Starz:, Spartacus: Vengeance (sword-and-sandals) ***

Canceled/dropped: Chuck (espionage comedy ***), Batman and the Brave and the Bold (***), Fantastic Four, Wolverine and the X-Men, and Iron Man: Armored Adventures (animated superheroes, *), Stargate Universe (space opera, **), Merlin/Camelot (Arthurian, **), Smallville (metahuman melodrama; ***), Pillars of the Earth (historical miniseries; ***), Sym-Bionic Titan (animated kaiju; ***), Torchwood (speculative conspiracy **), A Gifted Man (supernatural drama), Magic City (Miami noir **)

Saturday

-9:30 a.m., Cartoon: Thundercats (animated) ****

-10:00 a.m., Cartoon: Green Lantern (animated superhero) **

-10:30 a.m., Cartoon: Young Justice (animated superheroes) ***

-10:30 a.m., CW: Phantom Gourmet/NECN: TV Diner (local food) ***

-11:00 a.m., Nickelodeon: Avatar: the Legend of Korra (animated fantasy; new) ***

-9:00 p.m., BBC America: Doctor Who (time travel) ****

-10:00 p.m., BBC America: The Graham Norton Show (talk) **

-11:00 p.m., VH1 Classic: That Metal Show (talk) ***

Canceled/dropped: Legend of the Seeker (syndicated fantasy, **), Robin Hood (historical action, **), The Super Hero Squad Show (Marvel heroes, **), Being Human (BBC/NBC supernatural melodrama ***)

Coming soon: Teenaged Mutant Ninja Turtles, How to Train Your Dragon: the Series

FATE 3e “Spelljammer” Update 4 — Mopping up

Fellow role-players, here are my notes for Session 4 of Josh C.’s Spelljammer: “the Show Must Go On” space fantasy miniseries. We met on Sunday, 29 April 2012, and have been using Skype, Google+, an online dice roller, and Cubicle 7’s Fantastic Adventures in Tabletop Entertainment (FATE) 3rd Ed. Starblazer AdventuresLegends of Anglerre.

>>From the “Grand Show,” a port shaped like a top hat floating in the Hysgeu sphere, the performers of “Le battant elephant” and the “Dragon Fly” workers joined the crew of the Drowned Swan in preparing to depart for Prince Andru’s birthday celebration at the Rock of Bral. However, our heroes soon discovered that not all is as it seems….

-“Oner Walek” [Gene D.]-male Wolfen sky pirate, romantic swashbuckler, prestidigitator and deck hand hailing from the “Vanished Lands” now aboard the Drowned Swan

-“Scylla” [Sara F.]-young female Amethyst Dragon fortuneteller, raised by Gypsies and devoted to protecting the weak

-“Samael Muckblood” [Geoffrey C.]-male Hill Dwarf hunter, sniper, and “bad cop” serving in ship’s security; has a steam-powered crossbow “Guinevere”

-“Zanzibar” [Robin H.]-female Lizard Wizard, pyromaniac mistress of time and space (Spelljammer)

-“The Amazing Lorenzo Le May” [Byron V.O.]-male human Thief-Acrobat, juggler, and sometime cat burglar in “Le battant éléphant” circus troupe

>>While crossing the plogiston and Wildspace, the ethernauts and circus performers had encountered Undead pirates. About halfway in a week’s journey to the Rock of Bral, the crew and passengers of the Drowned Swan find themselves entangled with magically animated rigging, mops, and buckets.

A scene from Disney's Fantasia
Fantasia's Sorcerer's Apprentice

Vangar, the Wild Elf head of security, dresses down the group that defied orders and explored the massive ship’s inner decks. Oner tries to explain that he felt there was an imminent danger requiring investigation, while Scylla and Sam try to avoid eye contact. Vangar puts the wayward team on report, and he orders it to help the regular crew.

Zanzibar takes a journal she found to Nonius Vatinius at the Spelljamming section. The Elf Summoner grudgingly grants the Lizard Wizard permission to examine it in his cabin/library. Zanzibar soon confirms that the log belonged to a previous captain and a Necromancer, who had decided to use ghosts rather than living sailors.

Wily Oner tells Lorenzo that he still believes that answers to stopping the spirits and preventing potential mutinies lies below decks. Scylla tries to divine the future, which at first appears hazy. The dragon seer then has a vision of an onion with a purple light at its heart, bound by chains and a lock, no doubt a reference to the strange energies at the Drowned Swan‘s core.

Back on the top decks, doughty Sam struggles with a bucket as he tries to help the scared sailors. The Amazing Lorenzo Le May tries to pin down the moving mops and buckets. Oner then realizes that the ghosts are just trying to carry out regular shipboard duties.

The Wolfen on deck quickly checks with Lidia Kameneve, the Halfling first mate, and they agree to tell the regular crew to stand aside. Capt. Andraimon Ianthe, a tall human, orders his people to do other things for the time being while the spirits handle their tasks. Lorenzo juggles knives to entertain.

Scylla goes to Nonius’ cabin to compare notes with Zanzibar. The women agree that the only way to stop the ghostly crew is to find out more about the trapped energy at the center of the old vessel. They are soon joined by Lorenzo, Sam, and Oner, who recommends checking with the strange entity known as the “Ship Mother.”

The spelunkers visit the lush garden level, where food, air, and water are recycled. Instead of the talking tree, an attractive female humanoid emerges from the vegetation and introduces herself as the “Emissary.”

Speaking on behalf of the Ship Mother, the Emissary demands to know why the Druids who should be stationed in this deck are absent. Lorenzo observes that he hasn’t seen any divine or nature-based spellcasters aboard, but he and his companions promise to pass along her question to the captain.

The adventuring party goes to Winston Reisel III, who is in charge of the carnival. Zanzibar and Lorenzo tell the haggard man and Nonius about their findings thus far. Sam, Lorenzo, and Oner recall that some of the senior crew tried to hide deck plans when they first asked for permission to go below.

Zanzibar then boldly asks Capt. Ianthe for permission to go back to the previously sealed-off portions of the Drowned Swan. She notes the presence of “negative energy” and asks about the missing Druids. The imposing captain sends Sam to get Lidia.

Capt. Ianthe considers the reports and asks the Lizard Wizard and company to wait on further inquiries until they make port at the Rock of Bral in a few days. After Lidia relieves him at the helm, the captain angrily goes to the officers’ quarters to ask about the missing Druids. Oner suggests that Zanzibar, as an officer herself, follow to find out what happens….

FATE 3e “Spelljammer” Update 3 — to the core

Fellow role-players, here are Josh C.’s and my notes for Session 3 of his Spelljammer: “the Show Must Go On” space fantasy miniseries, which met on Sunday, 22 April 2012. We’ve been using Cubicle 7’s Fantastic Adventures in Tabletop Entertainment (FATE) 3rd Ed.: Starblazer AdventuresLegends of Anglerre, Skype, and an online dice roller.

The Wasp near the Rock of Bral
A Spelljamming vessel

>>From the “Grand Show,” a port shaped like a top hat floating in the Hysgeu sphere, the performers of “Le battant elephant” and the “Dragon Fly” workers joined the crew of the Drowned Swan in preparing to depart for Prince Andru’s birthday celebration at the Rock of Bral. However, our heroes soon discovered that not all is as it seems….

-“Oner Walek” [Gene D.]-male Wolfen sky pirate, romantic swashbuckler, prestidigitator and deck hand hailing from the “Vanished Lands” now aboard the Drowned Swan

-“Scylla” [Sara F.]-young female Amethyst Dragon fortuneteller, raised by Gypsies and devoted to protecting the weak 

-“Samael Muckblood” [Geoffrey C.]-male Hill Dwarf hunter, sniper, and “bad cop” serving in ship’s security; has a steam-powered crossbow “Guinevere” 

-“Zanzibar” [Robin H.]-female Lizard Wizard, pyromaniac mistress of time and space (Spelljammer

-“The Amazing Lorenzo Le May” [Byron V.O.]-male human Thief-Acrobat, juggler, and sometime cat burglar in “Le battant éléphant” circus troupe 

>>As the Drowned Swan made its way between crystal spheres to the Rock of Bral, a party of rogue crew members continues its exploration of the massive ship. Wolfen Oner notices musty odors of wood and oil.

The first time the group reached the hatch to the ship’s bowels, The Black Heart of the Woods — a pirate ship hewn from darkened oak crewed by the damned — attacked. The eyes of the lost souls burned with hellfire. The crew fought valiantly, and the invaders were handily defeated, just as the damned approached Vermelle Rognoni, lead actress in the play “The Harrowing of Princess Crispina.”

Fortunately, the damage is light and can be repaired over the next three days. The Drowned Swan sails to the sphere of Zeal and the port town of Halelbaovo. Zanzibar studies in the library of fellow Spelljammer Nonius Vatinius and considers Oner and Lorenzo’s request to study the problem of space for the crew and passengers.

Sometime after the battle, Scylla and Sam lead the way back to the hatch to discover that the boards and wards against the restless dead have been carefully moved. As the covert party progresses, it finds another hull. The Drowned Swan apparently consists of multiple ships, each built around the one before, like layers of an onion. Zanzibar is disappointed not to find more Spelljamming helms.

The explorers find storerooms that were abandoned in a hurry, with rotten supplies as well as a trunk of some nice clothing. Zanzibar stashes some nice clothing, and Oner claims an officer’s greatcoat. Lorenzo catches up and says that someone is following them.

After more stealthy climbing down ladders, the ship seems to attack: Rope rigging, cutlasses and sabers, and mops and buckets fly at the crew!

Sam snipes with “Guinevere,” and Zanzibar warns against engaging. Scylla bumps into a mop, and her dragon’s breath slows down the animated rigging. Oner draws his sword and happily parries the mops and swords. Lorenzo dodges attacks and heads for the wide mast.

Scylla nimbly avoids entanglement by the writhing rigging, while Wolfen Oner is slashed protecting her. Dwarf Sam punches a bucket and pins it to the deck with a quarrel. Juggler Lorenzo destroys another bucket with a well-thrown dagger, but a hovering blunderbuss blasts everyone!

Sam is singed, as are Zanzibar and Lorenzo, but scaled Scylla and furry Oner escape harm. The team beats a hasty retreat and descends to the innermost ship, an old galleon.

Oner is impressed at the ebony and silver staterooms, and Scylla notices a painting of a human mage shaking hands with an Elf admiral. Sam reloads his crossbow, which is powered by pressurized water rather than explosive steam.

In a desk in the captain’s quarters, Lorenzo finds a journal, which he gives to Zanzibar. The Lizard Wizard looks at the leather-bound tome, whose last entry is dated five years ago and mentions the use of ghosts as crew.

The group’s inquiries are halted when Vangar, the Wild Elf head of security for the Drowned Swan, drops down and angrily orders it topside. There, they find the regular crew fighting more animated rigging.

Oner slashes at flying sacks with his trusty cutlass, and Lorenzo jumps out of the way. Scylla replies defiantly to Vangar, who had ordered her to stay in her “elephant cage.” Zanzibar goes to take the journal to her superior, Nonius. Sam finds himself staring down an approaching bucket….