Entry for May 26, 2008: Indy 4 review

Friends, I hope that you’ve had a good Memorial Day weekend. On Saturday, 24 May 2008, Janice and I drove down to Norwood, Massachusetts, for lunch at Conrad’s and to pick up my subscription at New England Comics. From there, we went to the Emerald Square Mall in North Attleboro, Mass., where we ran into Sara F. & Josh C. After walking around a bit, we met Ken G. at the Showcase Cinemas nearby, later followed by dinner at Applebee’s. Here’s my review of Indiana Jones [4] and the Kingdom of the Crystal Skull.

Indy 4 wallpaper
Once more, cliffhanging adventures

First, the usual disclaimer: I’ve been a fan of this cliffhanging franchise since seeing Raiders of the Lost Ark with my father back in 1981 (“It’s not the years, honey, it’s the mileage”). I own numerous DVDs, reference books, novelizations, comics, role-playing games, and toys associated with the works of producer George Lucas, director Stephen Spielberg, and lead actor Harrison Ford. And, yes, I did wear my safari shirt and fedora, but at least I left my whip at home! Thus, this is hardly an objective review, and since a movie ticket now costs about $10 a pop, I tend to like those films I choose to see in theaters.

Kingdom of the Crystal Skull, or “Indy 4” for short, picks up the story of our favorite adventuresome archaeologist in 1957. The Nazi and Thuggee adversaries of the earlier flicks have been replaced by Soviets, and the MacGuffin this time is a South American artifact that may be of extraterrestrial origin (I’ll try to avoid “spoilers,” but some of the reviews I’m linking to may give away more of the plot).

The strongest part of this movie is the cast, with Ford only slightly slowed by age as Professor Henry “Indiana” W. Jones Jr. and Karen Allen still attractive as a middle-aged Marion Ravenwood, Indy’s spunky onetime girlfriend. I missed the presence of the late Denholm Elliott as mentor Marcus Broady, John Rhys-Davies as Egyptian ally Sallah, and Sean Connery as Dr. Henry Jones Sr., but their absence was noted, and Jim Broadbent, Ray Winstone, and John Hurt do add a bit of gravitas to the ensemble, even if their roles are small.

Newcomers to the franchise include Cate Blanchett as nefarious Soviet paranormal investigator Col.Dr. Irina Spalko and the ubiquitous Shia LaBeouf as youthful rebel without a cause Mutt Williams. As in last summer’s Transformers, LaBeouf acquits himself well and isn’t as annoying as he could be in a blockbuster movie. Lucas’ musings on father-son relationships, human history and belief, and the value of friendship are here as in his Star Wars space opera series.

The cinematography reminded me of how Raiders, Indiana Jones [2] and the Temple of Doom, and Indiana Jones [3] and the Last Crusade revived interest in the pulp entertainment of the 1930s. This time, Indy and his globe-hopping compatriots go from the desert of New Mexico to the groves of academe in the U.S. Northeast to the highlands of Peru. Computer-generated imagery smoothly replaced the matte paintings and animatronics of previous films.

Speaking of the previous films, there are several “Easter eggs” for alert fans, including references to the lost Ark of the Covenant, to the camaraderie of The Last Crusade, and even to the instructive Young Indiana Jones Chronicles television series, as well as the novel and comic book continuity.

The set-piece action scenes are also well-done, playing to Spielberg’s strengths. They include fisticuffs in a secret government warehouse followed by a nuclear explosion, a swashbuckling chase scene through the jungle and down some waterfalls, and the usual trap-riddled tombs and temples. There are of course snakes, angry natives, and this time, ants. Yes, the pace is slower than it was in the original movies or in those that would carry on their legacy, such as The Mummy and National Treasure, but I think that gave the characters time to shine.

I would have preferred a more mystical MacGuffin or plot device, in keeping with the previous movies, but I understand the need for more science fictional elements since Indy 4 is set in the 1950s. In fact, I did like seeing the greasers and bobby-sockers of Lucas and Ford’s American Graffiti, visual allusions to Spielberg’s Close Encounters of the Third Kind, and displays of the patriotism and paranoia of the Cold War that are still strangely relevant. The movie quietly ends on a high note, if not quite the ride into the sunset of Last Crusade. On the other hand, I’m not sure if a continuation about Mutt would really count as an Indy flick.

Overall, I’d give Indiana Jones and the Kingdom of the Crystal Skull, which is rated PG-13 for violence and profanity, an 8 out of 10, or a B+. How does that compare with the previous installments? Raiders gets a 9 or a 10, or an A+. I’d give Temple of Doom a 7 or an 8, or a B+, while Last Crusade deserves an 8 or a 9, or a A-. I’d also give the Young Indiana Jones Chronicles (now on DVD) an 8, or a A-/B+.

Janice and others at dinner noted that they enjoyed Indy 4 more than Speed Racer or The Chronicles of Narnia [2]: Prince Caspian. We all liked Iron Man, which remains the genre film to beat so far this summer. I don’t know if I’ll get to the theater for computer-animated comedy Kung-Fu Panda, but I do hope to catch The Incredible Hulk in the coming month.

In related news, I belatedly watched Disney’s computer-animated Meet the Robinsons, which was fairly entertaining. The season finales of supernatural slacker comedy Reaper, superhero drama Smallville, and Showtime’s The Tudors were decent, although I’m not sure the latter was historically accurate.

Completely devoid of historical accuracy was Brian W.‘s fun “Savage Worlds: Paranoiaone-shot last week. It was the first of a series of games between the D&D3.5 “Vanished Lands: the Broken Chains” Arabian fantasy campaign and the Boston-area group’s first Dungeons & Dragons Fourth Edition party. The “Broken Chains” disbanded after many adventures; after fighting monsters, cultists, and demons, it was nice to end that party for now with the birth of one character’s children!

I thought Brian did a good job of melding the Savage Worlds rules-light pulp system with Paranoia‘s comedic cyberpunk. Tonight, I’ll be missing Josh C.’s Everway fantasy session because I’ll be running the D&D3.5 “Vanished Lands: Holy Steel” teleconferencing team. I’ve spent much of the holiday weekend catching up on reading and filing. Janice and I also recaulked our bathroom, although painting and plumbing issues remain. Next weekend, we’ll be visiting my family in Virginia.

Entry for May 20, 2008: Prince Caspian

Friends, I hope you had a good weekend. On Saturday, 17 May 2008, Janice and I met Sara F. & Josh C. at the AMC Framingham cineplex for The Chronicles of Narnia [2]: Prince Caspian. The fantasy movie was entertaining enough for fans of C.S. Lewis' children's books, but it shared some of the source material's flaws.

Prince Caspian follows two plot threads, which have been altered only slightly from the novel. In the first, the title character realizes that his usurping Uncle Miraz intends to kill him (shades of Shakespeare's Hamlet) and flees into the forest, where he finds the mythical creatures that his people, the Telmarines, have nearly driven to extinction.

In the second track, one year after the events in The Lion, the Witch, and the Wardrobe, the four Pevensie children are having difficulty adjusting to their mundane lives back in World War II-era London. They are magically summoned back to the world of Narnia by Prince Caspian and learn that about 1,300 years have passed since they were kings and queens of the once-peaceful realm. The youngsters must learn to work together in the name of wise lion Aslan to defeat Miraz and his armies.

The film's acting, production design, and special effects are all very well-done. The young actors have grown but retain their charm from the first film. William Moseley, Skandar Keynes, Anna Popplewell, and Georie Henley return as Peter, Susan, Edmund, and Lucy Pevensie, respectively, and they are joined by the soon-to-be teen heartthrob Ben Barnes as Caspian (see photo).

The conquistador-style Telmarine newcomers, led by Sergio Castellitto as Miraz, were appropriately imposing. Veteran character actors Warwick Davis and Peter Dinklage are good as dwarves Nikabrik and Trumpkin, and cameos by Liam Neeson as Aslan, Tilda Swinton as the white queen Jadis, and Eddie Izzard as swashbuckling mouse Reepicheep again steal the show.

The costumes, castles, and creatures (including centaurs, satyrs, and gryphons) are arguably better realized than in Weta Workshop's previous efforts in the Lord of the Rings trilogy of a few years ago. The mountains, forests, and beaches of Poland, the Czech republic, Slovenia, and New Zealand are also spectacular. (Full disclosure: I have a shelf's worth of reference books on Lewis and the movies.)

As in many adaptations of classic literature, the focus shifts from character development to set-piece battles that were often mentioned only in passing originally. The action scenes are well-choreographed, but as with the book, there is a lack of narrative momentum. I have fond memories of a BBC live-action Narnia miniseries, which was somewhat less polished. We'll see if changing directors can make Voyage of the Dawn Treader more compelling, a strategy that has worked for the "Harry Potter" franchise.

The movie has its weak points, but I disagree with several critics who disliked Prince Caspian and don't appreciate the genre. Any similarities between Prince Caspian's animated trees and similar flora in Middle Earth or The Wizard of Oz are to be expected, since Lewis was friends with fellow author and professor J.R.R. Tolkien and drew inspiration from similar sources as L. Frank Baum.

Overall, I liked Prince Caspian more than other recent juvenile fantasy flicks, such as The Golden Compass, but I wonder if Disney should continue pushing the allegory-heavy series. I'd give this movie a 7 or 8 out of 10, or a solid B, while I'd give The Lion, the Witch, and the Wardrobe a B+/A-. The newer movie was rated PG for violence.

So far, Iron Man is the movie to beat for me this summer. Speed Racer and Prince Caspian were decent, but this coming weekend, I plan to screen Indiana Jones [4] and the Kingdom of the Crystal Skull. In the coming months, we have Kung-Fu Panda, Incredible Hulk, Hellboy 2, Dark Knight, X-Files 2, and Mummy 3 to look forward to!

Entry for May 13, 2008: Go, Speed Racer!

Friends, I hope you had a good weekend. Congratulations to Brian & Melissa F. on the birth of their daughter Alison Lynn!

On Saturday, 10 May 2008, Janice and I caught an early matinee of Speed Racer at the AMC Chestnut Hill multiplex. Although the anime-based movie hasn't done as well as Iron Man in terms of box-office returns or reviews, we enjoyed it.

Based on Japanese manga (comic books) and the influential 1960s cartoon, Speed Racer follows its titular hero (played by Emile Hirsch) through several key automobile races on tracks of escalating difficulty, from a giant roller coaster and a dangerous Mad Max-style cross-country rally to the international Grand Prix.

The film breaks up these races with flashbacks to the hero's childhood and interactions with his family and friends, as ably played by John Goodman, Susan Sarandon, and Christina Ricci, among others. Matthew Fox was properly mysterious as the renegade Racer X, who may or may not be Speed's brother. I was pleased to see Peter Fernandez, who worked on the animated series, as an announcer. Even Speed's younger brother Spritle and simian sidekick Chim-Chim are tolerable, as they mostly play pranks on villainous sponsor Mr. Royalton.

I thought the movie did a decent job of showing the value of family as the drivers grappled with gadget-driven competition, commercialization, and ninjas. In case you haven't realized by now, this is a children's movie, similar to Disney/Pixar's Cars, not Ben Hur or even Talledega Nights. At two hours, it was a bit long for that audience, but still relatively fast-paced.

Speed Racer's hyperkinetic, color-saturated cinematography reminded me more of the live-action adaptations of Dick Tracy or Thunderbirds than of the Wachowski brothers' cyberpunk hit The Matrix. The computer-generated backdrops are similar to those in Sky Captain and the World of Tomorrow or Beowulf, but for a younger audience, not unlike Spy Kids.

The tricked-out Mach 5 race car looked sleek (see above), and the soundtrack pays homage to the cartoon. Fans of the original or of anime in general should like the live-action Speed Racer, which was rated PG for some violence and language. I'd give it about a 7 or 8 out of 10, or a B+.

On a related note, I finally caught the comedy Surf's Up on cable television. It was part of Hollywood's recent penguin craze, which included March of the Penguins and Happy Feet. I thought the computer-aided animation and soundtrack were solid, and the talking animals were cleverly written. Now, if only we wouldn't get such spates of lost cities; insect, bird, or rodent flicks; or singing princesses.

While we didn't get together with Thomas K.Y. and Sara F. & Josh C. for Stardust this past weekend, we did get a lot of yard work done. I also saw trailers for the Star Wars: Clone Wars movie pilot and the Lego Indiana Jones and Lego Batman video games. We also enjoyed ensemble period drama Cranford on PBS's "Masterpiece Classic." Tonight is the final session (for now) of the D&D3.5 "Vanished Lands: the Broken Chains" Arabian fantasy group.

Entry for May 09, 2008: Corn and candidates

First off, I'd like to again offer my condolences to Bob R. on the passing of his mother and Brian D.H. on the recent death of his father. In addition, I'd like to wish all the mothers out there a Happy Mother's Day.

Friend and fellow blogger Steve M.R. and others have cited recent articles discussing the current fuel crisis. While we haven't yet seen the lines, rationing, or unrest of the 1970s oil crises, our dependence on polluting fossil fuels from politically unstable parts of the world is still a problem. I plan to blog separately on foreign policy.

Will U.S. suburbs disappear and be replaced by megalopoli or bucolic decentralized towns? Not overnight. Our society has placed a high value on the automobile, so rebuilding railways or re-examining land-use planning priorities will face cultural and institutional resistance. Having recently watched An Inconvenient Truth and Who Killed the Electric Car? it's hard to be hopeful.

In addition to such painful changes, misguided policies are aggravating or at least not mitigating human-caused environmental damage and climate change. Sure, one can say that evolution and so-called global warming are merely theories to describe complex biological and climate processes, but I think we can do more based on science than on blind faith.

For example, federal subsidies for ethanol production have led to the planting of corn as a cash crop, to the exclusion of other crops or of using it for food and feed (illustration above from Mother Jones). It's bad enough that perfectly arable and fertile land is being paved over for endless strip malls and "McMansions," but the U.S. has even been pushing corn on parts of the world where indigenous crops (such as rice or wheat) would better feed the local population. The subsidies are partly a reaction to the presidential primary primacy of states such as Iowa and the clout of agribusiness, despite any rhetoric of our tradition of family farms.

Speaking of the current race, despite missteps and scandals during her husband's administration, Hilary Clinton is the only candidate who has seriously tried to address the rise in health care costs. However, I've been disappointed at the negative campaigning between her and Barack Obama, which I hope will soon be resolved. The two Democrats' platforms are closer than their camps or personalities will admit, but Obama's lead is growing.

I was at the Democratic National Convention in Boston four years ago when Obama spoke, so I can personally attest to his charisma and promise of change. Those who are upset by his former pastor's inflammatory comments underestimate the persistent problem of racism and its effects on everyone. On the other hand, as we've seen with Gov. Deval Patrick here in Massachusetts, optimistic slogans won't balance the budget or deal with deteriorating infrastructure. At the moment, nearly any moderate or liberal would be preferable to the current administration or McCain.

As I told college chum Ron J.K., I strongly disagree with John McCain's stances, including his hawkish attitude toward the ongoing conflict in the Middle East, his flip-flops on torture and taxes, and his tepid support of environmental protection. I urge all concerned citizens, regardless of affiliation, to get informed and vote.

Entry for May 08, 2008: Parties and movies

Thanks again to co-worker Ken G. for inviting me to his Cinco de Mayo party this past Monday. I enjoyed meeting his friends from school, theater, and contra dancing, as well as playing pool, air hockey, and video games at the Jillian's in Worcester, Massachusetts, I also had a productive "Conscious Communication" class at work yesterday.

After seeing the well-received Iron Man this past weekend, the Boston-area social/gaming groups are trying to figure out when to see the next genre movies, such as live-action anime Speed Racer. In related news, Marvel Studios is planning more adaptations of its popular comic books, including films and cartoons.

Fellow blogger Steve M.R. has noted the announcement of Guillermo Del Toro as planned helmer of a cinematic adaptation of The Hobbit. Peter Jackson, who directed the "Lord of the Rings" (LotR) trilogy, will be producer. We'll see if Del Toro, who directed the excellent Pan's Labyrinth and the upcoming Hellboy II: The Golden Army, can bring his brand of dark fantasy to J.R.R. Tolkien's Middle Earth while still respecting the somewhat more child-friendly tone of the book. I'm also uncertain of whether a "bridge" movie between The Hobbit and the already-released LotR movies is a good idea.

Lucasfilm is airing a preview of the Clone Wars computer-animated theatrical movie (which will launch a television series on the Cartoon Network) tonight shortly before 8:00 p.m. It will also tease the Lego Indiana Jones video game with Raiders of the Lost Brick at 9:00 p.m. on Saturday, 10 May 2008. After the latest trailers, I am looking forward to the fedora-wearing archaeologist's continued adventures on the big screen later this month.