Tuesday, 25 August 2009: Virginia vacation

UVA

On Saturday, 8 August 2009, Janice and I ran errands in Norwood, Massachusetts,
and had lunch at Minerva Indian Restaurant. The next day, we began the long drive south to see my family. We stayed the night in Pottstown, Pennsylvania.

On Monday, Aug. 10, Janice and I visited her grandmother before continuing on our way to Virginia. We arrived in the town of “Little” Washington that afternoon and were treated to my mother’s cooking. After a restful Tuesday, we all went to Charlottesville. My father took us to the pleasant campus of the University of Virginia, where he teaches, and we enjoyed a classy buffet lunch at the Boar’s Head Inn and a cheese tray for dinner from Feast.

On Thursday, Aug. 13, we went to Monticello, the estate of President Thomas Jefferson. I had been there before, most recently a decade ago for the swearing in of my
mother
as a U.S. citizen, but Janice had not. I thought the new visitor center was a model of modern museum exhibits, and the tour of the mansion and grounds provided an interesting glimpse into the talents and contradictions of the drafter of the Declaration of Independence, architect, and slave owner.

That afternoon, Janice and I drove from the Blue Ridge Mountains to the suburban sprawl of Northern Virginia. We met my brother Peter, his wife Kelly, and their daughters before heading to the home of Corbin A.Y. & Andria K.Y. and their new arrival, Maia. Steve M.R. & Aleece Z.R. and their children, Connor and Lauren, joined us for a fun fajita dinner.

On Friday, Peter, Kelly, Ava, Lili, and Janice and I took the Metro into Washington, D.C., where we checked out the Smithsonian Institute‘s Museum of Natural History
and the newly renovated National Museum of American History. As always, there were many interesting exhibits. The girls behaved well, despite missing a nap and dealing with the summer heat and crowds on the Mall.

Later that night, the adults watched Confessions of a Shopaholic on TV. It was a frothy, forgettable comedy that wasn’t as good as, say, The Devil Wears Prada. Not my usual genre fare (science fiction, fantasy, comic book superheroes, mystery, etc.), but I look forward to the English-dubbed version of Ponyo, among other autumn movies.

On Saturday, Aug. 15, my parents joined us for a barbeque lunch to belatedly celebrate their birthdays. Janice and I left by midafternoon, grabbing dinner in the Palisades Center shopping mall and stopping for the night at the Spring Hill Suites by Marriott in Tarrytown, New York. By breaking up our travel, we managed to avoid most of the usual end-of-weekend traffic jams in New Jersey and Connecticut.

Since returning to the regular routine, I’ve also been catching up on recorded genre television, e-mails, and gaming. I hope to blog about work, movies such as District 9,
and more in the coming weeks.

19 August 2009: We need health care reform

Green Lantern: Blackest Night
Friends, I hope you've had a good fortnight. I'll try to post a blog entry soon about my Virginia vacation once I've had a chance to upload some photographs. In the meantime, however, I've been watching the acrimonious debate over proposed health care reforms.

As the Clintons learned more than a decade ago, President Barack Obama has found that guaranteeing affordable health insurance coverage for all Americans is easier said than done. Not only are there complicated connections among employers, insurers, regulators, and health care providers, but the political process has also been contaminated by money and demagoguery over the public interest.

The basic responsibility of government is to protect the citizenry, whether from hostile nations, corporate (and its own) corruption, or natural disaster. The New Deal of the 1930s and the Great Society of the 1960s tried to add safety nets for the poor, elderly, and ill before they were derailed by wars, bureaucratic bloat, and laissez-faire backlash.

Since then, both Democratic and Republican administrations have expanded middle class and business entitlements through tax credits, spending earmarked for key states, and a resulting growth in federal spending. A growing reliance on private contractors and the largest military budget in the world have also contributed to the U.S.'s fiscal problems.

The current economic recession has further highlighted workers' vulnerability to mass layoffs, climbing insurance premiums, and increasing costs of living that are partly the result of dependence on fossil fuels. In past generations, angry mobs might have protested in the streets or joined unions (themselves potential agents of progress and corruption), but public outrage has been hard to find until recently.

Conservatives have been looking for so-called wedge issues to divide and conquer the popular support for Obama. Gay marriage, stimulus spending, and even the wars in Iraq and Afghanistan served them no better than they had during the presidential campaign. However, by exaggerating the threat to middle-class entitlements such as Medicare, labeling Obama's proposals "socialistic," and focusing on tried-and-true controversies such as abortion and euthanasia, they finally got traction.

Even if the U.S. wanted to follow the example of socialized medicine in Europe and elsewhere, problems with providers' existing infrastructure and practices, cultural differences, and the sheer scale of the problem make such an idea impractical at best.

Despite gains in public opinion and at the polls, liberals are still seen (and arguably still see themselves) as disunited underdogs and have also expressed disappointment with elements of Obama's plan. As a recent victim of a layoff, I myself would prefer employee portability of insurance plans — not to mention 401(k) retirement accounts — and I wonder how we'll pay for increased health coverage.

On the other hand, the amount of paperwork, marked-up fees, and disparities between care for the richest (the "best in the world," we're continually told) and for the more numerous poorest all need to be addressed as soon as possible. If my father, a college professor, and my mother, a retired nurse, have difficulty understanding their coverage without aid from a daughter-in-law who works in human resources, what chance does the average person have?

Health costs are already putting a drag on the U.S. economy, and as with education and transportation, a public utility has been turned into a profit center beholden to stockholders rather than patients. An aging population, numerous stories of fraud at every level, and proliferating demands for worthy research (not to be confused with the latest pharmaceutical commercials) make the need for reform all the more urgent.

I believe that only by spreading the expenses among the largest possible amount of people, thus requiring federal organization, can we afford to improve health care. I also believe that a society should be judged more by how it cares for its neediest and nurtures its resources than for the conspicuous consumption of a competitive minority.

I would like to see a bipartisan consensus on health care reform, but vested interests such as insurers have spent millions of dollars lobbying in Congress, and Republicans are understandably (if not altruistically) making the most of public uncertainty. I support any plan that serves more people equitably, controls costs, and avoids the dangers of bureaucratic, individual, or corporate fraud.

Monday, 3 August 2009: Comic-Con and graphical entertainment

Google's Comic-Con logo

It’s too bad that in all the news media coverage of last week’s San Diego Comic-Con and costumed fans, the source material for television shows, movies, and games was often overlooked. My hat goes off to the writers, pencillers, inkers, letterers, colorists, and editors who work on comic books. The Eisner Awards, named after the creator of The Spirit,
recognizes each year’s outstanding achievements in graphical entertainment.

As I’ve mentioned before, I mostly read monthly superhero comic books, but I appreciate other genres, independent publishers besides DC and Marvel, and longer graphic novels. As the average reader gets older, we’ve been increasingly targeted by titles around licensed
properties and nostalgia, but as long as new readers are brought in, the hobby should stay healthy.

I’ve been a fan of the colorful, iconic superheroes of the DC Comics universe since college in the late 1980s. The “event“-driven crossovers of the past few years have been dark in tone, and Green Lantern: Blackest Night is no exception. However, it does look like it will address
the revolving door of death necessitated by the need to keep characters forever young while also respecting long continuities. Speaking of Green Lantern, Janice and I enjoyed the direct-to-DVD Green Lantern: First Flight this past weekend. It covers some of the same territory as the recent Justice League: New Frontier but is more of a police procedural in space.

I’ve blogged before about the often-confusing or lackluster storylines in DC’s team books, but I hope that the latest roster updates of the Justice League, Justice Society, and Teen Titans will get them back to being the world’s finest superheroes. Over at Marvel, I’ve
stopped following the three Avengers teams and numerous X-Men, but Spider-Man 600 did a good job of merging Silver Age nostalgia with an update on what’s going on in Peter Parker’s life now. Captain America is still my favorite Marvel title right now, as Steve Rogers returns to wear the red, white, and blue.

The Batman family of titles has been among my favorites lately, with strong art and
writing on Detective Comics, even without Bruce Wayne as the Dark Knight. I haven’t been following Superman as closely, but I’m glad to see epic storylines and art inspired by the late Christopher Reeve. I’ve also been watching the Kirk Alyn serials from the late 1940s on DVD. DC’s Wednesday Comics have continued to impress me, even though, as with any anthology, some features (Teen Titans, Wonder Woman) are weaker than others (Batman, Flash, Green Lantern, Kamandi). On balance, I’ve been enjoying the experiment.

Speaking of avant-garde storytelling, I look forward to Volume 3 of Umbrella Academy, Gerard Way‘s postmodern fever dream that turns the conventions of costumed vigilantes on
their heads. A dysfunctional family of foundlings, raised by an alien and a
robot, fights itself and reality. The latest ongoing Doctor Who title got off to a decent start.

Manga (originally Japanese comics, in a more compact format) seems to have peaked in
popularity, with bookstores across the U.S. tightening their shelf space offering it. However, that’s still a wider distribution network than the direct market of specialty comic book shops, and manga did draw many younger, female readers. I hope that, like the upcoming live-action adaptation, the Avatar: the Last Airbender manga does justice
to Nickelodeon’s fantasy television series.

Coming soon: Games and travel!

Wednesday, 29 July 2009: SFTV and Comic-Con

Star Wars: Clone Wars

As my last blog post noted, comic books have inspired several successful movies in the past several years, so it’s no surprise that Hollywood had a major presence at the 40th annual San Diego Comic-Con last week. “Beautiful downtown Burbank,” or the television industry, was also well-represented, with actors rubbing shoulders with costumed fans.

I’ve been a fan of slacker comedies such as Reaper, partly because popular directors such as Kevin Smith and Judd Apatow represent my generation (if not necessarily its work ethic or supposed lack thereof). Espionage spoof Chuck and sleuth homage Psych have been consistently entertaining, but I think The Middleman has the best mix of fanboy allusions, witty writing, and empathetic acting. I would have liked to have been at the live reading of the “lost script,” which will eventually come out in comic book form, completing Middleman‘s life cycle.

As with their graphical origins, TV metahuman melodramas have continued, despite mixed reviews. I think Heroes has room for improvement, but many disillusioned viewers may forget that most genre programs have their ups and downs in terms of story and quality. We’ll also see whether Smallville‘s slow approach to the Superman mythos, including a Justice Society episode, will help it overcome its dependence on tired tropes. The latest version of Human Target has a narrow premise, but I like its cast.

G4 had extensive coverage of the Star Wars panel at Comic-Con, marred somewhat by the forced hijinks of usually appealing hosts Kevin Perreira and Olivia Munn. Many of my friends stopped following George Lucas’ space opera franchise after realizing that the prequel films were aimed at a younger audience than us, but I’m looking forward to Season 2 of the computer-animated Star Wars: Clone Wars on the Cartoon Network. I may also try to get tickets to the upcoming musical concert tour if it comes to Boston.

Speaking of cartoons, Batman and the Brave and the Bold, like Spectacular SpiderMan, revels in Silver Age goofiness rather than Bronze Age funk. A musical episode, classic voice casting (including a bombastic Aquaman), and clever use of obscure characters from across the DC universe make Brave and the Bold worth watching.

Marvel Comics has been more successful in print and movies than DC, but it’s only now catching up to the latest wave in animation. Wolverine and the X-Men and Iron
Man
have been decent, but Marvel
Superhero Squad (premiering 19 September 2009) might capture more of the old-school, child-friendly humor and action of comics’ Silver Age. The anime-style Iron Man and Wolverine might also be good.

More serious is the just-released direct-to-DVD Green Lantern: First Flight, continuing DC/Warner Brothers’ strong lineup of Justice League: New Frontier, Batman: Gotham Knight, Wonder Woman, and the upcoming Superman/Batman: Public Enemies. Andrea Romano is a voice-casting genius, and I’ll review Green Lantern‘s first cosmic foray (and other recent DVD acquisitions) separately.

Speaking of interstellar adventures, but back to live action, the Doctor Who panel didn’t reveal many new tidbits about David Tennant‘s final outings (for now) as the Gallifreyan Time Lord, but I wish his successor Matt Smith luck in taking on a role inhabited by 10 predecessors. I don’t think a remake of alien invasion series “V” is necessary, but it does sport decent production values and casting.

I’m among those who have criticized the rebranding of the SciFi Channel as “SyFy,” but I’ll keep watching what few genre shows it has left rather than wrestling, schlock horror, or so-called reality programming. Cryptozoology series Sanctuary has room to grow, but the promotion of Stargate: Universe as being more like the revisionist Battlestar Galactica or even Joss Whedon’s prematurely canceled Firefly/Serenity than the solid Stargate SG1 is a turnoff to me.

Admittedly, I have lower standards for Smallville or the syndicated fantasy Legend of the Seeker, but I’ve already spent a few years following them instead of other popular arc-driven shows such as Lost. Sword-and-sandals fans may also enjoy Spartacus, which may not match the adult content of HBO’s Rome, but it won’t be Xena: Warrior Princess, either (for better or for worse), despite Lucy Lawless’ participation.

AMC‘s upcoming miniseries remake of Patrick McGoohan‘s paranoid Prisoner has a combination of the things I like about genre television: nostalgia with a modern twist,
solid casting and production value, and (I hope) good writing. I’ve also just started watching Being Human, a drama about a vampire, a ghost, and a werewolf as roommates, on BBC America.

Coming soon: Last but not least, comic books and games!

Comic-Con movie news


While I would like to experience the San Diego Comic-Con sometime, I may have been able to follow more news from assorted media than if I had to deal with the more than 100,000 people at the genre entertainment convention last week (23 to 26 July 2009). I was disappointed that so much coverage still seemed to be snickering at the attendees, characterizing them as geeks, nerds, or worse.

Yes, most of the fanboys at such events are young men, but we don’t all live in our parents’
basements, have questionable personal hygiene, fear women, or lack productive jobs. In fact, most of my peers who are fans of fantasy, science fiction, horror, anime, and superheroes are well-adjusted professionals, often with families. People who play videogames, gamble, or are avid sports fans are still more socially acceptable than the millions of us who read comics, play role-playing games, and make the movies adapted from them profitable.

Speaking of genre film, the big Hollywood studios have all but taken over Comic-Con,
using it to preview and promote their upcoming releases. With the average price of tickets at $10 and climbing, studios are trying to find ways to compete with home theaters, online file-sharing, and ever-more-fragmented audiences and attention spans. As a result, they’re playing it safe, adapting known intellectual properties; using gimmicks like 3-D, computer imagery, and IMAX for more and more flicks; and relying on big-budget “tentpole” summer fare to boost their box office.

Still, for all of the conservatism of producers, good films are still being made. We’re still
riding the latest wave of movies with costumed superheroes, as second-stringers such as Western antihero Jonah Hex are portrayed in live action, often for the first time. I thought the previews of Iron Man 2 looked promising, even if they and the cast didn’t inspire
fans
as much as when director Jon Favreau brought the first movie to Comic-Con.

As for Tony Stark, star Robert Downey Jr. can soon also be seen in Guy Ritchie’s action-oriented take on Sherlock Holmes. I’ll probably enjoy it as a steampunk/alternate
Victorian-era history
rather than a faithful rendition of one of my favorite fictional characters.

Nostalgia is also behind Seth Rogen’s upcoming Green Hornet. I’ve seen reruns of the 1960s television show featuring Bruce Lee, and the “Black Beauty” was a contemporary of the classic Adam West Batmobile. I was a fan of the early 1980s Tron — not only did I play the videogame in arcades, but I have fond memories of using bicycles and Frisbees for “light cycles and deadly discs” with neighborhood kids! Thus, the trailer with genre vet Jeff Bridges looked exciting to me, even if I had to explain to Janice why.

Fantasy enthusiasts can look forward to the whimsical (and surprisingly melancholy,
from the preview) Where the Wild Things Are, Spike Jonzes’ live-action rendition of the Maurice Sendak book. I reviewed
Hayao Miyazaki‘s Ponyo a few months ago, and the American English-dubbed version of the animated fable should be worth screening in a cinema. The animated Mr. Fox could also be good, since Coraline recently demonstrated that stop-motion is still a good fit for fantasy. I may not be the biggest fan of Tim Burton’s quirky style, but it does seem well-suited to Lewis Carroll’s Alice in Wonderland. Fantasist Terry Gilliam’s Imaginarium of Dr. Parnassus should be able to overcome the untimely death of actor Heath Ledger.

In addition, The Chronicles of Narnia [3]: Voyage of the Dawn Treader has started filming. Let’s hope that Guillermo Del Toro and Peter Jackson can make their two-picture Hobbit continue to do justice to J.R.R. Tolkien’s Middle Earth as the Lord of the Rings trilogy did.

In terms of literature, science fiction was my first love before I discovered other subgenres. District 9 looks like an explicit parable about apartheid, and like last week’s Torchwood: Children of Earth, it shows that ordinary humans can be as villainous as any alien menace. If you take classic space opera, add dollops of the ever-popular cyberpunk, and use state-of-the-art visual effects, you might have something resembling James Cameron’s Avatar (not to be confused with M. Night Shyamalan’s Last Airbender). Somewhere between Burton‘s fantasy and postapocalyptic dystopia is the upcoming stop-motion “9,” which also looks interesting.

I’m less optimistic about Roland Emmerich adapting Isaac Asimov’s Foundation, a
speculation about future history and the rise and fall of galactic civilization. Asimov‘s intellectual stories aren’t a good fit for Emmerich’s usual pyrotechnics. Many more announcements were made at Comic-Con, but I’ve only mentioned the ones I found interesting.

Coming soon: Comic-Con TV, comics, and game news!