Getting our bearings and animation roundup

The Secret World of Arrietty
Image from The Secret World of Arrietty

Janice and I were busy last week with work and more unpacking in our new apartment. We did take some breaks, checking out the Wilson Farm, the Outer Limits, and other shops and restaurants in our area.

On Saturday, 10 March 2012, we screened The Secret World of Arrietty, which is loosely based on the children’s book The Borrowers. The latest Studio Ghibli movie featured the animation style and gentle pace familiar to fans of Hayao Miyazaki’s works, decent voice acting, and a plot that was somewhat more faithful than other adaptations, such as Howl’s Moving Castle or Tales of Earthsea.

The Secret World of Arrietty follows a 14-year-old girl who is a member of a diminutive family of “Borrowers” living beneath the country home of modern humans. Arrietty’s adventures are both charming and perilous, as she has bittersweet interactions with a human boy named Sean.

The U.S. English voice cast includes Amy Pohler and Carol Burnett, but the celebrity casting isn’t distracting. The movie may not be as action-packed or high-concept as other Miyazaki films, but it’s still entertaining and a nice antidote to the recent overload of loud, computer-animated flicks. Overall, I’d give The Secret World of Arrietty, which is rated G, 7.5 or 8 out of 10, four out of five stars, and a B+/A-.

In other animation, Janice and I recently watched our DVD of Azur and Asmar: the Princes’ Quest, which follows two boys from their childhood in medieval France to the deserts in search of a fairy princess. Like Sita Sings the Blues, my first impression of the flat computer animation was that it was crude, but the detail and style grew on me as the characters and story developed.

I thought the movie did a nice job of depicting the conflict and synergy of European, North African, Arabian, and Persian styles and folklore. I’d give Azur and Asmar an 8 out of 10, four out of five stars, and an A-.

I have yet to watch Justice League: Doom, and Cartoon Network’s “DC Nationblock has just started on Saturday mornings, with a mix of Young Justice, Green Lantern, and humorous shorts aimed at younger audiences. It’s a little disjointed so far, but I like the shorts. Disney XD will be starting its own Marvel Universe programming on Sunday mornings, including The Avengers: Earth’s Mightiest Heroes and Ultimate Spider-Man.

And that’s not even including upcoming animation such as Star Wars: Clone Wars, Teenage Mutant Ninja Turtles, Avatar: the Legend of Korra, How to Train Your Dragon: the Series, and Pixar’s Brave! I’ve given up for now on trying to keep up with the latest TV iterations of G.I. Joe, Transformers, and Kung-Fu Panda, although they all seem decent. In comedy, I find myself more interested in The Looney Tunes Show, Metalocalypse, or Archer than in The Simpsons or Fox’s Sunday night animation block.

One final item (for now) of news: Sadly, Jean Giraud, also known as Moebius — borrowed from the mathematician — died last week. I discovered his art years ago in Metal Hurlant/Heavy Metal magazine. As with the recently deceased Robert McCall and Ralph McQuarrie, Moebius shaped generations of science fiction and fantasy creators and fans. Examples of Moebius’ influence include the distinctive looks of Alien, Blade Runner, Dune, The Fifth Element, Heavy Metal, Tron, and Willow. All of these artists will be missed, but their visions live on!

On the move again, 2012 edition

Fan-built set
Lego space movers

I haven’t been able to blog as often as I’d like lately because I’ve been unusually busy. My employer’s annual meetings went smoothly, genre television and my three gaming groups have resumed since the holidays, and Janice and I will have to move soon.

We’ve lived in Needham Heights, Massachusetts, for about nine years, longer than we’ve lived together anywhere else. Janice and I like the residential neighborhoods, nearby restaurants, and the easy access to highways. Our rent hasn’t gone up during that time, and our combined salaries aren’t enough to buy a comparable home in the area.

However, Janice’s current commute by train to work in Kendall Square in Cambridge, Mass., has taken an hour and a half each way every day. We’ve also been responsible for things like mowing the lawn, shoveling snow, and various repairs. In addition, we had to move between duplexes within Needham in 2006 after our basement flooded because of development up the hill.

In the past few weeks, we’ve noticed that our townhouse’s water heater has been leaking. We contacted our landlord, who said he’d prefer to replace it when renovating the entire unit rather than fix it while we’re still here. We’ve had other problems with plumbing and heating before.

Our lease doesn’t expire until the end of April, but since we now have to move anyway because of the renovation and Janice’s commute, we decided to do it sooner rather than later. Janice and I spent the past few days looking at potential apartments to move to by the start of March.

Janice and I had the option of moving to yet another townhouse in Needham owned by the same landlord, but it was a little run down and wouldn’t help Janice’s commute. Still, it was in a familiar neighborhood and comparable in rent and space to our current place, which has three bedrooms and a full basement. It was our backup.

Janice and I considered other sites in Newton, West Roxbury, Watertown, and Arlington. We’ve applied for a place in Waltham, Mass., about equidistant from Janice’s and my jobs. We’ll likely lose some space, including our basement, which is where we’ve stored numerous boxes of files, comic books, decorations, and toys. It’s also where I’ve hosted and run role-playing sessions.

We’ll be paying quite a bit more per month, but I hope that the modern amenities and better service will be worth it. I’ll report more once our lease is signed. In the next few weeks, I’ll be busy with packing and trying to sell extra appliances, books, and furniture.

We’ll have to hire movers, because with 80+ boxes of books last time, we can’t impose on friends and family in the middle of (a delayed) winter. Thanks in advance for your good wishes!

Ode to Gatchaman

Gatchaman
Gatchaman by Alex Ross

I was recently asked about classic animation, and my favorite old-school anime is Gatchaman, also known as G-Force or Battle of the Planets on U.S. television. It came before Voltron, Transformers, and the Mighty Morphin’ Power Rangers but influenced them all.

The 1970s “science ninja team” was partly inspired by western superheroes and featured the first “super sentai” group, establishing the archetypes of the fearless leader, annoying kid, big guy techie, spunky girl, and reckless loner. Their costumes, acrobatic maneuvers, and individual vehicles have been copied many times since then.

Gatchaman‘s “god bird Phoenix” was one of the first fictional spacecraft to allow its crew to pilot separately and then come together to transform. Plus, viewers of the bastardized American version may not be aware of the franchise‘s darker themes, including teenagers who have been genetically modified, cross-dressing villains, and a future where humanity faces self-destruction and alien invasion.

I have action figures, DVDs, reference books, and a rare die-cast Phoenix model imported from Japan! A computer-animated movie was in the works, but the studio unfortunately went under after the poor box-office returns of Astro Boy and TMNT. I still hope that Gatchaman will be revived and updated someday! (I’m also a Macross/Robotech fan.)

Swashbuckling cinema

The late Bob Anderson
Sword master Bob Anderson

Over the holidays, I caught up a bit on movies on DVD, in theaters, and on cable television. While spending Christmas with my in-laws, I saw the 1934 version of The Scarlet Pimpernel and 2011’s Cars 2 and Pirates of the Caribbean [4]: On Stranger Tides.

I’ve seen other adaptations of the Orczy stories, but the black-and-white Scarlet Pimpernel is noteworthy because of its reflection of Anglo-American concerns about dictatorship and war in Europe and as a forerunner to characters such as Zorro and Batman. Speaking of swashbuckling, fellow fans of everything from Errol Flynn’s films to Star Wars, Highlander, The Princess Bride, and The Lord of the Rings should note the passing of sword master Bob Anderson.

Cars 2 was reasonably entertaining, with nicely rendered international backgrounds (not unlike Kung-Fu Panda 2) and an espionage-flavored plot. The character development and pathos weren’t at Pixar’s usual level, but I’d still give the computer-animated flick a B+, three stars, or a 7.5 out of 10. My favorite animated movies of the past year or so include The Illusionist, Rango, and Winnie the Pooh, and I look forward to The Secret World of Arrietty, The Pirates! Band of Misfits, and Pixar’s next, Brave, in 2012.

Pirates 4 was better than its muddled predecessor At World’s End, with a more linear plot involving the Fountain of Youth, less pointless backstabbing and visual effects, and somewhat less mugging by star Johnny Depp. The romantic subplots were still extraneous but less annoying, and Penelope Cruz as pirate Angelica and Ian McShane as the notorious Blackbeard were worthy foils to Depp’s Capt. Jack Sparrow and Geoffrey Rush’s Capt. Barbossa. Not surprisingly, Disney’s On Stranger Tides leaves the door open for yet more sequels. I’d give it a B, 7 out of 10, or three stars.

I have yet to watch other recent swashbucklers, including Sinbad: the Fifth Voyage, the reboot of Conan the Barbarian, and the latest Three Musketeers. On TV, I enjoyed the latest Star Wars marathon and rewatching David Lynch’s adaptation of Dune for the umpteenth time. As David I.S. and I have noted, it’s OK for fans to turn to the visual equivalent of “comfort food” from time to time.

As previously mentioned, Janice and I also screened The Adventures of Tintin: Secret of the Unicorn at the Showcase Cinemas de Lux at Legacy Place in Dedham, Massachusetts, and we met Thomas K.Y. & Kai-Yin H. and Beruk A. for The Artist at the Kendall Square Cinema in Cambridge.

I’m somewhat familiar with the young hero of Belgian artist Herge’s comic books, and Stephen Spielberg and Peter Jackson’s adaptation is fairly faithful. I liked Tintin‘s globe-trotting, 1930s adventures (similar to those of Indiana Jones), and the “uncanny valley” of realistically animated humans didn’t bother me as it does with Zemeckis’ works, partly because they were slightly caricaturized. I’d give Secret of the Unicorn a solid B, three stars, or 7.5 out of 10.

The apparent theme of many of the movies I’ve mentioned here is that retro films, especially swashbucklers, never truly go out of style. The Artist is no exception, both following and paying homage to the tropes of the silent era. The French film is set in Hollywood of the late 1920s and early 1930s and follows the charismatic George Valentin (Jean Dujardin as an analogue for Rudoph Valentino) and young actress Peppy Miller (played by Berenice Bejo) as their industry deals with changing technology and audience tastes. Valentin’s dog steals the show. I definitely recommend The Artist, which I’d give an A-, or four out of five stars, or 8.5 out of 10.

What were your favorite movies of the past year? I didn’t get to theaters quite as often as in previous years. In addition to those mentioned above, I liked The Mighty Thor, Captain America: the First Avenger, The Muppets, and Sherlock Holmes [2]: A Game of Shadows. In the next few months, I hope to catch Hugo (another retro film that Janice saw), the remake of Tinker, Tailor, Soldier, Spy, and the actioner Haywire.

Looking further ahead, there’s planetary romance John Carter, superheroes Avengers and The Dark Knight Rises, dueling fairy tales Mirror, Mirror and Snow White and the Huntsman, James Bond in Skyfall, and of course, The Hobbit [1]: An Unexpected Journey!

Sherlock Holmes: A Game of Shadows review

Jude Law and Robert Downey Jr.
The game is afoot -- again!

On Friday, 16 December 2011, I picked up the registration for my new car and got it inspected. I also handed over the title to my old automobile. The next day, Janice and I met role-players Sara F. & Josh C. for lunch at Whole Foods at Legacy Place in Dedham, Massachusetts.

We then went to the Showcase Cinemas de Luxe to screen Sherlock Holmes [2]: A Game of Shadows with Sara & Josh’s friend “Viking.” We enjoyed the steampunk movie, which had even more action than its 2009 predecessor and was somewhat faithful to Sir Arthur Conan Doyle‘s detective stories.

Director Guy Ritchie is still fond of explosions, Gypsy music, and slow-motion fisticuffs. Actors Robert Downey Jr. as Holmes and Jude Law as Dr. John Watson appear to be having a blast playing up their “bromance.” Downey Jr.’s comedic chameleon owes at least as much to Peter Sellers‘ manic Inspector Clouseau in the Pink Panther flicks as it does Basil Rathbone or Jeremy Brett’s sleuths.

Jared Harris, the son of the late Richard Harris and already a villain on Fringe, acquits himself well as that “veritable Napoleon of crime,” Dr. James Moriarty. As with the original serialized fiction, women are merely in supporting roles in Sherlock Holmes 2. Mrs. Mary Watson (Kelly Reilly), Irene Adler (Rachel McAdams), and fortuneteller Madame Simza Heron (Noomi Rapace) are involved in Moriarty and Holmes’ chess game as attractive pawns.

Noted Sherlockian Stephen Fry does get an amusing turn as Holmes’ older (and smarter) brother Mycroft. In A Game of Shadows, Sherlock Holmes, Watson, and Mme. Simza race across Europe to investigate anarchist bombings and a profiteering scheme to plunge the continent into war. This plot is surprisingly faithful to “The Bruce-Partington Plans,” “The Final Problem,” and the historical facts of how the Victorian era eventually led to World War I or the so-called Great War.

I’m not sure that Conan Doyle would recognize his world in this latest cinematic adaptation, however, with its steampunky emphasis on grime, crime, and pyrotechnics over erudite detection. Still, it’s worth remembering that the late 19th century was an era of technological change to match our own, with electrical street lights, the horseless carriage, telegraphs, and machine guns all changing daily life.

Fans and practitioners of the steampunk subculture will no doubt find inspiration in A Game of Shadows, which includes swordplay, waltzes, and fights aboard a rushing train. Both Tim M.B.‘s GURPS “Arth” and my GURPS/D20 “Gaslight Grimoire” scenarios used similar elements, as do recent role-playing games such as Airship Pirates and the FATE 3e Kerberos Club.

More serious Holmesians (Janice and I have been to 221b Baker Street) may prefer the upcoming second series/season of the BBC/PBS Sherlock, coming soon. Despite its modern setting, I’ve also enjoyed the latter adaptation. Like other enduring British icons, such as King Arthur, Robin Hood, James Bond, and Doctor Who, the great detective can be interpreted in many ways.

Overall, I’d give Sherlock Holmes: A Game of Shadows, which is rated PG-13 for violence and innuendo, a B+, three out of five stars, or 7.5 out of 10. The movie is good popcorn entertainment, and another sequel is reportedly in the works, even though its box-office performance could have been better.

We also saw promising trailers for the actioner Haywire and Christopher Nolan’s Batman finale The Dark Knight Rises, but even the previews for Marvel’s Avengers, sword-and-sandals sequel Wrath of the Titans, and Disney/Pixar’s animated fantasy Brave didn’t excite me the way those for Peter Jackson’s The Hobbit [1]: An Unexpected Journey have. I look forward to returning to Middle Earth, and genre film fans have a lot to look forward to in the coming year!