Catching up: Raiders, Halloween, and the Rhode Island Comic Con

On Sunday, 28 October 2012, Janice and I went to the Brattle Theater in Harvard Square, Cambridge, to screen a remastered print of Raiders of the Lost Ark. I broke out my fedora and leather bomber jacket (but not my whip) for the occasion.

The cliffhanger movie has held up well after 30 years, and it was great to see Harrison Ford again as the charming scoundrel, John Rhys-Davies and Denholm Elliott as Indy’s pals, and most of all, Karen Allen as the spunky Marion Ravenwood, who’s every bit the equal of the adventuresome archaeologist and his Nazi nemeses.

Janice and I also browsed among our usual bookshops and had a good meal at Grendel’s Den. Unfortunately, former co-worker and fellow blogger Ken G. wasn’t able to join us because his return flight from Peru had been delayed.

For Halloween, I dressed in full chain armor for my weekly historical weapons class. It was fun to practice our moves with metal weapons for once.

At GuardUp!
Dueling in Norman-style chain armor

On Saturday, Nov. 3, I drove down to Providence, R.I., for the first Rhode Island Comic Con. The genre entertainment convention was a success, with strong attendance, numerous dealers and artists, and several celebrities, including (but not limited to) the following:

  • Star Trek: John De Lancie, Robert Picardo, Gary Graham
  • Star Wars: Peter Mayhew, Tom Kane
  • Buffy: the Vampire Slayer: Nicholas Brendon
  • Buck Rogers in the 25th Century: Gil Gerard, Felix Silla

And last, but not least, from the original Battlestar Galactica:

  • Richard Hatch (Cmdr. Apollo and Tom Zarek)
  • Dirk Benedict (Lt. Starbuck)
  • Herbert Jefferson Jr. (Lt. Boomer)
  • Jack Stauffer (Capt. Bojay)
  • Sarah Rush (Cpl. Rigel)
  • Noah Hathaway (Boxey)

As a child of the 1970s, I was excited to meet more actors from one of my favorite military space operas of all time. While I was disappointed that Laurette Spang (Cassiopeia) and Anne Lockhart (Lt. Sheba) couldn’t make it, it was still cool to see so many classic BSG actors together.

The actors still resemble their characters, almost 35 years later. Hatch was as gracious and philosophical as I remember from our previous meeting, and Jefferson still has his military bearing and is down to earth. Rush was perky as ever, and during the BSG panel discussion, ailing Stauffer talked about giving back to the acting community.

Benedict was as roguish as ever, soft-spoken one on one but sarcastic and funny during the panel. Hathaway, who was also Bastian in The Neverending Story, has grown into a tattooed, wiry guy with an attitude closer to that of Starbuck than adoptive father Apollo.

Everyone spoke highly of the professionalism and courtesy of the late Lorne Greene, a.k.a. Adm. Adama. They acknowledged classic Galactica‘s debt of inspiration to Star Wars, as well as the problems with producing a grand space adventure in the face of TV network opposition to its budget and tone. The cast even mentioned the derivative Galactica 1980 and Ron Moore’s grim BSG reboots, as well as plans to return the Galactica franchise to movie theaters.

Among other people, I enjoyed chatting about Buck Rogers with Gil Gerard (I had met Erin Gray at a previous event) and about Alien Nation with Gary Graham. I was pleased to find both actors approachable and good-humored about their respective television careers.

It was also nice to chat with artists Bob Eggleton and Craig Rousseau, whose works I’ve followed and whom I’ve met at past conventions. I also talked with Star Wars reference book author Ryder Windham, who agreed with me in being optimistic about Disney’s purchase of Lucasfilm and plans for more films in the saga.

In addition, there were many creative and confident cosplayers at RICC, and I was impressed when a zombie flash mob broke into dance to Michael Jackson’s “Thriller.” I didn’t have time to participate in any of the games that were being played in one ballroom.

I’d definitely consider attending the Rhode Island Comic Con if it is held again next year. Sure, the organizers could have done a better job of handling the crowds for certain panels, but I hope that the event was profitable enough that it can join the Boston Comic Con and this coming weekend’s annual Super MegaFest.

The Force is strong with the Mouse House…

By now, genre entertainment fans may have seen the news that Disney is buying Lucasfilm for $4.05 billion. I’ve already seen lots of snarky comments online, but this purchase might be good for the franchise, and by extension, space opera.

Disney buys Lucasfilm
George Lucas and Walt Disney’s creations

I have no love for megacorporate deals, some of Lucas’ more stilted dialogue, or the “nerd rage” of many fans. Get over Jar Jar Binks already — yes, the character is unintentionally offensive, but most small children I observed loved him as previous ones loved R2-D2, Yoda, or Ewoks.

My sources have hinted that Disney has been interested in Lucasfilm for some time, for much the same reason it recently bought Marvel Comics — as intellectual property to mine for profitable ideas.

On the other hand, the fact remains that the Star Wars movies and multimedia helped rescue science fiction from obscurity in the late 1970s, and Lucas handing off his creation to the next generation of directors isn’t necessarily a bad idea.

Lucas has shown greater wisdom when collaborating with other writers than when tinkering with his earlier works, as the excellent Young Indiana Jones Chronicles and Star Wars: Clone Wars demonstrate.

The “expanded universe” of Star Wars novels, comic books, games, toys, and TV shows has generally maintained consistent quality (notwithstanding the occasional cheesy Christmas special). As much as I love other franchises from my youth, such as Doctor Who, Star Trek and Planet of the Apes, I’ve become more of a Star Wars buff.

We’ll have to wait and see if Disney’sEpisode VII” and other sequels continue the dreams born from a kid in California watching old Flash Gordon serials or whether the worst fears of hypercritical fans are again realized. May the Force be with us — always!

Gene the Christmas Jedi
As a Jedi, Christmas 2009

Captain’s log…

Like memes, quizzes circulate endlessly online. I’m satisfied with this result, even if I thought I’d be more like Capt. Picard….
You are James T. Kirk (Captain)

James T. Kirk (Captain)
65%
Will Riker
60%
An Expendable Character (Redshirt)
60%
Chekov
55%
Geordi LaForge
55%
Worf
55%
Deanna Troi
55%
Mr. Sulu
50%
Jean-Luc Picard
50%
Spock
49%
Leonard McCoy (Bones)
45%
Uhura
45%
Mr. Scott
40%
Data
36%
Beverly Crusher
30%
You are often exaggerated and over-the-top
in your speech and expressions.
You are a romantic at heart and a natural leader.


Click here to take the “Which Star Trek character am I?” quiz…

Gene at the Star Trek Experience
On the bridge of the U.S.S. “Enterprise” NCC 1701-D

 

The Dark Knight Rises, a belated review

On Sunday, 22 July 2012, I met Beruk A. and James B. at the AMC Loews Boston Common for a matinee of The Dark Knight Rises. Sadly, the superhero sequel was overshadowed by the tragic shootings in Colorado.

We enjoyed the film, which neatly wrapped up director Christopher Nolan and lead actor Christian Bale’s take on Batman. I liked The Dark Knight Rises a little more than The Amazing Spider-Man, if not as much as the four-color The Avengers.

Wallpaper 6
Nolan and Bale’s Batman comes to a conclusion

Cast: Bale is a decent Bruce Wayne, a tortured soul masquerading as a billionaire playboy. He’s not as fun as Adam West (who once called me “chum”), as slick as Val Kilmer or George Clooney, or as initially odd a choice as Michael Keaton was for the costumed vigilante.

Bale is again ably supported by older character actors in The Dark Knight Rises. Michael Caine is Wayne’s cockney and concerned butler Alfred, Morgan Freeman adds mischievous gravitas as technologist Lucius Fox, and chameleon Gary Oldman is the embattled Commissioner James Gordon.

Newcomers to this cinematic version of Gotham City include Marion Cotillard as mysterious executive Miranda Tate, Tom Hardy as brutal assassin Bane, and Joseph Gordon-Leavitt as idealistic police officer John Blake. Blake becomes the audience surrogate in hoping for things to improve, even as the police as a whole are outmaneuvered.

They all did well in their roles — even if Hardy was sometimes hard to understand through his face mask — but Anne Hathaway deserves special mention for her performance as Selina Kyle/Catwoman.

I had some doubts about the young actress, but Hathaway was properly slinky and cunning as the (never-named) cat burglar and con artist. She was believable in navigating Gotham’s seamy underbelly and its glittering galas, and she brought much-needed femininity and light to Nolan’s grim and gritty universe.

Plot: Batman Begins showed how an orphan could become an anonymous champion of justice, and The Dark Knight depicted Batman fighting grotesque villains (Aaron Eckhart’s Two-Face and the late Heath Ledger’s unparalleled Joker). The Dark Knight Rises expands on both those themes and is Wagnerian in showing Batman fighting Bane and a conspiracy for the very survival of Gotham City.

Nolan tries to make the plot a complicated puzzle, but even the trailers for the movie telegraphed some of the resolution. Anyone who has read the comic book storylines of Batman: Year One, The Killing Joke, Son of the Demon, Cataclysm, No Man’s Land, and Nightfall knows what to expect.

I appreciate Nolan and Bale’s somewhat more realistic approach to Batman’s world and motivations, but the pendulum has swung very far from the cheerful camp of West’s 1960s superhero. Even the direct-to-video adaptations of DC Comics are moving to Frank Miller’s The Dark Knight Returns, another obvious inspiration.

Rich felt that Nolan’s Batman isn’t as majestic or as much of a loner as he prefers, but I agree that the amount of time that passes for the desperate citizens of Gotham (and the audience) is on the long side.

I thought that The Dark Knight Rises‘ political subtext was muddled. Following Joseph Campbell’s hero pattern, the aristocratic hero must wander, reject his father figure, be humbled, triumph over his dark reflection, and then walk away or die. Other than a bus full of orphans, we see very few of the 12 million ordinary citizens whom Batman is supposedly fighting to protect.

On the other hand, there’s a populist “99%” strain to Bane’s Robespierre-style demagoguery — even if he’s just a tool of the League of Shadows. The military and police are shown as impotent, implicitly endorsing vigilantism. Granted, dressing up as a bat to fight crime doesn’t always make sense, but why bring up those points if you’re not going to fully show both sides?

Visual effects: From the opening scene of a daring aerial hijacking, The Dark Knight Rises‘ set-piece scenes were clearly inspired by the James Bond movies, which Nolan also paid tribute to in Inception. The battles of The Avengers were more cosmic and colorful, but Batman’s gadgetry and vehicles are still impressive.

Like some comic book writers and fans, Nolan’s Dark Knight is more of an urban warrior than a stealthy detective or martial artist. Perhaps this leaves room for the next set of filmmakers to interpret and develop different aspects of Batman. Even though I miss the Batman: the Animated Series of the 1990s and even the recent campy Batman and the Brave and the Bold, I look forward to the upcoming animated Beware the Batman on TV.

Soundtrack: Hans Zimmer’s score is appropriately operatic, if not especially memorable. Unlike the Marvel Universe, whose movies include relatively recent popular music, it seems fitting that DC’s iconic heroes such as Batman stick with classical.

Spoilers and ratings: Note that some of the articles I’ve linked to contain “spoilers” about the plot, but I’ll try to avoid giving anything away directly here. I can see a few ways for how Nolan’s version could have continued, but I’m also content with his conclusion to Bruce Wayne’s story.

Since Batman is the single most profitable superhero film franchise, there’s little doubt that Warner Brothers/DC Comics will reboot the movies as soon as possible, not unlike various Marvel remakes. I do wonder if they’ll be able to maintain the quality amid stylistic and cast changes. I’m cautiously optimistic about the Superman reboot Man of Steel, as well as early plans for a Justice League film (for which I’ll have to write up my own ideas). I just hope they’re fun and well-done.

I’d give The Dark Knight Rises, which was rated PG-13 for violence, three out of five stars, a B+, or a 7.5 out of 10. The only upcoming movie that’s getting buzz and I’m excited about is Peter Jackson’s planned trilogy adapting J.R.R. Tolkien’s The Hobbit. In the meantime, keep tuning in, same Bat time, same Bat channel!

P.S.: Here are my Batfilm ratings:

  • 1943: Batman serials — yet to watch
  • 1965: Batman ***/B+
  • 1989: Batman **/B
  • 1992: Batman Returns **/B-
  • 1993: Batman: Mask of the Phantasm (animated) ****/A
  • 1995: Batman Forever ***/B+
  • 1997: Batman & Robin */C
  • 1998: Batman & Mr. Freeze: SubZero (animated) ***/B+
  • 2000: Batman Beyond: Return of the Joker (animated) **/B-
  • 2003: Batman: Mystery of the Batwoman (animated) ***/B+
  • 2005: The Batman vs. Dracula (animated) **/B, Batman Begins ***/A-
  • 2008: Justice League: the New Frontier (animated) ***/B+, The Dark Knight ***/B+
  • 2009: Batman: Gotham Knight ****/A-, Superman/Batman: Public Enemies **/B (animated)
  • 2010: Justice League: Crisis on Two Earths ***/B+, Batman: Under the Red Hood ***/B+, Superman/Batman: Apocalypse **/B (animated)
  • 2011: Batman: Year One (animated) ***/B+
  • 2012: Justice League: Doom (animated) **/B, The Dark Knight Rises ***/B+, The Dark Knight Returns (animated) coming soon

Catching up: San Diego Comic-Con 2012 reflections

Superheroes and villains have been in the news a lot lately. My heart goes out to the families of the victims of this past weekend’s shooting tragedy in Colorado. Let’s look back for a moment to happier times.

San Diego Comic-Con 2012 included the usual movie and television previews, toys and games, large numbers of brave fans in costume (also known as cosplay), and even some comic book announcements. Although I missed Spike TV’s coverage a few weeks ago, I caught much of G4’s programming, including its three-hour block on Saturday, 14 July 2012.

The CW's upcoming "Arrow" TV series
The CW’s upcoming “Arrow” TV series

Movies

Of the movies previewed, I’ve become more interested in the science fiction remakes Total Recall and Dredd, as well as animated comedies ParaNorman, Hotel Transylvania, and Rise of the Guardians. A few other flicks caught my eye, including Django Unchained, Looper, Elysium, and Pacific Rim.

Of course, there are the obligatory prequels and sequels, including James Bond in Skyfall, comic book superheroes Iron Man 3 and Thor 2, Star Trek 2, and last but not least The Hobbit: An Unexpected Journey and The Hobbit: There and Back Again.

Live-action TV

With the recent genre TV season ended, it was bittersweet to look back at departed or soon-to-end series such as Awake, Fringe, and Spartacus. Fortunately, there are lots of new shows to look forward to this fall, including supernatural melodrama 666 Park Ave. and postapocalyptic Revolution.

I’m a longtime fan of DC Comics’ Green Arrow, so I’ll definitely try the CW’s Arrow, which gives Oliver Queen the Batman Begins/Smallville treatment. I hope that it can focus more on Ollie’s awakening as a champion of social justice and archery prowess and less on the soap opera aspects, but the trailers are a mixed bag.

Of course, there’s lots to watch in the meantime, like midsummer cable shows such as Leverage, Warehouse 13, Alphas, and White Collar. As a longtime “Whovian,” it’s nice to see the cast of Doctor Who (and Torchwood) treated as returning heroes. We’ll see whether CBS’s Elementary will be a worthy companion to the BBC and PBS’s Sherlock and Masterpiece: Mystery.

Beyond the speculative fiction of Fringe, other procedurals with twists that I recommend include Castle (fanboy shippers), Person of Interest (domestic espionage), and Grimm (modernized fairy tales).

Cartoons

I’m disappointed that Batman and the Brave and the Bold and Avengers: Earth’s Mightiest Heroes are being replaced so soon, but at least Young Justice and Green Lantern: the Animated Series will be joined by new lighthearted Teen Titans Go! episodes. As I’ve mentioned before, Star Wars: the Clone Wars is carrying the torch for space opera on TV and continuing to expand George Lucas’ universe.

I’ve enjoyed the worldbuilding of Avatar: the Legend of Korra and the underrated Tron: Legacy. I suspect that the next animated Teenaged Mutant Ninja Turtles will be better than the live-action revision would have been.

Comic books

In comic books discussed around Comic-Con, I’m amused that Marvel is also doing a “soft reboot” with its “Marvel Now” after the much-criticizedDCnU” of the past year. I’ll be sorry to see Ed Brubaker leave Captain America, which he presented as a technothriller, and I hope that Marvel can rein in its proliferating Avengers and X-Men titles.

I’m still sifting through various “Batfamily” issues, but I’ve enjoyed some of DC Comics’ series after its continuity revision. Superman and Wonder Woman have benefited most from de-aging and new creative teams, and (some) Green Lantern and the Flash have changed the least. DC’s treatment of its female characters and younger teams still leaves something to be desired, however.

Of the comics from publishers other than the “big two,” I’ve enjoyed the Star Trek: the Next Generation/Doctor Who — Assimilation crossover, the similarly retro Steed and Mrs. Peel, and Brian Wood and Becky Cloonan’s atmospheric adaptation of Conan the Barbarian: Queen of the Black Coast.

I’ve been busy with work, games, and summer activities, but I hope to post my belated reviews of The Amazing Spider-Man and The Dark Knight Rises soon!