Although Janice’s and my Verizon FIOS wasn’t restored until Thursday, 3 November 2011, I hardly missed land-line telephone, cable television, or Internet service after the early winter storm last week. A decent number of trick-or-treaters came to our door on Halloween, and I’ve caught up a bit on reading, free of fund-raiser calls.
After an optometrist appointment on Saturday, 29 October 2011, I drove to the spacious apartment of Josh C. & Sara F. in Abington, Massachusetts, for Josh’s one-shot of Fortune’s Fool. I enjoyed the alternate history/fantasy game, in which I role-played “Giuseppe de Cellini,” an Italian Halfling gentleman rogue and swashbuckler.
I was joined by Bruce K. and Rich C.G., who are in one of my FATE 3e “Vortex” space opera teams, as well as Josh & Sara’s friends Rob & Ginger and Robyn, whom I had met at a cookout. The scenario involved our Player Characters looking for demon summoners around fourteenth century Paris. Despite a slow start, we enjoyed the Fortune’s Fool session, Josh’s punch spiked with mist-making dry ice, and the Chinese food that we ordered. Janice had also baked brownies for the potluck.
We did find Fortune’s Fool‘s rules, which use Tarot cards rather than polyhedral dice for conflict resolution, to be overly specific for combat (reminiscent of D20). They were also a bit “swingy,” granting only about a 50% chance of success for anything, given our average skill levels.
History buffs like Jason E.R. and I also had some questions about why a Renaissance would even be necessary in a world whose demihumans had long lifespans and memories of classical culture and technology, but such details would be more of a concern in a long-term campaign. I’ve tried to blend fantasy and alternate history in my own GURPS Steampunk/D20 Etherscope: “Gaslight Grimoire” adventures.
Bruce, Rich, and I left around dinnertime, before Josh & Sara’s Halloween party, to avoid the worst of an early Nor’easter. Boston’s inner suburbs got only a few inches of wet, heavy snow, but areas north and west of us got as much as a foot. Most of our autumn leaves haven’t even fallen yet, but raking will have to wait until after the snow melts.
Janice and I lost power briefly on Sunday night, but our Verizon FIOS (telephone, Internet, and cable television) was disrupted. Fortunately, we have more than enough to read and watch on DVD in the meantime. For instance, we watched some more 1940s Superman serials, Batman: Year One, and a few episodes of the animeCase Closed.
Without connectivity or quorum, my Pathfinder/Skype: “the Vanished Lands” telecom fantasy game again didn’t meet last night, and the “Vortex” group is skipping a week because of the holiday. I look forward to greeting trick-or-treaters tonight. Have a Happy Halloween!
P.S.: Verizon will be sending a technician out this coming Thursday, so I won’t have land-line phone, Web, or TV until then. Still, my situation is better than those of the many people still without power. Stay warm!
In the first two parts of my look at the new television season, I looked at the mysteries and thrillers that fill many weeknights. Fridays are different, however, with more speculativefiction than any other night. Cartoons, conspiracies, and fantasy worlds abound!
I’ve been less impressed with G4’s late-night Wolverine and Iron Man — they have many of the worst weaknesses of both Marvel and anime, such as static scenery, long internal monologues, stereotypical (and worse, bland) villains, and improbable action scenes punctuated by shouting. I’ll give the latest incarnations of the X-Men and Blade a try, however.
I lost Marvel’sIron Man: Armored Adventures and Fantastic Four in the scheduling shuffle, and I still miss the canceled Spectacular Spider-Man and Sym-Bionic Titan. Cartoon Network/Boomerang has been rebroadcasting Samurai Jack, and the Hub has been showing the superlative Batman: the Animated Series.
Speaking of live action, spy spoof Chuck, cryptozoological Sanctuary, and alternate reality drama Fringehave all moved to what used to be called “SciFridays.” My DVR will be working hard from 8:00 to 11:00 p.m.! As with Smallville, I’ll enjoy the cameos on NBC’s Chuck to the show’s approaching end. SyFy’s Sanctuary has been uneven in tone, but Fox’s Fringe is still going strong, in my opinion.
Torchwood is over for now, and I haven’t yet caught A Gifted Man. I’ll try to see Grimm, which combines the modern supernatural aspects of Once Upon a Time with the procedural spoof elements of Dylan Dog (which I recently rented and enjoyed). Less fantastical but more gruesome is Spartacus: Vengeance, which lost its original star Andy Whitfield and whose third season I plan to watch.
On Saturdays, other than the annual Christmas special, Whovians will have a long wait for new DoctorWhoepisodes — until late 2012. I’m also looking forward to the eventual return of BBC America’s Being Human, if not the Americanized SyFy remake.
A few updates: After my previous posts on the current TV season, I saw that laid-back Southern crime drama Memphis Beat has been canceled, as well as the latest Charlie’s Angels, which I had already dropped. David I.S. has picked up Terra Nova and American Horror Story just as I’ve dropped them from my busy schedule, but there are only so many hours in the week!
Continuing my look at the new television season, on Tuesdays, Janice and I have been watching Top Shot on the History Channel. We like the use of a range of archaic weapons, if not the cutthroat competitiveness of some participants.
In addition to catching up on genre shows recorded on Sundays and Mondays, I look forward to the eventual return of the sleuths on White Collar and Memphis Beat. Janice is taking a yoga class this fall.
On Wednesdays, most of the shows I’ve watched in the past few seasons are not returning: Reaper, Eastwick, and Human Target, to name a few. I still occasionally watch food TV such as Diners, Drive-ins, and Dives and Man vs. Food Nation — Bitchin’ Kitchenis my current favorite.
The goofy sleuths on Psychreturn tonight. If you liked David Lynch’s surrealistic Twin Peaks (whose cast had a reunion on Psych) or the psychosexual horror of some of True Blood, you’ll probably like FX’s American Horror Story. It’s a bit dark for my tastes, but it’s better than most of the schlocky “reality” programming on SyFy or the History Channel.
On Thursdays, I’ve dropped spy showNikita, which of course then got renewed. Also last season, I watched Undercovers, which got canceled, but not Covert Affairs, which also got renewed. I wasn’t impressed by the latest version of Charlie’s Angels, whose actresses are less jiggly, glamorous, or interesting than their predecessors and who are hampered by weak scripts.
I have picked up Person of Interest, created by Jonathan Nolan, brother of The Dark Knightdirector Chris Nolan. Like that movie, it explores the implications of ubiquitous surveillance, and it’s a paranoid post-9/11 technothriller similar to the aforementioned Homeland. The distrustful team of a computer genius and a former commando inserting themselves into the lives of people who need help reminds me of The Prisoner, The Pretender, and Human Target.
I’ll save Friday, which is the most crowded night of the week for genre TV fans, for an upcoming post. What are you watching?
Now that we’re a few weeks into the new television season, here’s my look at the latest crop of genre programs. As a disclaimer, note that I tend to watch science fiction, fantasy, superheroes, and suspense over mainstream dramas, reality shows, and situation comedies. That’s not to say that I don’t like humor, romance, or competitions, but I prefer them in smaller doses compared with speculative fiction.
Many of my friends have stopped watching multiple series as they’re broadcast, instead preferring to watch a full season at a time via Netflix. For now, I still like variety and timeliness more than delving in depth into one show at a time, but I do think that video on demand will become more prevalent. I hope that niche shows like the ones I enjoy will continue to be made, even if genre TV shows already have a high cancellation rate.
This year, I’ll group shows by night of the week rather than subgenre. As always, I welcome your reactions and recommendations!
On Sunday nights, I’ve been running my “Vanished Lands” fantasy campaign, using Pathfinder, Skype, and an online dice roller. The eight role-players across the U.S. have had difficulty achieving quorum lately, but I hope that our gaming group will eventually get back to a regular schedule.
Showtime’s Homeland is a strong Manchurian Candidate-style thriller with a strong cast, including Damian Lewis, Claire Danes, Mandy Patinkin, and Morena Baccarin. I’m not sure I’ll continue watching Homeland, but it does a good job of keeping viewers guessing whether Lewis’ returning prisoner of war has been turned traitor or if Danes’ intelligence analyst is merely paranoid.
On Mondays, I’m hosting and running the “Vortex” homebrew space opera, using FATE 3e Starblazer Adventures and Bulldogs(as well as any science fiction RPG I can borrow ideas from). Twoteams of about six role-players each meet for our face-to-face sessions on alternating weeks, not including dates we’ve had to skip for holidays or travel.
SyFy’s Alphas has managed to succeed where Heroes, The Cape, and No Ordinary Family stumbled — showing a dysfunctional family of metahuman vigilantes in a semi-realistic setting. It has more in common with the better X-Men adaptations than with the more campy The Cape or even Smallville. Although Alphas is low-budget and low-key, I look forward to its return next year.
Speaking of SyFy, Warehouse 13 (which is apparently in the same universe as Eureka and Alphas, thanks to Lindsay Wagner’s crossovers) was still fun, even as it spent more time exploring characters and intrigue than MacGuffins.
Other genre veterans can be found on Castle, which mixes police procedural, fanboy homages and parodies, and the occasional romance. Firefly/Serenity‘s Nathan Fillion and The Spirit‘s Stana Katic solve often bizarre crimes in New York City.
Gene's Worlds 