Prometheus review

On Tuesday, 12 June 2012, I met fellow role-player Josh C. for dinner at Bombay Mahal on Moody Street in Waltham, Massachusetts. We then joined Thomas K.Y. & Kai-Yin H. at the Landmark Embassy Cinema for Prometheus. We enjoyed Ridley Scott’s prequel to the Alien franchise, despite the movie’s flaws.

The Prometheus
The Prometheus

Like its predecessors, Prometheus follows a ragtag group of humans on an interstellar vessel as they encounter murderous, parasitic aliens, or xenomorphs. (That’s shouldn’t come as a “spoiler” to anyone after 1979.) This time, Scott adds ruminations on the origins of humanity, religion, and more explicit parental conflict.

Prometheus is one of the most polished science fiction movies of the past few years, with believable late-21st century hardware and vehicles, majestic landscapes, and aliens and environments still inspired by H.R. Giger’s designs. Matte paintings, computer-generated images, practical props and miniatures, and costumes flowed (or, in some cases, oozed or slithered) seamlessly.

The casting and acting of Prometheus is also up to the standard set by the early entries in this series. Noomi Rapace (The Girl With the Dragon Tattoo, Sherlock Holmes: A Game of Shadows) is archaeologist Elizabeth Shaw, who follows ancient images to a distant and dangerous world. Bloodied and running around in her underwear in some scenes, she’s idealistic and tough much like Sigourney Weaver’s Ripley.

Idris Elba (The Wire, Thor) is Janek, the no-nonsense captain of the Prometheus, and Charlize Theron (Aeon Flux, Snow White and the Huntsman) is the icy Meredith Vickers, leader of the ill-fated Weyland prospecting expedition.

Michael Fassbender (Inglorious Basterds) gets many good scenes as ambiguous android David, following in the steps of Ian Holm and Lance Henrickson. Guy Pierce (The Time Machine) is nearly unrecognizable as Peter Weyland, aged co-founder of the Weyland megacorporation. None of the characters is as charismatic or sympathetic as Ripley.

Ridley Scott’s direction and the scale harken back to stately space opera epics like Dune, with a slow start and a symphonic soundtrack. The latter half of the movie is more of an action/horror flick, with some predictably stupid moves by members of Prometheus‘ crew, such as removing helmets before fully testing for toxins and biohazards.

Other than the aforementioned parental issues involving Shaw, David, and Vickers, the script and plot for Prometheus are serviceable but a bit predictable. The trailers for the movie gave away the result of some of the film’s battles. In the original Alien, a new type of body horror overwhelmed any need for suspension of disbelief, and in James Cameron’s Aliens, the Marines’ (futile) flight for survival kept viewers’ pulses racing. The second movie is my favorite.

The draw of later Alien movies, including crossovers with Predator, was to see which characters would die first and how. Prometheus only flirts with this schadenfreude, trying to juggle the big ideas of 2001: A Space Odyssey, the action/horror DNA of its predecessors, and post-Avatar expectations for “eye candy.” Its ending (avoiding “spoilers“) is more a pyrrhic victory than a triumph of human/android will or just another massacre of/by xenomorphs.

I’d give Prometheus, which is rated R for violence and language, 7 out of 10, a solid B, or three stars out of five. Prometheus is more mature speculative fiction than the underrated John Carter, but I’m not sure if it was more entertaining or if I’d care to see it again. Fans of the Alien franchise will want to see Prometheus on the big screen, even if lowbrow CGI comedy Madagascar beat it at the box office.

R.I.P., Ray Bradbury

Ray Bradbury, one of my favorite science fiction and fantasy authors, has died. Along with Isaac Asimov, Arthur C. Clarke, and Robert A. Heinlein, he enlightened and entertained me in my youth.

SF author Ray Bradbury
Late author Ray Bradbury

More poetic than many of his Golden Age peers, Bradbury‘s many stories featured a mix of speculation, wonder, and hope for humanity. Here are some of my favorites of Bradbury‘s tales:

The Illustrated Man is an intoxicating collection of surreal tales, both clever and introspective. I Sing the Body Electric (and I now have the Rush song in my head) is a robot story the equal of most of Asimov’s.

Bradbury‘s Something Wicked This Way Comes was the first time I became aware of the potential for horror in Americana, with its sinister carnival. Even memories of the Disney adaptation, starring Jonathan Pryce, send shivers up my spine. Stephen King and HBO’s Carnivale would later develop that theme.

In The Martian Chronicles, Bradbury depicts a planet that’s not as exotic as Edgar Rice Burroughs’ Barsoom or as desolate as the world we know today. Instead, it’s a dusty frontier, with whispered memories of its original inhabitants and lonely explorers and homesteaders.

Fahrenheit 451 is a political “What if?” on par with 1984 or Brave New World as a cautionary tale and source of controversy. In the “real world,” paper books are threatened by electronic media, which are just as prone, of not more so, to censorship and invasions of privacy. Bradbury will be missed, but his works live on.

“Glassworks” superhero miniseries, Session 1 — Born in flames

Fellow role-players, here are my notes for Jason E.R.‘s first full “Glassworks” session (originally using DarkPages), on Monday, 21 May 2012. Note that they may eventually be edited and posted to our Obsidian Portal site. Josh C. also plans to write up his notes.

Metal Month of May
Glassworks in flames

>>Player Character roster for Jason E.R.‘s “Glassworks” Bronze Age/noir superhero scenario, using the “Marvel Heroic Roleplaying” game (based on Margaret Weis Productions Ltd.’s “Cortex” system), as of spring 2012:

-“Kyle Martins/The Cloaked Quarrel” [Gene D.]-male human college student and legacy crime fighter with mystical crossbows

-“Eli Wasserman/the Amazing Mr. Fantastic” [Brian W.]-male metahuman with shadow manipulation, retired superhero and private investigator

-“Rain Tomotowa/Thunderbird” [Sara F.]-female Native American metahuman park ranger, able to change into an eagle

-“Matthew Shanks/Merlin” [Josh C.]-male incubus sorcerer and occultist with an ancient family legacy

-“Tim Gray/DarkStorm” [Bruce K.]-female metahuman super soldier, experimented upon by the government, amnesiac weapons designer for Oryx Industries, and dark vigilante

-“Summer Winters/Santanica Pandemonium” [Rich C.G.]-female human nurse and mother/demon with flame powers, unaware of dual nature

-[Beruk A.]-male metahuman with the ability to temporarily imbue machines with personalities

>>Sometime after “The Gate With the Dreadful Faces” incident, college student and would-be superhero Kyle Martins goes skulking in the Fairmont neighborhood of Hamilton, Delaware. The scent of smoke alerts “the Cloaked Quarrel” to a possible arson, and he runs to an apartment complex where he sees a stairwell on fire.

The Cloaked Quarrel slips past firefighters and police and enters the building, shouldering his way past evacuees. The costumed crimefighter’s attention is divided between devices on the walls and a woman wearing a mask and cloth wrappings….

Meanwhile, across town, Tim Gray is relaxing in his King’s Gate pad when he gets word about a blackmail meeting from the “Red Right Hand,” a fellow vigilante. The weapons inventor suits up as “DarkStorm” and drives to warehouses at 315 Mycroft Ave. They’re supposed to be abandoned, but electronic security is active.

The Red Right Hand’s methods are relatively brutal, so DarkStorm isn’t too surprised to find the body of Albert Boyle with an envelope bearing a bloody handprint. Apparently, Boyle worked at “B” Branch of Oryx Industries, an arms firm that is also Gray’s employer. DarkStorm finds a file mentioning “Project Jabberwock,” which stirs fragmented memories….

In Germantown, the metahuman once known as “The Amazing Mr. Fantastic” gets a well-dressed visitor at his private investigator’s office. Eli Wasserman asks Faisal Marzug to state his business. Marzug explains that he needs Wasserman’s services on behalf of Ms. Sharif, the owner of D.J. Sharrif (a tobacco company) whom was recommended to him by former colleague Whistler Johnson (a.k.a. “Harrier,” now deceased).

Mr. Marzug says that Boyd Burch, a chemist working at D.J. Sharrif, was kidnapped from its offices at 54 Tennant St. in the Annex. Company security cameras caught footage of two men. Eli reluctantly agrees to take the potentially lucrative case, and after Marzug leaves, he calls Sgt. Larry Barley to see what he can find about Burch….

Not far from Kyle’s apartment in Fairmont, student Matthew Shanks hears a scratching at his window. A talking cat summons him to “the Conclave at Spring Unity,” a fountain in Germantown and the site of a secret gathering of mystics.

The heir of Merlin grabs his Irish walking stick and finds other local notables already there, including Rebejah DeJardines, Papa Chango, Kunzang Tenzin, and Metion the Windlord. They are soon joined by Soul Mage, Kerbala, Nethryk the Whisperer, Arcane, Alpha Draconis, and Zodiac, and Shard teleports in. Each represents a different tradition, and there is much posturing. Notably missing are the White Magus and Rainer Burroughs (the latter is M.I.A.).

In the absence of the White Magus, DeJardines leads the Conclave, saying that a “cintamanni,” or “dragon pearl,” the organ responsible for certain dragons’ flight, is missing, as is Rainer Burrows, a protégé of the White Magus….

Nurse Summer Winter is at All Saints Hospital when two patients are rushed into the emergency room. Their uniforms indicate that they were working at the Ramseir Museum of Natural History, and their symptoms indicate that they’ve been poisoned. Nurse Winter calls for toxicologist Ben Nitten.

However, when the doctor arrives, he seems more interested in getting the comely nurse alone in a room than in treating the poison victims. He tries to place her in a circle of containment, but Summer transforms into Santanica Pandemonium. The succubus is surprised to find that she isn’t as powerful as she is used to being….

Rain Tomotowa spends time with her grandmother, “Kittaguka” (a Metinuwak or shaman of the Lenape tribe), who is banned from the Conclave. Kittaguka asks Rain to serve as her representative, so the young woman transforms into “Thunderbird” and flies to the meeting….

Back at the burning building, the Cloaked Quarrel realizes too late that the second stairwell is also set to explode, and he chases the masked woman across the roof. She easily leaps across an alleyway, but Kyle finds himself barely hanging on. He pleads for the woman’s help in an attempt to slow her down. She releases a fire escape with a thrown dagger, which he later retrieves.

The Cloaked Quarrel doesn’t have time to rest or analyze clues because he hears of a “211 in progress at Charlie and 8th” — an armed robbery. After checking his crossbow bracers, Kyle jogs to the site and finds an armored car and the bodies of two guards….

Eli finds that he’s not the only one watching Boyd Burch’s apartment on 54 Tenant St. in King’s Gate. Since nobody notices an old man, Wasserman can get close to two thugs at a coffee shop as they complain about their work for the Russian mob. He recognizes the tattoo on one of them from the security footage of Birch’s abduction….

At the Conclave, “Merlin” meets latecomer Thunderbird and offers to help find the dragon pearl. The group divvies up their search, leaving the South Market to Merlin and Thunderbird. But first, they stop at Kittaguka’s place, where they encounter Rain’s grandmother’s friend Richard, also known as the White Magus. He says that his properties have been victimized by arson, possibly in an attempt to find the artifact. Kittaguka also reveals that in ages past, the Thunderbirds slew many “Unktehila” — great dragons — and kept their cintamanni in a safe place….

Trapped in the summoner’s circle, Santanica Pandemonium rages. Three demon lords — Narasimha (a sphinx), Zhu Bajie (a boar), and Abezethibou (an ogre) — ask three questions:

-“Would you sacrifice the life of Summer Winters to protect a loved one?”

-“Who do you truly blame for your son’s tragedy?”

-“If you knew a crime was being committed by the Galati organization, would you interfere?”

Only Abezethibou likes his answer, so he reveals critical information that Mancari Security Co. is a front for the Galati crime family. Released, Santanica flies on leathery wings to the Ramseir Museum of Natural History.

Santanica crashes through a skylight into a large hall, where she sees a floating woman surrounded by snakes. Pandemonium blasts two guards under Erichtho’s control with hellfire. The serpent sorceress then animates a Tyrannosaurus Rex skeleton, which Santanica smashes from the inside. However, Erichtho flies away….

DarkStorm drives his black sports car to Boyle’s apartment in the suburb of Blackbird, but it has already been tossed by the Red Right Hand. Tim finds that Boyle went to CalTech, and a safe rattles him with dim memories. DarkStorm then rushes to another fire….

Merlin and Thunderbird head to the same arson in Fairmont. A divination reveals that “Devil Doll” is about to set fire in yet another stairwell. The urban wizard helps evacuate the building, while winged Thunderbird chases Devil Doll, who uses parkour to get to a third-story ledge….

At the armored car and dead Mancari Security guards, the Cloaked Quarrel confronts “Palmetto,” a costumed criminal resembling a giant cockroach. As Palmetto threatens to shoot, the arcane archer fires bolts that jam his stink guns.

The Cloaked Quarrel finds a metal casket with a woman seemingly made of glass. He takes the vehicle and casket, which is labled with the name “Boyd Burch,” to an outlying parking lot of his college and heads to Burch’s apartment….

Santanica Pandemonium returns to All Saints Hospital and returns to human form. Without memories of recent events or clothing, the attractive nurse gets help from a janitor named Wally who assumes that she has a drug problem. Summer goes home, where she finds a parchment note note with incomprehensible writing.

Nanny Lucy McGillicutty hands over Summer’s son Timmy, who asks again about when he’ll see his father, Bobby Gallotti. Summer puts him off again and finds a TV news report about a jade dagger stolen from the Ramseir Museum of Natural History strangely fascinating [event milestone: jade warrior’s panoply]….

At Boyd Burch’s apartment, the Cloaked Quarrel is impressed to watch the Amazing Mr. Fantastic pull one of the Russian mobsters into an alley and interrogate him using his shadow powers. The surprised thug admits that he was told by someone named Oserov to watch Birch’s unit.

After the goon is released, the Cloaked Quarrel eagerly introduces himself to the Amazing Mr. Fantastic, who wants nothing to do with an “amateur.” Kyle tries to assure Eli that he is aware of the dangers that crimefighters face. He also says that he has found something strange that belonged to Burch.

Wasserman reluctantly accompanies Martins to the stashed armored car and the glass woman, and they agree that the D.J. Sharrif scientist was involved in something big as they head to Eli’s P.I. office….

DarkStorm arrives at a blazing building and sees a huge bird attacking a woman on a ledge. Not realizing that Thunderbird is trying to stop arsonist Devil Doll, he shoots at Thunderbird until Merlin arrives to straighten things out.

Thunderbird and Merlin later report to the White Magus and turn over Devil Doll to him….

P.S.: As you may have seen from discussions on the Yahoo/eGroups message board, Rich is willing to host a game tomorrow, 4 June 2012. OF course, you should touch base with him and the rest of the group, especially since Josh was wondering if he should try to move his FATE 3e “Spelljammer” game from tonight to Monday.

The superheroes of spring 2012

I’ve fallen behind in blogging again, but here’s the first in what I hope will be a series of posts to catch up on what I’ve been up to as spring slides into summer. Now that the genre television season has wound down, let’s look back at some shows that I liked.

As I’ve mentioned before, there has been a lot of good animation to enjoy this past year. Avatar: the Legend of Korra is my favorite of the recent batch of cartoons. Nickelodeon’s sequel to its successful Avatar: the Last Airbender continues that show’s Asian-style artwork, inspiring world-building, and escalating intrigues. (Note: some of the enclosed links have “spoilers.”)

Korra wallpaper
Nickelodeon's new Avatar TV series

As fellow blogger Thomas K.Y. has noted, Korra‘s adolescent characters are a bit harder to sympathize with than Avatar‘s wandering children. However, the setting and story more than make up for that to me. Republic City resembles a dieselpunk/fantasy China of the early 20th century, and the conflict between people who can “bend” or control the elements (air, earth, wind, and fire) and those who can’t has led to some tense moments.

I’ve also been impressed with the first episode of Disney’s Tron: Uprising, which may join the Cartoon Network’s Star Wars: Clone Wars in using computer animation to flesh out a cinematic sequel that initially underwhelmed critics. In contrast, Kung-Fu Panda: Legends of Awesomeness, Transformers: Prime, and G.I. Joe: Renegades are entertaining, but they’re not as memorable as additions to their respective franchises.

Cartoon’s Green Lantern: the Animated Series started out slowly with simplistic designs based on Bruce Timm’s, but it has steadily incorporated elements of recent comic book storylines, including the proliferation of cosmic factions based on different colors and emotions. How to Train Your Dragon: the Series will joining a competitive field.

In more traditional animation, the Cartoon Networks’ Thundercats revival has also mixed retro nostalgia with more modern animation and world-building to good effect. It’s friendlier to younger audiences than Korra or Tron, but I’ve enjoyed the reboot so far. I hope that the next Teenaged Mutant Ninja Turtles can do the same.

I wasn’t sure about the five-year jump within the Cartoon Network’s Young Justice, but seeing the pre-“52” reboot “Batman family” and returning favorites such as Beast Boy and Wonder Girl has won me over. On a related note, I enjoyed the direct-to-video Justice League: Doom, which had favorite voice actors and lots of fights between superheroes and supervillains, if not a plot accessible to non-fans. Superman vs. the Elite comes out next week, to be followed by the long-awaited Batman: the Dark Knight Returns. I also look forward to next year’s Beware the Batman.

Disney XD’s Avengers: Earth’s Mightiest Heroes has also incorporated bits and pieces of classic and recent plots, from Loki’s treachery (also seen in the live-action Avengers movie, which is still doing well with critics, fans, and the box office) to the infiltration by the shapeshifting Skrulls (“Secret Invasion”). The animation and writing aren’t quite as tight as for Young Justice.

Avengers‘ companion, Ultimate Spider-Man, has several snarky nods to the movie continuity, but I still miss the four-color Spectacular Spider-Man and am not thrilled by the silly humor or de-aging of characters such as the Heroes for Hire.

Cartoon Network’s “DC Nation” animation block of programming on Saturday mornings — Green Lantern and Young Justice (followed by Korra on Nickelodeon) — includes very funny shorts with “Super Best Friends Forever” and Aardman stop motion, as well as glimpses of past favorites such as the Teen Titans Go!

Disney Channel’s “Marvel Universe” block on Sundays (Avengers and Spidey) does give some nice glimpses into the art and characters of its shows, plus how real-world athletes can approach comic book moves. I don’t particularly like the “Marvel Mash-ups,” which dub modern jokes over weakly animated scenes from the 1960s through early 1980s. I may be in the minority of people who prefer the gags of The Looney Tunes Show or Metalocalypse on weeknights to most of Fox’s Sunday night programs.

Coming soon: Police procedurals, supernatural series, and movie reviews!

It’s a cruel, cruel summer

[Note: This is modified from posts to my gaming groups on Yahoo and Google.]

Battle in the tombs
The Necropolis

Fellow role-players, it was good to touch base with some of you last night. Since June has filled up so fast, I don’t know when and if we’ll get to playtest Dungeons & Dragons “Next” (5e), but I look forward to other upcoming games.

As you’ve all seen, on Sundays, Josh’s FATE 3e “Spelljammerspace fantasy miniseries is set to resume via Google+ and Tabletop Forge. We may skip Father’s Day, and Josh’s upcoming job change and move may affect this telecom group. We should eventually return to my “Vanished Lands” fantasy campaign.

On Mondays, Jason’s “Glassworks” face-to-face superhero scenario, using Cortex: Marvel Heroic Roleplaying, will continue at Brian’s place next Monday, 4 June 2012. It will alternate for the next few months with various short-term games, starting with Rich’s Pathfinder: Way of the Wicked evil module on June 11.

It now looks like we’ll get to Bruce’s Pathfinder adaptation of the sword-and-sorcery D20/OGL Conan sometime in July. While Brian, Josh, and I have additional ideas, we can wait. Thanks, James, for your patience regarding your D20 Call of Cthulhu and Pathfinder nautical one-shots. I’ve also been thinking about continuing the adventures of the Blackbird‘s crew in my FATE 3e “Vortex” space opera….

Saturdays in June will be just as busy, with seasonal festivals, movies (Snow White and the Huntman this coming Saturday), and potential houseguests. Note that Free RPG Day is June 16, and I hope to get to the Compleat Strategist in Boston and Pandemonium Books & Games in Cambridge for it. Depending on if we meet, that might also be a good date for a D&D5e/Next playtest.

Do you have any questions? Please remember to to stay in touch between sessions, so that we don’t eat too much into valuable role-playing time.

>>Boston-area campaigns, as of summer 2012:

>Gene D. 

-“Vortex” (space opera) using FATE 3e Starblazer Adventures/Mindjammer and Bulldogs

-“The Vanished Lands: the Uncommon Companions” (heroic fantasy) using Pathfinder, Skype, and an online dice roller 

-“The Vanished Lands: the Broken Chains” (Arabian-style fantasy) using FATE 3e Legends of Anglerre, Skype, and an online dice roller 

>Josh C. 

-“Spelljammer: the Show Must Go On” (space fantasy) using FATE 3e Legends of Anglerre, Google+ and Tabletop Forge 

>Jason E.R.

Glassworks” (street-level, Bronze Age superheroes, originally for DarkPages) using Cortex: Marvel Heroic Roleplaying

>James B.:

-D20 Call of Cthulhu (horror one-shot)

Pathfinder (nautical fantasy one-shot)

>Bruce K.: Pathfinder/D20 Conan (sword and sorcery)?

>Rich C.G.:

Way of the Wicked adventure path for Pathfinder

Arkham Horror (board game), Cthulhu Invictus (alternate history/horror)?

>Paul J. and Greg D.C.: FATE 3e Dresden Files (modern supernatural)