March movie madness, 2014 edition

In the past few weeks, I’ve seen more movies than I usually see in months. I enjoyed Mr. Peabody & Sherman, 300:Rise of an Empire, and Veronica Mars, but I wouldn’t recommend them to everyone.

On Saturday, 8 March 2014, Janice and I went to the Apple Cinemas in Cambridge, Mass., for Mr. Peabody & Sherman, which is based on cartoon shorts by Jay Ward, who’s best known for the subversive Rocky and Bullwinkle. The computer-animated movie retains some of the original’s cleverness and expands on the character relationships.

If you’ve seen the trailers or Bill and Ted’s Excellent Adventure, you know what to expect. Genius dog Mr. Peabody (voiced by Modern Family‘s Ty Burrell) and his adoptive son Sherman adventure through time with difficult Penny Peterson. This Dreamworks film is aimed at younger audiences, with a PG rating, but its script includes a few adult gags. I’d rate Mr. Peabody & Sherman an 8 out of 10, four out of five stars, or a B+. It’s not as witty as The Lego Movie, but it was still fun.

By contrast, I advise lowering one’s expectations for the sword-and-sandals 300: Rise of an Empire, a sequel to Frank Miller and Zach Snyder’s 2007 ahistorical epic. On Friday, March 14, I met fellow Game Master Jason E.R. for dinner and Rise of an Empire at the Reading 3-D IMAX.

Loosely parallel to the events of the previous 300 flick, in which elite Spartan troops tried to hold back hordes of Persians at Thermopylae, Rise of an Empire depicts Athenian general Themistocles leading the Greeks in naval battles against Persian despot Xerxes and his right-hand dominatrix, Queen Artemisia of Halicarnassus. Miller and company clearly subscribe to the “great men” and “clash of civilizations” ideas, despite the fact that the Greeks weren’t yet enlightened democrats, nor were the Persians mindless, monolithic barbarians.

The first third of 300: Rise of an Empire is arguably the most accurate, showing some of Themistocles’ tactics and the daunting odds faced by the Greek hoplites. The middle of the movie would be a decent sword-and-sorcery film, with Xerxes ascending to weird demigodhood and Eva Green a better Belit from Robert E. Howard’s Conan stories than Artemisia.

The last third of the movie features huge set-piece battles and lots of repetitive speechifying. It also manages to have the Spartan navy get credit for an Athenian victory, well-oiled bodies in slow motion, and yet more gratuitous beheadings. Jason and I were surprised to see young children in the audience, and at a hard “R,” that’s not a good idea.

I would recommend 300: Rise of an Empire to those who enjoy swordfights but aren’t too worried about actual history (which is interesting enough in its own right). I’d give it a 6 out of 10, 2.5 to three out of five stars, or C+/B-.

As a contributor to the Kickstarter campaign for a cinematic follow-on to the Veronica Mars television series, I was predisposed toward this sleuthing sequel. In the noir TV show, Kristen Bell played a precocious adolescent who solved crimes around Neptune High School in southern California. I met Thomas K.Y. & Kai-Yin H. for lunch and saw this film at the AMC Loews Boston Common.

"We used to be friends"
The cast of “Veronica Mars,” then and now

The Veronica Mars movie picks up about a decade later. Veronica is interviewing for a high-powered lawyer job in New York City when murder and intrigues draw her back home. It was great to see the TV show’s entire supporting cast, as well as a few celebrity cameos, and the darkly comic tone was pleasingly familiar, not unlike Joss Whedon’s “Buffyverse.”

The Veronica Mars movie is definitely a gift to fans; like Firefly/Serenity, newcomers won’t understand most of the jokes or appreciate why some of us liked the original so much. The first season of the TV show was its best, but we should be glad that, with Bell and others busy, we still got a fond reminder and wrap-up. I’d give Veronica Mars, which is rated R, an 8.5 out of 10, four out of five stars, or an A-.

In the coming weeks, there’s Muppets Most Wanted and Captain America: the Winter Soldier, and I’m also looking forward to Amazing Spider-Man 2 and the latest incarnation of Godzilla. I know it has been a while since I’ve blogged about non-gaming topics, but I’ll keep trying to find the time!

The Lego Movie review

On Saturday, 2 February 2014, Janice and I met Sara F. & Josh C. and Thomas K.Y. & Kai-Yin H. at the AMC Burlington 10 for an early matinee of The Lego Movie. We all enjoyed the computer-animated comedic adventure.

Lego Movie
Fun animated film

Plot: The Lego Movie follows Emmet Brickowski, a cheerful but unimaginative construction worker who learns that he is “the Special,” prophesied by the wizard Vitruvius to save their world. After meeting a woman named Wyldstyle, Emmet is thrust into various adventures and must defeat Lord Business. He also learns the truth about creativity, individuality, and the nature of his world.

Script: The overall storyline will be familiar to viewers of other family films, such as Toy Story or Wreck-It Ralph, but I was impressed at the amount of adult humor and satire. The Lego Movie makes sly comments about mass media, consumerism, freedom vs. conformity, and adulthood vs. childhood but still entertains.

Cast: Like many animated features, The Lego Movie has an all-star cast. Chris Pratt is lighthearted as Emmet, and Will Ferrell is the domineering Lord Business. Elizabeth Banks is spunky but vulnerable as Wyldstyle, and Will Arnett is hilarious as her boyfriend Batman.

Other DC Comics superheroes make appearances, including Channing Tatum as Superman, Jonah Hill as a goofy Green Lantern, and Cobie Smulders as Wonder Woman. (Two out of the three would do well in live-action versions.)

Other comedians lending their voice talents include Alison Brie as the cutesy but temperamental Uni-Kitty, Nick Offerman as cyborg pirate Metal Beard, and Charlie Day as a 1980s space guy. Morgan Freeman riffs on earlier roles as wise Vitruvius, as does Liam Neeson as Good Cop/Bad Cop, Lord Business’ dour henchman.

There were several other Lego cameos, including Shaquille O’Neal as himself, Billy Dee Williams as smooth Lando Calrissian, and Anthony Daniels as C-3P0. The numerous crossovers should come as no surprise, since licensed properties have helped the toy maker’s financial success.

Direction: Phil Lord and Chris Miller, who previously worked on Cloudy With a Chance of Meatballs, do a good job of keeping The Lego Movie‘s story progressing within the 100-minute runtime. They also manage to balance Lego’s many licenses with original characters and imagination. While there have been many CG movies lately, relatively few have retained a sense of wonder and cleverness.

Cinematography: As a longtime Lego fan, I was pleased to see several classic themes represented, including medieval, city, the Old West, and space. The kinetic action and multicolored bricks were difficult to discern at first, but the Lego-style settings, characters, and vehicles were all cleverly rendered, as were the opening and closing titles.

Soundtrack: The main theme, “Everything Is Awesome!” is very catchy even as it teases us with its seeming banality, and there are allusions to the live-action Batman movies, as well as Star Wars, The Lord of the Rings, and more.

Rating: I’d give The Lego Movie, which is rated PG for cartoon violence, an 8 to 8.5 out of 10, four out of five stars, or an A-. I recommend it not only to adult fans or those with children who play with Lego, but also to anyone who is young at heart. A sequel is already in the works.

While I had already seen previews for Mr. Peabody & Sherman, Muppets Most Wanted, and Amazing Spider-Man 2, we were intrigued by the first trailer for The Boxtrolls. They all look like fun. We then went to Slowbones, a new barbecue joint, for lunch.

Other movies we caught up on around the holidays included Red 2, Elysium, and Turbo. If you like seeing spoofy reunions of aging action stars, like in The Expendables, you’ll like Red 2. While Elysium wasn’t as insightful social science fiction as District 9 was, it was decent, and Turbo was surprisingly sentimental, despite its similarity to Cars.

We’ve also recently screened 47 Ronin, which wasn’t particularly faithful to Japanese history but still a good “fantasy gamer flick.” It was the sort of film that would be fine for a video night, which my local groups have been discussing. Janice instead went to Disney’s animated Frozen, which she liked.

Here’s a list of recent and upcoming movies (with U.S. release dates):

2014 movies — to see in theaters:

  • Mr. Peabody & Emerson (animated comedy, March 7)
  • Veronica Mars (neo-noir, March 14)
  • Muppets Most Wanted (comedy, March 21)
  • Captain America: the Winter Soldier (superhero sequel, April 4)
  • Amazing Spider-Man 2 (superhero sequel, May 2)
  • Godzilla (kaiju reboot, May 16)
  • X-Men: Days of Future Past (superhero sequel, May 23)
  • How to Train Your Dragon 2 (animated fantasy, June 13)
  • The Boxtrolls (animated fantasy, Sept. 24)
  • The Hobbit [Pt. 3 of 3]: There and Back Again (fantasy, Dec. 17)

Maybe eventually on cable or DVD:

  • Hercules: the Legend Begins (sword and sandals, Jan. 10)
  • Jack Ryan: Shadow Recruit (espionage/action, Jan. 17)
  • The Monuments Men (war/caper, Feb. 7)
  • RoboCop (cyberpunk remake, Feb. 12)
  • Pompeii (sword and sandals, Feb. 21)
  • 300: Rise of an Empire (sword and sandals, March 7)
  • Only Lovers Left Alive (vampires, April 11)
  • Transcendence (cyberpunk, April 18)
  • Legends of Oz: Dorothy’s Return (animated fantasy, May 9)
  • Maleficent (fantasy, May 30)
  • Edge of Tomorrow (time travel/SF action, June 6)
  • Dawn of the Planet of the Apes (apocalyptic, July 11)
  • Jupiter Ascending (space opera, July 18)
  • Hercules (sword and sandals; with the Rock, July 25)
  • Guardians of the Galaxy (space opera superheroes, Aug. 1)
  • Teenage Mutant Ninja Turtles (comic book reboot, Aug. 8)
  • The Expendables 3 (action, Aug. 15)
  • Sin City: A Dame to Kill For (noir action, Aug. 22)
  • Dracula Untold (vampire, Oct. 17)
  • Big Hero 6 (animated superhero, Nov. 7)
  • Interstellar (science fiction, Nov. 7)
  • Paddington (animated fantasy, Dec. 12)
  • Into the Woods (fantasy musical, Dec. 25)

What are you looking forward to?

“Star Wars: Dark Times” Session 7 — “Banshee Weirdness”

Fellow role-players, here are my notes for Session 7 of Jason’s space opera miniseries, which Brian W. hosted in Newton, Mass., on Monday, 9 December 2013:

A long, long time ago, in a galaxy far, far away — the Galactic Republic has been replaced by a ruthless empire, and the Jedi, once guardians of peace, are now hunted fugitives. In the Unknown Regions, at the edge of explored space, a few Jedi and their allies hope to survive and continue the fight for justice….

Player Character roster for JasonE.R.’sStar Wars: Dark Times,” usingSavageWorlds, autumn 2013:

  • Ekafti Acomar [Gene D.]-female Rhinnalian human Jedi consular, older diplomat with many contacts but few remaining friends
  • “Garolos Banku Nuruolos — Garos [Beruk A.]-male Chiss (blue-skinned humanoid) ex-Jedi, gambler and owner of the light freighter “Lucky Strike
  • Oong Bak [Brian W.]-male Duros (gray-skinned humanoid) honorable and talented mechanic
  • Ari Sundar [Sara F.]-female Ssi-ruu (raptor-like reptile) military medic, outcast from a species intruding upon the galaxy
  • Thayne Highlander [Bruce K.]-male human Jedi padawan close to knighthood, 19 years old; saw master killed by Order 66
  • Tark Agros [Brian S.]-male Bakuran human pilot and noble, mildly delusional hotshot
  • Tharg Thargsson [Rich C.G.]-male Gamorrean scoundrel and bounty hunter with connections to the Black Sun syndicate
  •  Max Power (MX-PR) [Rich C.G.]-male protocol droid with secret combat subroutine, ordered to protect Jedi (overrode Order 66); killed by Sith Bela Trepada on Bakura

“From the journals of Ekafti Acomar, 19 B.B.Y. (before the Battle of Yavin):” Strange times make for strange allies. On Bakura, we had rescued the leader of the Brotherhood, a mercenary organization composed of clone troopers of the old Republic and Mandalorians. Newcomer Tharg Thargsson had defeated Bela-Trepada, a “sister” clone of me turned to the Dark Side of the Force by the Galactic Empire.

We had no time to celebrate our victory, however, because Bal Grainer sent us a ransom demand for dancer Tootu Anga, the mother of mechanic Oong Bak. Grainer, the Rodian fixer associate of Garolos Banku Nuruolos, wanted 300,000 credits delivered to Nar Shaddaa, the Hutt homeworld’s largest moon.

Kass Tani, Tootu Anga’s betrothed, arrived from Duros via the fast ship “B6Z1.” Most blue-gray Durosians don’t name their vessels as other species do. I remembered Tani from our diplomatic service before Palpatine’s new order, and he was surprised to see me alive after Order 66, which had outlawed the Jedi.

Tani, who had invoked Biz Taar, brought a container of ancient soil from Duros. Oong prepared the oils and tubes for the Daar-Daar ritual, which needed to take place even in the absence of Tootu Anga. Oong also presented Tani with one of his tools as a token of welcoming him into his family.

The ritual took almost as long as Kass Tani’s trip to the Bakura system. Tani later told us that Bal Grainer had an estate in the Durosian sector on Nar Shaddaa and that, not surprisingly, he had a weakness for exotic women.

While our pilot Tark Agros was reluctant to leave the Lucky Strike, he was confident that he could pilot the swift B6Z1 through any threat posed by the Black Sun criminal syndicate.

Shortly thereafter, we arrived at Nar Shaddaa, the so-called Smuggler’s Moon. We went to the “Somewhere, Not Here” spacers’ bar. Tharg talked with two fellow Gamorreans, Baku and Shlarg, and learned about Soona the Hutt, a rival to Bal Grainer.

Smuggler's Moon
Courtyard in Hutt haven

Ostensibly looking for a paying gig, Oong chatted with other Durosians to get his bearings and learn if anyone had seen his mother. We learned that Nar Shaddaa was unscathed by the virus that had affected the rest of the galaxy’s computer networks, no doubt because it was the source. Scout Ari Sundar and Jedi Thayne Highlander posed as our guards.

Tark talked with two other human pilots, a Falleen and Cutter Torsin. He had met the latter previously at the Grand Pelgar hotel. Torsin said he was working for insectoid Verpines, protecting a shipment of droid parts from G’hro to Chandrila.

A friendly brawl broke out among Tharg, Baku, and Shlarg. Garos placed bets while the rest of us left. Thayne, Tark, and Garos later went to the “Banshee Weirdness,” a private club and neutral ground for various Hutt factions. They found out that the membership fee was many thousands of credits.

After talking with hit woman Shamarra Zanab, we pursued two leads to obtain an audience with Soona the Hutt. Tharg offered his services as a disgruntled Gamorrean guard, while Garos and I pointed out that Bal Grainer’s need for money could be exploited as a weakness.

Soona had other ideas. She revealed that she had captured the “Seven Deadly Shadows,” assassins working for Grainer. If we posed as them and killed the Rodian gangster, we would get the resources we needed. While I had no intention of committing murder for hire, we agreed to Soona’s proposition since it would get us closer to rescuing Tootu Anga.

That night, Thayne had another vision. Endolana, the daughter of Jedi Master Ataru 25,000 years ago, was sick. I knew from the holocron that each of the Jedi masters whose daughters had disappeared resigned, leading to our order’s vow of celibacy.

According to Marala, daughter of Acomar and likely origin of myself and several clones, some of the girl’s essence was affected when the light saber of Shin-Wu Sorotai (Thayne’s late master) was examined.

I still hoped to find Ramoca, a lost clone, who was allegedly being held by the “Prophet of the Living Force.” Unfortunately, we’ve had to deal with Bakuran conspiracies and Bal Grainer’s ransom demands first.

We went to the Durosian quarter on Nar Shaddaa with Soona’s feathered headdress as supposed proof that we had assassinated her on Grainer’s behalf. IG-86 sentinel droids stood guard, and Grainer was surprised to find that we were the “Seven Deadly Shadows.”

In return for Soona’s headdress, we demanded Tootu Anga. The exchange went as planned, but impatient Tharg charged at the Rodian. Alas, his axe passed through Grainer’s hologram, but the droids were all too real….

Thanks again, Jason, for your generous holiday gifts, and I look forward to wrapping up this scenario (for now) tonight! May the Force be with us — always….

The Desolation of Smaug review

On Sunday, 15 December 2013, Janice and I dug out from a weekend snowstorm and drove down to the Showcase Cinema de Lux at Legacy Place in Dedham, Mass. We met Thomas K.Y. & Kai-Yin H., Sara F. & Josh C., Bruce K., and Rich C.G. for The Hobbit [Part 2 of 3]: The Desolation of Smaug. We mostly liked the fantasy prequel/sequel.

The Desolation of Smaug
Tolkien and Jackson’s fantasy epic continues

Plot: If you haven’t read J.R.R. Tolkien’s classic novel or seen director Peter Jackson’s previous adaptations of The Lord of the Rings (LotR) and The Hobbit [Part 1 of 3]: An Unexpected Journey, then The Desolation of Smaug probably won’t make much sense. This movie assumes that you’re familiar with Tolkien and Jackson’s world of Middle Earth.

The film opens with a flashback to the town of Bree (as well as to The Fellowship of the Ring), where the Wizard Gandalf and exiled prince Thorin meet and decide on a quest to Erebor, the Lonely Mountain and lost stronghold of the Dwarves. We then see Bilbo Baggins, the titular Hobbit burglar, traveling with Thorin and company through Mirkwood. They encounter multiple obstacles, including giant spiders and Elves, on their way to confront the mighty dragon Smaug.

Meanwhile, Gandalf goes on a side mission for the White Council to Dol Goldur, a ruined tower in the south where evil is stirring anew. He and colleague Radagast learn that the Necromancer raising an Orc army is none other than…. Well, I’ll try to avoid “spoilers,” even if some of the linked reviews and many viewers already know how The Hobbit ties to LotR.

Cast: The acting is the strongest part of The Desolation of Smaug, with Martin Freeman returning as slightly less-reluctant adventurer Bilbo and the magisterial Ian McKellen as Gandalf the Grey. Richard Armitage gets the lion’s share of the Dwarven lines as Thorin. Aidan Turner returns as Kili in an unlikely love triangle.

Other new and returning cast members include Lost‘s Evangeline Lilly as the winsome Elf warrior Tauriel, Orlando Bloom as unaging archer Legolas, and Pushing Daisies‘ Lee Pace as haughty Elf king (and Legolas’ father) Thranduil. Mikael Persbrandt plays Beorn, a scary man who can shift into a bear.

During a stop at Lake Town, filled with descendants of refugees from the city of Dale, we meet scruffy humans, including the scheming mayor, played by Stephen Fry, and noble Bard, played by Luke Evans. Evans resembles Bloom, both in chiseled features and in his character’s ability with a bow. It was nice to see Bard’s children in a supporting role, hinting at a larger world with everyday people in it.

Direction: Jackson does a better job than in An Unexpected Journey, although The Desolation of Smaug still lurches a bit from set piece to set piece. The script has a good amount of humor, and we get glimpses at new parts of Middle Earth, from the depths of Mirkwood to Smaug’s huge treasure hoard in the stone halls of Erebor.

Warner Brothers no doubt wants to milk this franchise as the Christopher Nolan Batman trilogy and the Harry Potter series have wound down. However, most fans and critics agree that stretching The Hobbit over three movies and adding new characters or material from LotR’s appendices wasn’t the best idea. Still, as with Disney’s recent acquisitions of Marvel and Lucasfilm, it would be disingenuous to claim to not to be happy to return to a beloved setting.

Visual effects: The giant spiders are properly horrific, even if the Orcs still look more computer-generated than their LotR counterparts. An action-packed chase scene featuring the Dwarves (and Bilbo) in barrels leaving the Elven kingdom is more impressive than their escape from the Goblin town in the previous movie.

The great wyrm Smaug, well-voiced by Sherlock‘s and Star Trek: Into Darkness‘ Benedict Cumberbatch, is a true wonder to behold. Serpentine and greedy, prone to flattery, and winged death incarnate, Smaug is one of the best dragons we’ve ever seen on film. There was some controversy about the configuration of legs, but rest assured, Jackson and company did this monster justice.

Janice, Sara, Bruce, and Rich saw The Desolation of Smaug in conventional 2-D, while Thomas, Kai-Yin, Josh, and I saw the high-frame rate (HFR) 3-D version. Thomas and Josh didn’t care for the HFR, but it didn’t bother me. I’d compare it to seeing high-definition television (HD TV) for the first time, although I’d be the first to admit that most 3-D movies aren’t worth the extra ticket cost.

Soundtrack: No new themes stood out for me on first listen, but I was definitely aware of music that evoked the LotR trilogy. The score also supported the increasing levels of peril, from the Dwarves wandering in Mirkwood to their stirring up of Smaug under the Lonely Mountain.

Rating: Overall, I’d give The Hobbit: the Desolation of Smaug, which is rated PG-13 for violence, an 8 out of 10, three and a half out of five stars, or a B+. As a longtime fantasy fan and gamer, I look forward to next year’s third installment! The road goes ever on….

Of the trailers we saw, I’m most interested in the latest iteration of Godzilla, if less so in the Miller/Snyder ahistorical 300: Rise of an Empire. The remake of The Secret Life of Walter Mitty reminded me more of A Night at the Museum and Forrest Gump than the James Thurber short story or Danny Kaye comedy.

Over dinner at P.F. Chang’s, we discussed other recent and upcoming genre entertainment, and 47 Ronin (the Keanu Reeves fantasy, not to be confused with real Japanese history or folklore) is the next movie we hope to see together in theaters.

Here are the movies I’ve seen this past year: