Catching up: San Diego Comic-Con 2012 reflections

Superheroes and villains have been in the news a lot lately. My heart goes out to the families of the victims of this past weekend’s shooting tragedy in Colorado. Let’s look back for a moment to happier times.

San Diego Comic-Con 2012 included the usual movie and television previews, toys and games, large numbers of brave fans in costume (also known as cosplay), and even some comic book announcements. Although I missed Spike TV’s coverage a few weeks ago, I caught much of G4’s programming, including its three-hour block on Saturday, 14 July 2012.

The CW's upcoming "Arrow" TV series
The CW’s upcoming “Arrow” TV series

Movies

Of the movies previewed, I’ve become more interested in the science fiction remakes Total Recall and Dredd, as well as animated comedies ParaNorman, Hotel Transylvania, and Rise of the Guardians. A few other flicks caught my eye, including Django Unchained, Looper, Elysium, and Pacific Rim.

Of course, there are the obligatory prequels and sequels, including James Bond in Skyfall, comic book superheroes Iron Man 3 and Thor 2, Star Trek 2, and last but not least The Hobbit: An Unexpected Journey and The Hobbit: There and Back Again.

Live-action TV

With the recent genre TV season ended, it was bittersweet to look back at departed or soon-to-end series such as Awake, Fringe, and Spartacus. Fortunately, there are lots of new shows to look forward to this fall, including supernatural melodrama 666 Park Ave. and postapocalyptic Revolution.

I’m a longtime fan of DC Comics’ Green Arrow, so I’ll definitely try the CW’s Arrow, which gives Oliver Queen the Batman Begins/Smallville treatment. I hope that it can focus more on Ollie’s awakening as a champion of social justice and archery prowess and less on the soap opera aspects, but the trailers are a mixed bag.

Of course, there’s lots to watch in the meantime, like midsummer cable shows such as Leverage, Warehouse 13, Alphas, and White Collar. As a longtime “Whovian,” it’s nice to see the cast of Doctor Who (and Torchwood) treated as returning heroes. We’ll see whether CBS’s Elementary will be a worthy companion to the BBC and PBS’s Sherlock and Masterpiece: Mystery.

Beyond the speculative fiction of Fringe, other procedurals with twists that I recommend include Castle (fanboy shippers), Person of Interest (domestic espionage), and Grimm (modernized fairy tales).

Cartoons

I’m disappointed that Batman and the Brave and the Bold and Avengers: Earth’s Mightiest Heroes are being replaced so soon, but at least Young Justice and Green Lantern: the Animated Series will be joined by new lighthearted Teen Titans Go! episodes. As I’ve mentioned before, Star Wars: the Clone Wars is carrying the torch for space opera on TV and continuing to expand George Lucas’ universe.

I’ve enjoyed the worldbuilding of Avatar: the Legend of Korra and the underrated Tron: Legacy. I suspect that the next animated Teenaged Mutant Ninja Turtles will be better than the live-action revision would have been.

Comic books

In comic books discussed around Comic-Con, I’m amused that Marvel is also doing a “soft reboot” with its “Marvel Now” after the much-criticizedDCnU” of the past year. I’ll be sorry to see Ed Brubaker leave Captain America, which he presented as a technothriller, and I hope that Marvel can rein in its proliferating Avengers and X-Men titles.

I’m still sifting through various “Batfamily” issues, but I’ve enjoyed some of DC Comics’ series after its continuity revision. Superman and Wonder Woman have benefited most from de-aging and new creative teams, and (some) Green Lantern and the Flash have changed the least. DC’s treatment of its female characters and younger teams still leaves something to be desired, however.

Of the comics from publishers other than the “big two,” I’ve enjoyed the Star Trek: the Next Generation/Doctor Who — Assimilation crossover, the similarly retro Steed and Mrs. Peel, and Brian Wood and Becky Cloonan’s atmospheric adaptation of Conan the Barbarian: Queen of the Black Coast.

I’ve been busy with work, games, and summer activities, but I hope to post my belated reviews of The Amazing Spider-Man and The Dark Knight Rises soon!

“School Daze” one-shot: Taco surprise!

Fellow role-players, here are my notes for the School Daze one-shot that Rich C.G. hosted and ran at his apartment in Waltham, Mass., on Monday, 2 July 2012:

>>”School Daze” Player Characters:

-“Lars ‘Weedy’ Wiedermeyer” [Gene D.]-male human senior at Trowbridge High School in Iowa; chemistry whiz, “crank” (small-time drug dealer) looking for a girlfriend for the summer before college

-“Vincent Marsocchi, a.k.a. ‘Vinny Mars‘” [Brian W.]-male human junior at Trowbridge H.S.; resourceful “jank” (mechanic) trying to avoid bullies and pull a prank at the prom

-“Frank Thomas” [Josh C.]-male human student at Trowbridge H.S.; corn-fed hockey player and romantic drunk looking for a prom date

'80s Redux collage 2
Comedies of the 1980s directed by John Hughes

>>Nerds and jocks

Students arrive in the parking lot of Trowbridge High School for classes a few days before the prom. Weedy parks at the edge of the lot and meets with Clark/”Speedy,” a budding journalist and customer. He’s also nervous about getting a date.

Vinny drives up in his vintage Chevy Nova and immediately gets egged by Biff Thompson, captain of the hockey team. Fortunately, Frank shows up. Since he’s friends with both the jocks and nerds, he defuses the situation — this time.

Weedy scopes out passing cheerleaders while Vinny tells him about his plans to pull a prank at the prom. Frank reminds his pals to watch out for the “Monkey Squad,” three A/V geeks who are loyal assistants to Mrs. Moore, the prom organizer.

All eyes at the parking lot and nearby athletic field turn to wealthy heartthrob Lance Ingbert, who is pursued by Morgan L. Fay, a choirgirl, cheerleader, and skank.

Cynthia Hoskins, a reporter for The Sensible Squid, watches as Lance chats with “Fighting Octopi” teammates Troy Vanderbilt and Biff. Morgan isn’t happy when Lance walks off to talk to others.

“Stealth babe” Hoskins also catches the attention of Weedy, Frank, and Speedy. They each vow to try to get her as their prom date. They reunite in homeroom, where Mrs. Moore drones on about the prom and the musical Spring Awakening.

Cynthia delivers a televised report on how the cafeteria’s taco meat contains carcinogens, and she ambushes the lunch lady. Doris is too surprised to say anything.

Weedy goes to Chemistry, one of his favorite classes. Flaky lab partner Stacy Felicity asks him if he can find out if Frank has a prom date. She and Frank have been friends since childhood. Weedy slips a Bunsen burner into his bag to deliver later to his supplier Carlos.

Vinny tries to stay awake in Mr. Buckson’s Algebra class, since he’d rather be in Shop with Mr. Durgin. Frank goes to Mr. Burlaney’s American History class, where he daydreams about Cynthia.

Speaking of which, Cynthia pulls Weedy and Vinny aside and asks them to wear and distribute T-shirts saying, “Taco meat is murder” at the prom. She explains that she has contacted Chet Carlson of Channel 5 News. Smitten — and already intoxicated — they readily agree.

Weedy later gives out shirts to his customers, including Speedy, Otis, football player Brock, preppy journalist Zack, and Beth. They are impressed with his wares and reluctantly agree to wear the shirts briefly at the prom.

Alvin, Simon, and Ted, a.k.a. the “Monkey Squad,” almost corner Vinny into helping them. He begins hatching a plan, with Troy’s encouragement. In the lunch room, Vinny gets an extra helping of tacos from Doris and avoids bully Biff and dreamy Lance. He boldly asks Amy Kwan to the prom, and she surprises everyone by agreeing!

However, Amy has one condition: Vinny must meet her father, Baptist minister Bishop Parsons, for dinner. Frank tries to talk to Cynthia, but she is busy trying to track down Chris and Lance.

Discouraged, Frank ducks into the lavatory. Troy gives him a pep talk. Weedy and Frank are almost caught smoking by security guard Franz, nicknamed “Col. Clink” by some reprobates.

Inspired by Amy, Vinny excels at poetry about butterflies in Daisy Pfeffeneusen’s English class, but Weedy cuts Phys Ed, which is Frank’s favorite. Frank earns praise from Coach “Bullhorn” Lewis.

Weedy does attend Mrs. Iris Carbuncle’s Economics class, one of the few he aces, thanks to his small-business experience. He pays little attention to exchange student Inga, figuring that she’s out of his league.

>>Coming together and falling apart

Wallpaper for Judd Apatow's comedy TV series
Judd Apatow’s landmark high school TV series

After classes, Vinny drives his heap to dinner at Amy’s house in a respectable suburban neighborhood. He is surprised when Doris answers the door. Apparently, the lunch lady is Mrs. Parsons as well as Amy’s stepmother!

Frank practices with Biff, Lance, and Troy on the field, while Weedy conducts business on the sidelines. Weedy draws skulls and crossbones in his notebook because his romantic plans have gone awry. Stacy was heartbroken to learn that Frank expected to go to the prom with Cynthia rather than her. Cynthia, meanwhile, barely acknowledges Frank and Weedy.

At the Parsons-Kwan household, Vincent tries to make small talk over an elegant meal. Bishop Parsons questions his intentions toward Amy, invokes the wrath of God if he should deliver her home later than 2:00 a.m., and invites him to Sunday services. Fortunately for Vinny, Amy is the apple of her parents’ eyes.

Weedy is shocked to learn that Lance shares an interest in unicorns with Stacy, whom he had started to consider as a backup date. With Vinny securing Amy and Frank still pursuing Cynthia, what is Weedy to do? He confronts Morgan after cheerleading practice and tells her about Lance.

Morgan is disgusted. She storms off, but not before telling Weedy that Cynthia has been playing him and Frank all along. Not only will she embarrass Doris — and, by extension, Amy and Vinny — but she’s actually working on an expose of the drug and alcohol dealers in the school, directly endangering Weedy and Frank’s graduation chances!

Weedy goes home to his long-suffering mother Delores and tries to call his friends. They want nothing to do with him as they get tuxes ready for the prom. In homeroom the next morning, Weedy pulls Vinny and Frank aside and tells them everything.

Vinny agrees to turn the “Taco meat is murder” shirts inside-out and stencil “We heart tacos” on them in shop class. Frank is distraught and vows boozy vengeance on Cynthia, who may actually be pursuing Clark. However, before Weedy and Frank can find new dates, they are distracted by a fight in the lunch room.

Handsome Lance and bully Biff brawl among the linoleum tables. Frank and his hockey mates dive in and separate them. Weedy asks Lance and Stacy, who attends to his wounds, what’s going on, but they are reluctant to open up to him.

Vinny happily goes to shop, ready for his unlikely date and to make mischief for the prom….

We all enjoyed this one-shot, which reminded us of John Hughes’ movies in the 1980s or Freaks and Geeks. Character creation is easy for School Daze, which is a rules-light storytelling game somewhat similar to Fiasco. Just jot down your character’s favorite subject, “ranks” (specialties), motivation, and relationships, and you’ll have a recognizable archetype from high school.

I could easily see this game being good for horror (Buffy: the Vampire Slayer), fantasy (Harry Potter), noir mystery (Brick), superheroes (Spider-Man) or science fiction (Teenagers From Outer Space and lots of anime). I’d recommend School Daze for miniseries and pickup games like this past Monday, when we didn’t have quorum for the Way of the Wicked adventure path.

Rich, let me know if I left anything out, and I look forward to upcoming sessions of the FATE 3e “Vortextelecom space opera and Jason E.R.’s “Glassworks” superhero scenario! Have a good weekend, -Gene

Movie review: Disney/Pixar’s Brave

On Sunday, 24 June 2012, Janice and I met Thomas K.Y. & Kai-Yin H. and Sara F. at the Showcase Cinema de Lux at Legacy Place in Dedham, Massachusetts, for an early matinee of Brave. We enjoyed the Disney/Pixar computer-animated fantasy.

Disney/Pixar's Brave
Wallpaper for computer-animated Scottish fantasy

Unlike many of its predecessors, Brave isn’t a retelling of a classic fairy tale or an adaptation of a popular children’s novel. The movie follows Princess Merida, a headstrong Scottish lass, as she struggles to find her destiny in a rugged land of colorful warriors and hidden magic.

While Brave is not historically accurate, I’m glad that actual Scottish and British actors were used for its voice cast. Kelli Macdonald (Gosford Park, No Country For Old Men) is an appealing Merida, and comedian Billy Connolly is her boisterous father King Fergus. Emma Thompson plays the controlling Queen Elinor, and Julie Walters is an old witch who grants Merida an ill-advised wish.

Robbie Coltrane, Kevin McKidd, and Craig Ferguson are other Scots in Brave‘s cast, and of course, Cheers and Pixar alumnus John Ratzenberger is also aurally present. Brave‘s character designs are cartoonish but manage not to be too jarring against the realistic landscapes. As an archery fan, I enjoyed the tournament scene, even if most of it had already been shown in commercials and trailers.

The script and plot are a bit more straightforward than other Disney flicks, but I appreciated the fact that the movie is somewhat less sentimental — or emotionally manipulative — than other Pixar films (see Up). Some reviews focus on Merida as a stronger young woman than past Disney princesses, but what about Mulan?

Others have noted that most of Pixar’s pics have been more boy-oriented, such as Toy Story and Cars, but Brave actually has more in common with recent movies from Dreamworks, such as How To Train Your Dragon or Kung-Fu Panda. Brave also bears a strong resemblance to Dragon Hunters and Brother Bear, but isn’t as tragic in tone as Sintel. In addition, Brave‘s Celtic knotwork and mythic medieval setting reminded me of the delightful Secret of Kells.

I was pleased to see Brave tackle mother-daughter relationships, since much folklore and more recent movies tend to focus on father-son or father-daughter ones. Merida‘s suitors and three younger brothers are also a source of some amusement.

Overall, I’d give Brave, which is rated PG for some violent scenes, three out of five stars, an 8 out of 10, or a B+. Brave might not go down as a classic, but it’s still solid family entertainment. The next movie I’ll probably see in the theater is The Amazing Spider-Man.

Speaking of animated fantasy, while I’ve recently blogged about Avatar: the Legend of Korra, I have to note that I was pleased with the action-packed first season finale to this sequel to Nickelodeon’s Avatar: the Last Airbender. The dieselpunk/fantasy setting, escalating plot, and adolescent characters all came together, and I look forward to seeing what happens next.

Prometheus review

On Tuesday, 12 June 2012, I met fellow role-player Josh C. for dinner at Bombay Mahal on Moody Street in Waltham, Massachusetts. We then joined Thomas K.Y. & Kai-Yin H. at the Landmark Embassy Cinema for Prometheus. We enjoyed Ridley Scott’s prequel to the Alien franchise, despite the movie’s flaws.

The Prometheus
The Prometheus

Like its predecessors, Prometheus follows a ragtag group of humans on an interstellar vessel as they encounter murderous, parasitic aliens, or xenomorphs. (That’s shouldn’t come as a “spoiler” to anyone after 1979.) This time, Scott adds ruminations on the origins of humanity, religion, and more explicit parental conflict.

Prometheus is one of the most polished science fiction movies of the past few years, with believable late-21st century hardware and vehicles, majestic landscapes, and aliens and environments still inspired by H.R. Giger’s designs. Matte paintings, computer-generated images, practical props and miniatures, and costumes flowed (or, in some cases, oozed or slithered) seamlessly.

The casting and acting of Prometheus is also up to the standard set by the early entries in this series. Noomi Rapace (The Girl With the Dragon Tattoo, Sherlock Holmes: A Game of Shadows) is archaeologist Elizabeth Shaw, who follows ancient images to a distant and dangerous world. Bloodied and running around in her underwear in some scenes, she’s idealistic and tough much like Sigourney Weaver’s Ripley.

Idris Elba (The Wire, Thor) is Janek, the no-nonsense captain of the Prometheus, and Charlize Theron (Aeon Flux, Snow White and the Huntsman) is the icy Meredith Vickers, leader of the ill-fated Weyland prospecting expedition.

Michael Fassbender (Inglorious Basterds) gets many good scenes as ambiguous android David, following in the steps of Ian Holm and Lance Henrickson. Guy Pierce (The Time Machine) is nearly unrecognizable as Peter Weyland, aged co-founder of the Weyland megacorporation. None of the characters is as charismatic or sympathetic as Ripley.

Ridley Scott’s direction and the scale harken back to stately space opera epics like Dune, with a slow start and a symphonic soundtrack. The latter half of the movie is more of an action/horror flick, with some predictably stupid moves by members of Prometheus‘ crew, such as removing helmets before fully testing for toxins and biohazards.

Other than the aforementioned parental issues involving Shaw, David, and Vickers, the script and plot for Prometheus are serviceable but a bit predictable. The trailers for the movie gave away the result of some of the film’s battles. In the original Alien, a new type of body horror overwhelmed any need for suspension of disbelief, and in James Cameron’s Aliens, the Marines’ (futile) flight for survival kept viewers’ pulses racing. The second movie is my favorite.

The draw of later Alien movies, including crossovers with Predator, was to see which characters would die first and how. Prometheus only flirts with this schadenfreude, trying to juggle the big ideas of 2001: A Space Odyssey, the action/horror DNA of its predecessors, and post-Avatar expectations for “eye candy.” Its ending (avoiding “spoilers“) is more a pyrrhic victory than a triumph of human/android will or just another massacre of/by xenomorphs.

I’d give Prometheus, which is rated R for violence and language, 7 out of 10, a solid B, or three stars out of five. Prometheus is more mature speculative fiction than the underrated John Carter, but I’m not sure if it was more entertaining or if I’d care to see it again. Fans of the Alien franchise will want to see Prometheus on the big screen, even if lowbrow CGI comedy Madagascar beat it at the box office.

R.I.P., Ray Bradbury

Ray Bradbury, one of my favorite science fiction and fantasy authors, has died. Along with Isaac Asimov, Arthur C. Clarke, and Robert A. Heinlein, he enlightened and entertained me in my youth.

SF author Ray Bradbury
Late author Ray Bradbury

More poetic than many of his Golden Age peers, Bradbury‘s many stories featured a mix of speculation, wonder, and hope for humanity. Here are some of my favorites of Bradbury‘s tales:

The Illustrated Man is an intoxicating collection of surreal tales, both clever and introspective. I Sing the Body Electric (and I now have the Rush song in my head) is a robot story the equal of most of Asimov’s.

Bradbury‘s Something Wicked This Way Comes was the first time I became aware of the potential for horror in Americana, with its sinister carnival. Even memories of the Disney adaptation, starring Jonathan Pryce, send shivers up my spine. Stephen King and HBO’s Carnivale would later develop that theme.

In The Martian Chronicles, Bradbury depicts a planet that’s not as exotic as Edgar Rice Burroughs’ Barsoom or as desolate as the world we know today. Instead, it’s a dusty frontier, with whispered memories of its original inhabitants and lonely explorers and homesteaders.

Fahrenheit 451 is a political “What if?” on par with 1984 or Brave New World as a cautionary tale and source of controversy. In the “real world,” paper books are threatened by electronic media, which are just as prone, of not more so, to censorship and invasions of privacy. Bradbury will be missed, but his works live on.