The Dark Knight Rises, a belated review

On Sunday, 22 July 2012, I met Beruk A. and James B. at the AMC Loews Boston Common for a matinee of The Dark Knight Rises. Sadly, the superhero sequel was overshadowed by the tragic shootings in Colorado.

We enjoyed the film, which neatly wrapped up director Christopher Nolan and lead actor Christian Bale’s take on Batman. I liked The Dark Knight Rises a little more than The Amazing Spider-Man, if not as much as the four-color The Avengers.

Wallpaper 6
Nolan and Bale’s Batman comes to a conclusion

Cast: Bale is a decent Bruce Wayne, a tortured soul masquerading as a billionaire playboy. He’s not as fun as Adam West (who once called me “chum”), as slick as Val Kilmer or George Clooney, or as initially odd a choice as Michael Keaton was for the costumed vigilante.

Bale is again ably supported by older character actors in The Dark Knight Rises. Michael Caine is Wayne’s cockney and concerned butler Alfred, Morgan Freeman adds mischievous gravitas as technologist Lucius Fox, and chameleon Gary Oldman is the embattled Commissioner James Gordon.

Newcomers to this cinematic version of Gotham City include Marion Cotillard as mysterious executive Miranda Tate, Tom Hardy as brutal assassin Bane, and Joseph Gordon-Leavitt as idealistic police officer John Blake. Blake becomes the audience surrogate in hoping for things to improve, even as the police as a whole are outmaneuvered.

They all did well in their roles — even if Hardy was sometimes hard to understand through his face mask — but Anne Hathaway deserves special mention for her performance as Selina Kyle/Catwoman.

I had some doubts about the young actress, but Hathaway was properly slinky and cunning as the (never-named) cat burglar and con artist. She was believable in navigating Gotham’s seamy underbelly and its glittering galas, and she brought much-needed femininity and light to Nolan’s grim and gritty universe.

Plot: Batman Begins showed how an orphan could become an anonymous champion of justice, and The Dark Knight depicted Batman fighting grotesque villains (Aaron Eckhart’s Two-Face and the late Heath Ledger’s unparalleled Joker). The Dark Knight Rises expands on both those themes and is Wagnerian in showing Batman fighting Bane and a conspiracy for the very survival of Gotham City.

Nolan tries to make the plot a complicated puzzle, but even the trailers for the movie telegraphed some of the resolution. Anyone who has read the comic book storylines of Batman: Year One, The Killing Joke, Son of the Demon, Cataclysm, No Man’s Land, and Nightfall knows what to expect.

I appreciate Nolan and Bale’s somewhat more realistic approach to Batman’s world and motivations, but the pendulum has swung very far from the cheerful camp of West’s 1960s superhero. Even the direct-to-video adaptations of DC Comics are moving to Frank Miller’s The Dark Knight Returns, another obvious inspiration.

Rich felt that Nolan’s Batman isn’t as majestic or as much of a loner as he prefers, but I agree that the amount of time that passes for the desperate citizens of Gotham (and the audience) is on the long side.

I thought that The Dark Knight Rises‘ political subtext was muddled. Following Joseph Campbell’s hero pattern, the aristocratic hero must wander, reject his father figure, be humbled, triumph over his dark reflection, and then walk away or die. Other than a bus full of orphans, we see very few of the 12 million ordinary citizens whom Batman is supposedly fighting to protect.

On the other hand, there’s a populist “99%” strain to Bane’s Robespierre-style demagoguery — even if he’s just a tool of the League of Shadows. The military and police are shown as impotent, implicitly endorsing vigilantism. Granted, dressing up as a bat to fight crime doesn’t always make sense, but why bring up those points if you’re not going to fully show both sides?

Visual effects: From the opening scene of a daring aerial hijacking, The Dark Knight Rises‘ set-piece scenes were clearly inspired by the James Bond movies, which Nolan also paid tribute to in Inception. The battles of The Avengers were more cosmic and colorful, but Batman’s gadgetry and vehicles are still impressive.

Like some comic book writers and fans, Nolan’s Dark Knight is more of an urban warrior than a stealthy detective or martial artist. Perhaps this leaves room for the next set of filmmakers to interpret and develop different aspects of Batman. Even though I miss the Batman: the Animated Series of the 1990s and even the recent campy Batman and the Brave and the Bold, I look forward to the upcoming animated Beware the Batman on TV.

Soundtrack: Hans Zimmer’s score is appropriately operatic, if not especially memorable. Unlike the Marvel Universe, whose movies include relatively recent popular music, it seems fitting that DC’s iconic heroes such as Batman stick with classical.

Spoilers and ratings: Note that some of the articles I’ve linked to contain “spoilers” about the plot, but I’ll try to avoid giving anything away directly here. I can see a few ways for how Nolan’s version could have continued, but I’m also content with his conclusion to Bruce Wayne’s story.

Since Batman is the single most profitable superhero film franchise, there’s little doubt that Warner Brothers/DC Comics will reboot the movies as soon as possible, not unlike various Marvel remakes. I do wonder if they’ll be able to maintain the quality amid stylistic and cast changes. I’m cautiously optimistic about the Superman reboot Man of Steel, as well as early plans for a Justice League film (for which I’ll have to write up my own ideas). I just hope they’re fun and well-done.

I’d give The Dark Knight Rises, which was rated PG-13 for violence, three out of five stars, a B+, or a 7.5 out of 10. The only upcoming movie that’s getting buzz and I’m excited about is Peter Jackson’s planned trilogy adapting J.R.R. Tolkien’s The Hobbit. In the meantime, keep tuning in, same Bat time, same Bat channel!

P.S.: Here are my Batfilm ratings:

  • 1943: Batman serials — yet to watch
  • 1965: Batman ***/B+
  • 1989: Batman **/B
  • 1992: Batman Returns **/B-
  • 1993: Batman: Mask of the Phantasm (animated) ****/A
  • 1995: Batman Forever ***/B+
  • 1997: Batman & Robin */C
  • 1998: Batman & Mr. Freeze: SubZero (animated) ***/B+
  • 2000: Batman Beyond: Return of the Joker (animated) **/B-
  • 2003: Batman: Mystery of the Batwoman (animated) ***/B+
  • 2005: The Batman vs. Dracula (animated) **/B, Batman Begins ***/A-
  • 2008: Justice League: the New Frontier (animated) ***/B+, The Dark Knight ***/B+
  • 2009: Batman: Gotham Knight ****/A-, Superman/Batman: Public Enemies **/B (animated)
  • 2010: Justice League: Crisis on Two Earths ***/B+, Batman: Under the Red Hood ***/B+, Superman/Batman: Apocalypse **/B (animated)
  • 2011: Batman: Year One (animated) ***/B+
  • 2012: Justice League: Doom (animated) **/B, The Dark Knight Rises ***/B+, The Dark Knight Returns (animated) coming soon

The Amazing Spider-Man belated review

Between trying to complete a big project at work, bad news of serious illness and unemployment among family and friends, and last weekend’s visit to Upstate New York, I’ve again fallen behind in blogging. At least I won’t run out of movies, television, and games to review anytime soon.

On Sunday, 8 July 2012, I met Thomas K.Y. & Kai-Yin H. and Sara F. & Josh C. for The Amazing Spider-Man. Sony’s superhero reboot was more fun than some of its predecessors, if not as memorable.

The Amazing Spider-Man
Spidey gets new threads from Marc Webb

The good: I thought that the cast of The Amazing Spider-Man was strong, with lanky, wisecracking Andrew Garfield taking on the role of Peter Parker/Spidey from the mopey Tobey Maguire. The chemistry between Garfield and Emma Stone‘s Gwen Stacy was palpable, and I found Stone more appealing than Kirsten Dunst’s Mary Jane Watson.

Cliff Robertson is ably replaced as Peter’s honorable Uncle Ben by Martin Sheen (who knows a thing or two in real life about troubled children). Sally Field is a long way from Gidget as Aunt May, and Denis Leary is Gwen’s tough father, NYPD Capt. Stacy. Speaking of parental figures, Rhys Ifans, who was charismatic in the SyFy Channel’s Neverland, brings proper pride and pathos to Dr. Curt Connors.

I also liked that The Amazing Spider-Man‘s webslinging seemed to rely more on stuntmen in costumes rather than computer-generated imagery. Of course, visual effects have no doubt improved in the past decade or so.

The bad: One of my main complaints is that, in its attempt to keep the movie rights from reverting back to Disney/Marvel, Sony rehashed Spider-Man’s origin story barely a decade after Sam Raimi did a good job of adapting it to the silver screen. Garfield spends most of his screen time out of costume or unmasked, and the subplot of his missing (scientist or spy) parents is teased but mercifully dropped.

The advertising for The Amazing Spider-Man gave away the identity of the Lizard as the main villain. He’s formidable and has ties to Peter and to Oscorp (which played a major role in the Raimi/Maguire version). Still, he’s not as fearsome as Willem Dafoe’s Green Goblin or Alfred Molina’s Doctor Octopus.

The ugly: As glad as I am to see Peter’s ingenuity return with mechanical web shooters rather than organic ones, I’m not a fan of Spidey’s skaterboi racing suit in The Amazing Spider-Man. I prefer the classic red-and-blue costume over the “ribbed for your pleasure” hyper-textured look that has been popular in everything from J.J. Abrams’ Star Trek reboot to Zach Snyder’s upcoming Man of Steel.

Even though the plot element of Peter’s missing parents is dropped, aptly named director Marc Webb suggests that it was somehow his destiny to be bitten by a mutant spider and that his subsequent heroics are less a matter of personal ethical choice and more one of heredity. This undermines Uncle Ben’s “with great power comes great responsibility” mantra and echoes some of the missteps of the “Bring on the Dark” Broadway musical. Peter’s hero’s journey doesn’t need those complications.

I also noticed that a scene with Spider-Man fighting reptilian mutated police was truncated, but that was for the best. Otherwise, it would have been like the slugfest between Ang Lee’s Hulk and giant dogs. It’s also too bad that other New York-based superheroes, such as the Fantastic Four, Daredevil, or the Avengers, couldn’t be shown in the background because different studios hold the rights.

The verdict: Overall, I enjoyed The Amazing Spider-Man more than I expected to. The cast made up for some plot weaknesses, and my onetime hometown New York City looked as good as ever. I’d put it just after Raimi’s first two superhero flicks, but I definitely liked it more than his third one.

I enjoyed The Avengers more, but The Amazing Spider-Man is a more family-friendly comic book adaptation than The Dark Knight Rises (which I’ll try to belatedly review soon). I’d give The Amazing Spider-Man, which is rated PG-13 for violence, about a 7 out of 10, three out of five stars, or a solid B.

Catching up: San Diego Comic-Con 2012 reflections

Superheroes and villains have been in the news a lot lately. My heart goes out to the families of the victims of this past weekend’s shooting tragedy in Colorado. Let’s look back for a moment to happier times.

San Diego Comic-Con 2012 included the usual movie and television previews, toys and games, large numbers of brave fans in costume (also known as cosplay), and even some comic book announcements. Although I missed Spike TV’s coverage a few weeks ago, I caught much of G4’s programming, including its three-hour block on Saturday, 14 July 2012.

The CW's upcoming "Arrow" TV series
The CW’s upcoming “Arrow” TV series

Movies

Of the movies previewed, I’ve become more interested in the science fiction remakes Total Recall and Dredd, as well as animated comedies ParaNorman, Hotel Transylvania, and Rise of the Guardians. A few other flicks caught my eye, including Django Unchained, Looper, Elysium, and Pacific Rim.

Of course, there are the obligatory prequels and sequels, including James Bond in Skyfall, comic book superheroes Iron Man 3 and Thor 2, Star Trek 2, and last but not least The Hobbit: An Unexpected Journey and The Hobbit: There and Back Again.

Live-action TV

With the recent genre TV season ended, it was bittersweet to look back at departed or soon-to-end series such as Awake, Fringe, and Spartacus. Fortunately, there are lots of new shows to look forward to this fall, including supernatural melodrama 666 Park Ave. and postapocalyptic Revolution.

I’m a longtime fan of DC Comics’ Green Arrow, so I’ll definitely try the CW’s Arrow, which gives Oliver Queen the Batman Begins/Smallville treatment. I hope that it can focus more on Ollie’s awakening as a champion of social justice and archery prowess and less on the soap opera aspects, but the trailers are a mixed bag.

Of course, there’s lots to watch in the meantime, like midsummer cable shows such as Leverage, Warehouse 13, Alphas, and White Collar. As a longtime “Whovian,” it’s nice to see the cast of Doctor Who (and Torchwood) treated as returning heroes. We’ll see whether CBS’s Elementary will be a worthy companion to the BBC and PBS’s Sherlock and Masterpiece: Mystery.

Beyond the speculative fiction of Fringe, other procedurals with twists that I recommend include Castle (fanboy shippers), Person of Interest (domestic espionage), and Grimm (modernized fairy tales).

Cartoons

I’m disappointed that Batman and the Brave and the Bold and Avengers: Earth’s Mightiest Heroes are being replaced so soon, but at least Young Justice and Green Lantern: the Animated Series will be joined by new lighthearted Teen Titans Go! episodes. As I’ve mentioned before, Star Wars: the Clone Wars is carrying the torch for space opera on TV and continuing to expand George Lucas’ universe.

I’ve enjoyed the worldbuilding of Avatar: the Legend of Korra and the underrated Tron: Legacy. I suspect that the next animated Teenaged Mutant Ninja Turtles will be better than the live-action revision would have been.

Comic books

In comic books discussed around Comic-Con, I’m amused that Marvel is also doing a “soft reboot” with its “Marvel Now” after the much-criticizedDCnU” of the past year. I’ll be sorry to see Ed Brubaker leave Captain America, which he presented as a technothriller, and I hope that Marvel can rein in its proliferating Avengers and X-Men titles.

I’m still sifting through various “Batfamily” issues, but I’ve enjoyed some of DC Comics’ series after its continuity revision. Superman and Wonder Woman have benefited most from de-aging and new creative teams, and (some) Green Lantern and the Flash have changed the least. DC’s treatment of its female characters and younger teams still leaves something to be desired, however.

Of the comics from publishers other than the “big two,” I’ve enjoyed the Star Trek: the Next Generation/Doctor Who — Assimilation crossover, the similarly retro Steed and Mrs. Peel, and Brian Wood and Becky Cloonan’s atmospheric adaptation of Conan the Barbarian: Queen of the Black Coast.

I’ve been busy with work, games, and summer activities, but I hope to post my belated reviews of The Amazing Spider-Man and The Dark Knight Rises soon!

Ennies and recent favorite RPGs

Fellow role-players, as we continue to discuss our current games and what we might play next, don’t forget to vote for this year’s Ennies! Here’s how I voted:

While I haven’t played many of these, I own several, and I’ve looked at many more products and Web sites. I explain why I chose what I did below.

RPG dice
A pile of polyhedral dice — most tabletop role-players’ fancy

Fantasy

Standouts include Paizo and others’ continuing strong support for the Pathfinder system (a.k.a. “D&D3.75”) and Obsidian Portal, whose wikis our current face-to-face and telecom groups have been using.

I haven’t yet played The One Ring, but it has impressive production value, as do supplements such as DungeonMorph’s cards and the “Mass Transit” series of maps. Many of you have received the news and Game Mastering advice I’ve forwarded from Gnome Stew and EnWorld.org. I enjoyed Rich’s “Way of the Wickedone-shot.

Modern and superheroes

I voted for DC Adventures: Heroes & Villains Vol. 1 (using D20/OGL Mutants & Masterminds 3rd Ed.) over the Marvel Heroic Roleplaying Basic Game even though we’re using the latter in Jason‘s “Glassworkssuperhero miniseries. I thought Green Ronin’s relatively timeless approach to DC’s iconic characters was better than Margaret Weiss Production’s dice-intensive take on recent Marvel continuity. I’ll leave the various Cthulhu supplements to the horror authorities among us.

Science fiction

I’ve used various SFRPG supplements in developing the “Vortex” space opera, including Ashen Stars: Dead Rock Seven, Eclipse Phase: Panopticon, and Star Hero. Even though FATE 3e Starblazer Adventures/Mindjammer has been our baseline, Bulldogs! is a much clearer presentation of similar rules.

Publishers

I’m not sure that Wizards of the Coast’s polls are the best way to get feedback for “Dungeons & Dragons Next” (5e), and Mongoose still has too many errors in its rulebooks, even if I like that it’s keeping Traveller going. Cubicle 7 has let support for Starblazer Adventures and Legends of Anglerre slip, so I voted for the publishers of my other favorite supplements of the past year.

What were your favorites? In addition, don’t forget to vote for which of my campaigns you’d like to see for the face-to-face groups in the coming year! Happy gaming, -Gene

“Glassworks” Session 4: Disco roach motel

Fellow role-players, here are my notes for Jason E.R.‘s latest superhero session, which Brian W. hosted at his home in Newton, Mass., on Monday, 9 July 2012:

>>Player Character roster for Jason E.R.‘s “Glassworks” Bronze Age/noir superhero scenario, using the Marvel Heroic Roleplaying game (based on Margaret Weis Productions Ltd.’s Cortex system, originally using DarkPages), as of spring 2012:

  • Kyle Martins/The Cloaked Quarrel” [Gene D.]-male human college student and legacy crime fighter with mystical crossbows
  • Eli Wasserman/the Amazing Mr. Fantastic” [Brian W.]-male metahuman with shadow manipulation, semi-retired superhero and private investigator
  • Rain Tomotowa/Thunderbird” [Sara F.]-female Native American metahuman park ranger, able to change into an eagle
  • Matthew Shanks/Merlin” [Josh C.]-male incubus sorcerer and occultist with an ancient family legacy
  • Tim Gray/DarkStorm” [Bruce K.]-male metahuman super soldier, experimented upon by the government, amnesiac weapons designer for Oryx Industries, and armored vigilante
  • Summer Winters/Santanica Pandemonium” [Rich C.G.]-female human nurse and mother/demon with flame powers, newly aware of her dual nature
  • Ezra Goldman/Daedalus” [Beruk A./absent]-male metahuman with the ability to temporarily imbue machines with personalities
Kyle and Eli
The Cloaked Quarrel and the Amazing Mr. Fantastic in a fight (image from “Archer and Armstrong”)

As an impromptu band of metahumans and crime fighters reviews its cases in Eli’s office, the semi-retired vigilante gets a distress signal from his Seventh Legion communications device. Fanboy Kyle recognizes the “VII” symbol and 1960s technology.

The “Amazing Mr. Fantastic” recognizes the signal as coming from John Getz, a.k.a. “Red Planet.” The group goes to the Indian Beach neighborhood of Hamilton, Del., and finds Getz’s apartment trashed.

Merlin identifies members of the Coven, a New York-based rival to Hamilton’s mystical Conclave, who lie sprawled amid the wreckage. DarkStorm is impressed that Red Planet, a “brick” or “tank” of the Seventh Legion, didn’t go down without a fight.

Eli attends to Getz, who is mortally wounded and gives him a burned-out cintomanni (also called a dragon pearl or philosopher’s stone). Red Planet notes that it was a trophy from King Naga, who disappeared years ago. The costumed villain’s breastplate was part of the jade warrior’s panoply that various parties are seeking.

The rocky brawler says with his last breath that “He was always her white knight.” The mournful Amazing Mr. Fantastic notes that Richard, the White Magus, was once known as the “White Knight.” His partner Eva Ball, who was recently entangled in the Devil Doll arsons, was known as “Damsel.”

Santanica Pandemonium keeps an eye out for Erechtho, Shard, or other members of the Coven. Thunderbird and the Cloaked Quarrel search Getz’s apartment for clues and find an old subway map with an extra line. Apparently, a Metro line to the Annex was built in the late 1960s but was never used — the project’s funds were diverted to the Annex’s infrastructure. The team leaves before the police arrive.

Back at Wasserman’s office, Daedalus keeps watch on prisoner Rasayana, who with Erechtho attacked the estate of industrialist James Orex. Merlin hides the cintomanni in his extradimensional library.

Thunderbird observes that the stations on the train map correspond with the arson sites leading toward Glassworks. The assembled heroes agree to go to the crystal factory at Inneman Station.

DarkStorm makes sure to park his vehicles a safe distance away, and the Cloaked Quarrel shoots a nylon line to lower himself into the disused tunnels. Santanica Pandemonium unfurls her demonic wings and creates a whirlwind to lower the others.

Flashlights in hand, the investigators don’t go far before they meet four cockroach-themed malefactors! Palmetto, whom the Cloaked Quarrel had humiliated in their first encounter, praises “the glory of the mother.”

Death’s Head engages Santanica Pandemonium, who erupts into an infernal blaze. Discoid readies his disc shooter, as Palmetto dodges crossbow bolts. Hisser and Thunderbird trade sonic attacks.

The Amazing Mr. Fantastic misses Discoid, and Thunderbird slams Palmetto into a wall. Death’s Head and Santanica Pandemonium grapple. Merlin conjures up an illusion of a giant can of insecticide, but it’s too dark for his foes to see.

DarkStorm uses his staff to parry shots from Discoid, while Merlin casts Chain Lightning. A muscular man wearing a mask watches the conflict from the sidelines. Santanica Pandemonium later identifies him as Ilya Petrovich, or “Tarakan,” the bodyguard of Russian mob boss Ozerov.

Cloaked Quarrel misses Hisser, who responds by inflicting horror on the young hunter. DarkStorm drives off Hisser, and Santanica Pandemonium tackles Death’s Head. Thunderbird disrupts Hisser’s sonic scream with a thunderclap.

Palmetto blasts his stink guns at Cloaked Quarrel, who narrowly dodges. Discoid and DarkStorm maneuver, while the Amazing Mr. Fantastic blinds Palmetto with darkforce manipulation.

Death’s Head pummels Santanica Pandemonium, but superior Thunderbird saves her winged ally by knocking him out. Discoid’s weapons find their mark, wounding DarkStorm, and the do-gooders stumble about in the dark.

Santanica Pandemonium ends the battle by blasting the area with flame. Three of the four roaches scuttle away, but Petrovich apparently broke Death’s Head’s neck rather than allow him to talk. DarkStorm and Santanica Pandemonium take his mask as a trophy and for further analysis.

The subway spelunkers continue on toward Inneman Station. Music from the ’60s emanates from speakers, and inside a wall, they find the skeleton of King Naga. According to the Amazing Mr. Fantastic, he had fought Harrier back in the 1950s before reforming.

Merlin takes the jade breastplate, and the Cloaked Quarrel tracks wires from a speaker northwest to a strange vending machine in Stevens Station. It dispenses Indian-brand candy, which was manufactured at the factory where the group recently encountered Devil Dolls and a mystic dragon cage.

Santanica Pandemonium knocks the dispenser over, exposing elaborate machinery and more wires spreading through the tunnels. The women who were turned into masked, wrapped pyromaniacs must have each placed a quarter in this machine, even though it’s in an unused station. More mysteries.

Back on the surface, the super friends continue their many inquiries. DarkStorm finds out that Mora Burch, the wife of a missing scientist found turned into glass, was originally entomologist Mora Petrovich, tying her to both the Russian mafia and Oryx Industries. She must be the “mother” Palmetto referred to.

Santanica Pandemonium interrogates Rasayana, whose real name is Keith Lucido. The goon says that Erechtho merely hired him and gave him alchemical armor (with some invisibility). Eli then turns Lucido over to the police.

Thunderbird and Merlin consult seer Kittaguka. The old woman tells them that Dream Hunter and the Coven have the helmet of the jade warrior. The Cloaked Quarrel has his bow, Santanica retrieved daggers, and King Naga had the breastplate.

DarkStorm and the Cloaked Quarrel go to meet the Red Right Hand at the Forcements. The violent vigilante tells the armored wonder and crossbow-wielding kid that “everybody’s looking for a warehouse in the South Market — the Russians, the Italians, the Coven, and the Conclave.”

The Amazing Mr. Fantastic recalls that D.J. Sharrif hired him to find missing chemist Boyd Burch and believes that he may be tied to dragons. Burch had gone to Ozerov for protection against the Galati crime family because of his gambling debts. He and the roaches apparently sought the dragon pearls for glassified Mora.

Kittaguka tells Thunderbird that King Naga, like her ancestors, was a dragonslayer. Merlin says the package that everyone is looking in the South Market could be the last cintomanni, the helmet, or even a dragon.

Merlin goes to the White Magus to share what he has learned so far and to ask about the Devil Dolls and Red Planet. The Cloaked Quarrel wonders why so many people are seeking the pearls and the related jade warrior’s panoply.

After dropping off Lasido, Eli finds Faisal Marzug in his office. On behalf of Ms. Sharrif — who wants to rename Hamilton’s Annex sector as “Fatima” — Marzug gives Eli a check for $25,000 and says that his services are no longer needed.

Late one night, Santanica Pandemonium receives a shadowy visitor. The “independent interest” offers to lead Summer to her son Timmy (and presumably, ex-husband Bobby Galati) in return for the inactive dragon pearl.

DarkStorm learns about Todd Klucas and that the Hamilton Candy Co., which produced the Indian Head brand, was bought by D.J. Sharrif. This connects back to the strange machinery and the mystic dragon cage….

While I’m sorry that we were unable to meet for Brian’s Dungeon Crawl Classics demonstration this past Monday, I look forward to the penultimate “Glassworks” game next week!

In the meantime, it was good to see The Amazing Spider-Man with some of you, and I look forward to The Dark Knight Rises and the FATE 3e “Vortextelecom space opera this Sunday. Please remember to vote in the poll about upcoming face-to-face games at the Yahoo/eGroups Web club when you get a chance.